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The author of I'm Not Here turns their lens inward on anxiety and the inescapable ghosts within.
One quiet afternoon in 2037, Joyce Denzell hears a thud in her family’s home library and finds a book lying in the middle of the room, seemingly waiting for her—a book whose copyright page says it was published in the year 2200. Over the next twenty-four hours, each of the Denzell family members discovers and reads from this mystical history book from the future, nudged along by their cat, Plato. As the various family members take turns reading, they gradually uncover the story of Gabe, Mia, and Ruth—a saga of adventure, endurance, romance, mystery, and hope that touches them all deeply. Along the way, the Denzells all begin to believe that this book that has seemingly fallen out of time and space and into their midst might actually be from the future—and that it might have something vitally important to teach them. Engaging, playful, and thought-provoking, Hope is a seven-generation-spanning vision of the future as it could be—based on scientific projections, as well as historical and legal precedence—that will leave readers grappling with questions of destiny, responsibility, and the possibility for hope in a future world.
A woman torn between her family and her independence, unmoored between what is and what could be.
One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.
A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
AVAILABLE FOR THE FIRST TIME IN eBOOK! In 1955, Garcia Marquez was working for El Espectador, a newspaper in Bogota, when in February of that year eight crew members of the Caldas, a Colombian destroyer, were washed overboard and disappeared. Ten days later one of them turned up, barely alive, on a deserted beach in northern Colombia. This book, which originally appeared as a series of newspaper articles, is Garcia Marquez's account of that sailor's ordeal. Translated by Randolf Hogan.
"Woo hoo! Eight-year-old G.G. fiinally gets to snowboard. She boldly tells her family, "It's the halfpipe or nothing!" But it's a lot harder than she expected. Can G.G. brave that crazy flying couch, The Lift? Slide the rails at the terrain park with her cousin Carlos? Or even ride the big, scary halfpipe?"--Page 4 of cover.
Reproduction of the original: Chaucer ́s Works by Geoffrey Chaucer