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Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the final volume in a set of seven which comprises a complete edition of all her works.
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the sixth volume in a set of seven which comprises a complete edition of all her works.
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the fifth volume in a set of seven which comprises a complete edition of all her works.
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the third volume in a set of seven which comprises a complete edition of all her works.
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the first volume in a set of seven which comprises a complete edition of all her works. This volume is a collection of her poetry.
This book contains the first comprehensive account of writing by women from the mid sixteenth century through to 1700. At the same time, it traces the way a representative sample of that writing was published, circulated in manuscript, read, anthologised, reprinted, and discussed from the time it was produced through to the present day. Salzman's study covers an enormous range of women from all areas of early modern society, and it covers examples of the many and varied genres produced by these women, from plays to prophecies, diaries to poems, autobiographies to philosophy. As well as introducing readers to the wealth of material produced by women in the early modern period, this book examines changing responses to what was written, tracing a history of reception and transmission that amounts to a cultural history of changing taste.
It is perhaps not altogether easy to appreciate the multiplicity of difficulties with which the first editor of Mrs. Behn has to cope. Not only is her life strangely mysterious and obscure, but the rubbish of half-a-dozen romancing biographers must needs be cleared away before we can even begin to see daylight. Matter which had been for two centuries accepted on seemingly the soundest authority is proven false; her family name itself was, until my recent discovery, wrongly given; the very question of her portrait has its own vexed (and until now unrecognized) dilemmas. In fine there seems no point connected with our first professional authoress which did not call for the nicest investigation and the most incontrovertible proof before it could be accepted without suspicion or reserve. The various collections of her plays and novels which appeared in the first half of the eighteenth century give us nothing; nay, they rather cumber our path with the trash of discredited Memoirs. Pearson's reprint (1871) is entirely valueless: there is no attempt, however meagre, at editing, no effort to elucidate a single allusion; moreover, several of the NovelsÑ and the Poems in their entiretyÑ are lacking. I am happy to give (Vol. V) one of the Novels, and that not the least important, The History of the Nun, for the first time in any collected edition. Poems, in addition to those which appeared in Mrs. Behn's lifetime, and were never reprinted after, have been gathered with great care from many sources (of which some were almost forgotten). It is hoped that this new issue of Mrs. Behn may prove adequate. Any difficulties in the editing have been more than amply compensated for by the interest shown by many friends. Foremost, my best thanks are due to Mr. Bullen, whose life-long experience of the minuti¾ of editing our best dramatic literature, has been ungrudgingly at my service throughout, to the no small advantage of myself and my work. Mr. Edmund Gosse, C.B., has shown the liveliest interest in the book from its inception, and I owe him most grateful recognition for his kindly encouragement and aid. Nay, more, he did not spare to lend me treasured items from his library so rich in first, and boasting unique, editions of Mrs. Behn. Mr. G. Thorn Drury, K.C., never wearied of answering my enquiries, and in discussion solved many a knotty point. To him I am obliged for the transcript of Mrs. Behn's letter to Waller's daughter-in-law, and also the Satire on Dryden. He even gave of his valuable time to read through the Memoir and from the superabundance of his knowledge made suggestions of the first importance. The unsurpassed library of Mr. T. J. Wise, the well-known bibliographer, was freely at my disposal. In other cases where I have received any assistance in clearing a difficulty I have made my acknowledgement in the note itself.
George Villiers, Second Duke of Buckingham, was one of the most controversial figures of the late 17th century. He was the principal author of 'The Rehearsal' (1671), a burlesque play. This edition addresses the difficulties in both attribution and annotation that almost all of his works present.
Aphra Behn (1640–1689), prolific and popular playwright, poet, novelist, translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. Quantitative Literary Analysis of the Works of Aphra Behn: Words of Passion offers what no book has done to date, an analysis of all Behn’s literary output. It examines the author’s use of words in terms of frequencies and distributions and stacks the words in context to read Behn’s word usage synchronically. Using this experimental method, the book brings digital humanities into literary criticism, to enhance our understanding and appreciation of literature beyond what is possible in diachronic reading and scholarship less supported by digital means. The empirical approach works in collaboration with existing scholarship to understand Behn’s distinct language of love and extreme passions across her genres.