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Artwork by Gilbert & George.
Gilbert & George's art is for everyone - in their own words, an 'art for all'. Their sculptures, photographic works, drawings and photographic pieces address fundamental human issues and concerns: sex, death, violence, religion, alcoholism, fear and racial tension. Humorous and subversive, amusing and shocking, they are in the tradition of England's finest socially engaged artists. In this guide, eminent art historian, critic and close friend of the artists Robert Rosenblum looks back at their entire career since they met at St Martin's School of Art in 1967 and started working together. Some of their most important works, from the Singing Sculptures of the late 1960s to their very latest large, colourful, multipanel pictures, are here to illustrate Rosenblum's lively and perceptive text, while quotes from the artists provide a fascinating insight into their lives, works and personalities. Introducing Gilbert & George is the perfect introduction to two of the most important and popular living artists in the world today.
Published to accompany the exhibition held at Serpentine Gallery, London, 6 June - 1 September 2002.
The latest installation in Gilbert & George's street-level explorations of modern life in London's East End Created over the past three years, this series from artist duo Gilbert & George offers a surreal, day-glo view of London in which everything is slightly off kilter, with the artists pictured catching their balance or toppling over amidst an ever-shifting post-industrial urban landscape.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Sir William Schwenck Gilbert (1836-1911) was the most brilliant dramatist of Victorian England. A daring and cynical playwright, the forerunner of Oscar Wilde and George Bernard Shaw, he was also a prolific journalist and humorous poet (his Bab Ballads are still widely read), and he achieved worldwide fame through his long collaboration with the composer Arthur Sullivan, a collaboration that created such classics as H. M. S. Pinafore, The Mikado, and all the other Savoy operas. Now the story of this remarkable writer's life - and of his stormy relationship with Sullivan - is here chronicled by a renowned authority on Gilbert and on the theatrical and literary scene in Victorian London. For this biography, Jane W. Stedman has returned to original sources, has interviewed survivors, and has scoured a whole variety of Victorian periodicals for reviews, and personal comment. Gilbert emerges as a much more complex and interesting figure than has previously been thought. The book is a worthy companion piece to Arthur Jacobs's recent biography Arthur Sullivan: A Victorian Musician.
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was an arts critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language. Chesterton clashed vociferously and frequently with George Bernhard Shaw, his greatest intellectual "enemy," once calling the Irish playwright "most savagely serious man of his time." This 1909 critique of Shaw's work and attitudes is considered one of the best works of cultural criticism ever written, and certainly the best book on Shaw. Exploring the writer's work through the perspectives of his various personas-the Irishman, the Puritan, the Progressive, the Critic, the Dramatist, and the Philosopher-Chesterton, with brutal grace and devastating humor, shreds Shaw's grimness and illiberalism. This is essential reading for those seeking the best English literature has to offer.
“More than a national treasure, he’s a secret weapon. If we had had Gilbert Gottfried in World War II, Hitler would have given up in 1942.” —Stephen King In the early 1970s, as our nation’s youth railed against every conceivable societal norm, a funny-looking teenage Jew started turning up at open mike nights in various New York City comedy clubs. Surprisingly, he didn’t suck. That funny-looking teenage Jew is now the even funnier-looking middle-aged comedian Gilbert Gottfried, who despite his transparent shortcomings has managed to carve out a hardly-respectable career—and a reputation for shock and awe unrivaled outside the Bush administration. With this scathingly funny book of rants and musings, Gottfried sullies an entirely new medium with his dysfunctional worldview. Hilarious highlights include: Gut-wrenching stories from his bizarre childhood A list of celebrities Gilbert would like to have sex with A somewhat shorter list of celebrities who would like to have sex with Gilbert An even shorter list of Gilbert’s comely co-stars who have been forced to have sex with him on-screen Side-splitting tales of the worst gigs he’s ever performed Incredibly awkward encounters with famous people from Gilbert’s years as a celebrity (of sorts), including Harrison Ford, Kiefer Sutherland, Hugh Hefner and one wildly offensive exchange with Marlee Matlin that left the actress speechless Signature takes on timeless jokes, presented in a clip ‘n’ save format so humorless readers can commit them to memory or tear them from the book’s spine and carry them around in their wallets to amuse their friends The story behind Gilbert’s infamous retelling of the classic “Aristocrats” routine that defined the most recent phase of his career And much more!