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In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
New Geographies journal aims to examine the emergence of the “geographic,” a new but for the most part latent paradigm in design today—to articulate it and to bring it to bear effectively on the social role of design. Although much of the analysis of this context in architecture, landscape, and urbanism derives from social anthropology, human geography, and economics, the journal aims to extend these arguments to the impact of global changes on the spatial dimension, whether in terms of the emergence of global spatial networks, global cities, or nomadic practices, and how these inform design practices today. Through essays and design projects, the journal aims to identify the relationship between the very small and the very large, and intends to open up discussions on the expanded role of the designer, with an emphasis on disciplinary reframings, repositionings, and attitudes.
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
These essays are arranged progressively to indicate Hardy's development as a writer and thinker, and to present the major aspects of his work as a whole, linking the poetry and the prose at all appropriate stages. They suggest that 'his formative thought, the product of a period of conflict between new scientific philosophy and humanism on the one hand, and traditional Christian theology combined with Victorian restraints on the other, developed when England was not as intellectually provincial as Matthew Arnold had affirmed. Above all, they illustrate the extent to which the creative imagination and the style of Hardy the writer were stimulated and strengthened by literary influences...'. Important references are made throughout to his Life and Collected Letters.
Ten Lectures on the Tuscan Art antecedent to the Florentine Year of Victories, given before the University of Oxford in Michaelmas Term, 1872
This dictionary provides explanations of references and words used with rare meanings, sources of quotations and allusions, identifications of fictional places and people, major symbols and important influences with critical comments on all Hardy's novels, short stories and poetry.