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The Works of Charlotte Smith restores an essential voice in British Romanticism to the prominence she held in her own time, revealing a writer who wrote well in many genres, and, in whatever form she undertook, was innovative with the forms she inherited and strongly influential on those who followed her.
Reveals the extent to which Charlotte Turner Smith's work constitutes as significant an achievement as her poetry, representing the turbulent decade of the 1790s on its social and political, as well as literary, planes with an unparalleled richness of detail and an unblinkered vision.
Reveals the extent to which Charlotte Turner Smith's work constitutes as significant an achievement as her poetry, representing the turbulent decade of the 1790s on its social and political, as well as literary, planes with an unparalleled richness of detail and an unblinkered vision.
Charlotte Smith's early sonnets established the genre as a Romantic form; her novels advanced sensibility beyond its reliance on emotional facility; and her blank verse initiated one of the most familiar of Romantic verse forms. This volume draws together the best of current scholarship.
This collection discusses British and Irish life writings by women in the period 1700-1850. It argues for the importance of women's life writing as part of the culture and practice of eighteenth-century and Romantic auto/biography, exploring the complex relationships between constructions of femininity, life writing forms and models of authorship.
Charlotte Turner Smith held a central position during the formative years of the British Romantic period. Smith's work includes eleven novels and two fictional adaptations from the French. This edition reveals the extent to which Smith's work in this form constitutes as significant an achievement as her poetry.
Charlotte Turner Smith held a central position during the formative years of the British Romantic period. Smith's work includes eleven novels and two fictional adaptations from the French. This edition reveals the extent to which Smith's work in this form constitutes as significant an achievement as her poetry.
In Mercenaries in British and American Literature, 1790-1830, Erik Simpson proposes the mercenary as a meeting point of psychological, national, and ideological issues that connected the severed nations of Britain and America following the American Revolution.When writers treat the figure of the mercenary in literary works, the general issues of incentive, independence, and national service become intertwined with two of the well-known social developments of the period: an increased ability of young people to choose their spouses and the shift from patronage to commercial, market-based support of authorship. While the slave, a traditional focus of transatlantic studies, troubles the rhetoric of liberty through a lack of autonomy and consent, the mercenary raises questions about liberty by embodying its excess. Simpson argues that the mercenary of popular imagination takes monstrous advantage of modern freedoms by contracting away the ostensibly natural and foundational bonds of civil society.Substan
'Sold, a legal prostitute' when married off at the age of fifteen, Charlotte Smith left her wastrel husband to support herself and their children as a poet and novelist who would have a lasting influence on William Wordsworth and Jane Austen. Combative and witty she became a radical, controversial and very popular author: at a time when the French Revolution was raising high hopes of Reform, she argued for change in England too. Loraine Fletcher's vivid scholarly biography is as readable for the newcomer to the 1790s as for the specialist, tracing the embattled life in the wonderfully self-dramatising fiction.
Charlotte Turner Smith held a central position during the formative years of the British Romantic period. Smith's work includes eleven novels and two fictional adaptations from the French. This edition reveals the extent to which Smith's work in this form constitutes as significant an achievement as her poetry.