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This book examines the life and works of a major architect whose buildings today surpass him in recognition.
This collection of both famous and little-known nineteenth-century Boston architectural drawings offers a unique picture of the ideas behind the building of one of America's greatest cities.
Kane explores the role of religious identity in Boston in the years 1900-1920, arguing that Catholicism was a central integrating force among different class and ethnic groups. She traces the effect of changing class status on religious identity and solidarity, and she delineates the social and cultural meaning of Catholicism in a city where Yankee Protestant nativism persisted even as its hegemony was in decline.