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The Works of J.W. von Goethe, Vol. IV-Truth and Fiction Relating to my Life Vol. I, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. V-Truth and Fiction Relating to my Life Vol. II, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. X-Poems of Goethe Vol. II-Reynard the Fox, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
The Works of J.W. von Goethe, Vol. VIII-Faust Vol. II, Clavigo, Egmont, The Wayward Lover, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
"The meadow, it is pretty, With flowers so fair to see; I gather them, but no one Will take the flowers from me." --Johann Wolfgang von Goethe, The Sheperd's Lament in Poems of Goethe The Works of J.W. von Goethe, Vol. IX--Poems of Goethe by Johann Wolfgang von Goethe is part of a 14-volume set originally published in 1901-1902.
Excerpt from The Works of J. W. Von Goethe, Vol. 2 of 14: With His Life But she likewise had of late become so sick, that they had at last been obliged to take her from the house into a quiet lodging; and Felix would have been entirely alone if Mignon had not, like a kindly guard ian spirit, come to help him. The two children talked together, and amused each other in the prettiest style. She taught him little songs; and he, having an excel lent memory, frequently recited them, to the surprise of those about him. She attempted also to explain her maps to him. With these she was still very busy, though she did not seem to take the fittest method. For, in studying countries, she appeared to care little about any other point than whether they were cold or warm. Of the north and south poles, of the horrid ice which reigns there, and of the increasing heat the farther one retires from them, she could give a very clear account. When any one was travelling, she merely asked whether he was going northward or southward, and strove to find his route in her little charts. Especially when Wilhelm spoke of travelling, she was all attention, and seemed vexed when anything occurred to change the subject. Though she could not be prevailed upon to undertake a part, or even to enter the theatre when any play was acting, yet she willingly and zealously committed many odes and songs to memory; and by unexpectedly, and, as it were, on the spur of the moment, reciting some such poem, generally of the earnest and solemn kind, she would often cause astonishment in every one. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Works of J.W. von Goethe, Vol. VI-The Sorrows of Young Werther, Elective Affinities, The Good Women and A Tale, by Johann Wolfgang von Goethe, is part of a 14-volume set originally published in 1901-1902.
An exceptionally comprehensive index by paragraph numbers. Certain subjects are treated in separate sub-indexes within the General Index. These include alchemy, animals, the Bible, colors, Freud, Jung, and numbers.
In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in particular, has frequently been acknowledged, until now it has never been examined in any detailed or systematic way. Through an analysis of Jung’s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the intellectual continuity within analytical psychology and the filiation of ideas from German classical aesthetics to Jungian thought. In this way it suggests that a rereading of analytical psychology in the light of German classical aesthetics offers an intellectually coherent understanding of analytical psychology. By uncovering the philosophical sources of analytical psychology, this first volume returns Jung’s thought to its core intellectual tradition, in the light of which analytical psychology gains new critical impact and fresh relevance for modern thought. Written in a scholarly yet accessible style, this book will interest students and scholars alike in the areas of analytical psychology, comparative literature, and the history of ideas.