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The Workes is a collection of the writings of King James VI & I, founding monarch of Great Britain and the United States. Although it includes many of the king's most famous writings, The Workes remains practically unknown to the general populace. We once asked an antiquarian bookseller if he had a copy of James' Workes for sale. He responded, "He [King James] never wrote anything." Given the scarcity of this primary source document, it is with great pleasure that the Miscellany Press presents this special unabridged facsimile edition of James' Workes of 1616--we know of no other facsimile or reprint edition as complete. Our edition of James' Workes includes easy-to-understand prefatory materials to help orient the reader to this fascinating volume. We are not sure how any history library could be considered complete without this important title.
In this study Natasha Constantinidou considers the views articulated by the scholars Pierre Charron (1541-1603), Justus Lipsius (1547-1606), Paolo Sarpi (1552-1623) and King James VI and I (1566-1625), in response to the religious ruptures of their time. Though rarely juxtaposed, all four authors were deeply affected by the religious divisions. In their works, they denounced religious zeal, focusing on non-dogmatic piety. Drawing on classical tradition and church history, they set out to offer consolation to the people of a war-torn continent and to discuss means of reconciliation. Their responses sought to define the role of religion in public and private. They emphasised the need for lay control of religious affairs as the only way of ensuring peace, whilst circumscribing belief and its practice to the private realm.
These twenty-six essays examine urban, rural, national, and imperial histories in Early Modern Europe and abroad, and politics in Reformation Switzerland, Burgundy, Germany, and the Netherlands.
This book brings together a bold revision of the traditional view of the Renaissance with a new comparative synthesis of global empires in early modern Europe. It examines the rise of a virulent form of Renaissance scholarship, art, and architecture that had as its aim the revival of the cultural and political grandeur of the Roman Empire in Western Europe. Imperial humanism, a distinct form of humanism, emerged in the earliest stages of the Italian Renaissance as figures such as Petrarch, Guarino, and Biondo sought to revive and advance the example of the Caesars and their empire. Originating in the courts of Ferrara, Mantua, and Rome, this movement also revived ancient imperial iconography in painting and sculpture, as well as Vitruvian architecture. While the Italian princes never realized their dream of political power equal to the ancient emperors, the Imperial Renaissance they set in motion reached its full realization in the global empires of sixteenth- and seventeenth-century Spain, France, and Great Britain.