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A personal introspective by the influential pop songwriter and performer traces his Liverpool upbringing, artistic influences, creative pursuit of original punk sounds, and emergence in the MTV world.
This book provides in-depth analysis of the words, music, and recordings of Elvis Costello, one of the most enigmatic, eclectic, and critically acclaimed singer-songwriters of the rock era. Elvis Costello is one of the greatest pop songwriters of his generation as well as one of the most significant songwriters of the 20th century. His career's length now approaching four decades, Costello continues to be vital part of pop culture through live performances, recordings, and the iconic nature of his work. The Words and Music of Elvis Costello provides in-depth analysis of this important artist's words, music, and recordings. Arranged chronologically, the book places Costello in the cultural context of his time and place; addresses the overlaps between rock, classical, torch song, and jazz in Costello's highly eclectic range of songs from 1975 to the present; provides a look at the uniquely British aspects of his work; and uniquely spotlights his compositional techniques and approaches to musical form. The book covers everything from Costello's first album My Aim Is True as well as his other albums in the 1970s to his body of work in the '80s and '90s to his continuing eclecticism in the 21st century as he successfully integrates what would appear to be mutually exclusive genres. The concluding chapter provides analysis of the critical commentary about Elvis Costello's work as a performer and songwriter over his long career.
Complicated Shadows paints a detailed and accurate portrait of an intensely private and complex individual. It draws on nearly 50 exclusive interviews with schoolmates, pre-fame friends, early band members, journalists as well as members of The Attractions, producers, collaborators and musicians from all stages of his life and career. Thomson also unearths many previously unknown details about Costello's early years and his personal life, as well as examining his entire musical output using the recollections of those who were there at the time, the majority of whom have never talked on the subject before.
Who knew that Paul McCartney originally referred to Yesterday as 'Scrambled Eggs' because he couldn't think of any lyrics for his heart-breaking tune? Or that Patti LaBelle didn't know what 'Voulez-vous couches avec moi ce soir?' actually meant? These and countless other fascinating back stories of some of our best-known and best-loved songs fill this book, a collection of the highly successful weekly The Life of a Song columns that appear in the FT Weekend every Saturday. Each 600-word piece gives a mini-biography of a single song, from its earliest form (often a spiritual, or a jazz number), through the various covers and changes, often morphing from one genre to another, always focusing on the 'biography' of the song itself while including the many famous artists who have performed or recorded it. The selection covers a wide spectrum of the songs we all know and love - rock, pop, folk, jazz and more. Each piece is pithy, sparkily written, knowledgeable, entertaining, full of anecdotes and surprises. They combine deep musical knowledge with the vivid background of the performers and musicians, and of course the often intriguing social and political background against which the songs were created.
Satirical take on life on the road with Elvis Costello and the Attractions, by the band's bass player.
By the bestselling author of Sam Phillips: The Man Who Invented Rock ‘n’ Roll and Last Train the Memphis: The Rise of Elvis Presley, this dazzling new book of profiles is a culmination of Peter Guralnick’s remarkable work, which from the start has encompassed the full sweep of blues, gospel, country, and rock 'n' roll. It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers. “You put the book down feeling that its sweep is vast, that you have read of giants who walked among us,” rock critic Lester Bangs wrote of Guralnick’s earlier work in words that could just as easily be applied to this new one. And yet, for all of the encomiums that Guralnick’s books have earned for their remarkable insights and depth of feeling, Looking to Get Lost is his most personal book yet. For readers who have grown up on Guralnick’s unique vision of the vast sweep of the American musical landscape, who have imbibed his loving and lively portraits and biographies of such titanic figures as Elvis Presley, Sam Cooke, and Sam Phillips, there are multiple surprises and delights here, carrying on and extending all the themes, fascinations, and passions of his groundbreaking earlier work. One of NPR’s Best Books of 2020 One of Kirkus Review/Rolling Stone’s Top Music Books of 2020 One of No Depression’s Best Books of 2020
An explosive, groundbreaking album that crowned a new king of rock in just 33 minutes Before Elvis Costello was one of Rolling Stone's greatest artists of all time, before he was inducted into the Rock and Roll Hall of Fame, he was Declan P. McManus, an office drone with a dull suburban life and a side gig in a pub rock band. In 1976, under the guidance of legendary label Stiff Records, he transformed himself into the snarling, spectacled artist who defied the musical status quo to blaze the trail for a new kind of rock star with his debut album, My Aim Is True. In Elvis Is King, Richard Crouse examines how the man, the myth, and the music of this arrestingly original album smashed the trends of the era to bridge the gap between punk and rock 'n' roll.
Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold! "Passionate, obsessive, and smart." -Nylon "...an inspired new series of short books about beloved works of vinyl." -Details Franklin Bruno's writing about music has appeared in the Village Voice, Salon, LA Weekly, and Best Music Writing 2003 (Da Capo). He has a Ph.D. in Philosophy from UCLA, and his musical projects include Tempting: Jenny Toomey Sings the Songs of Franklin Bruno (Misra) and A Cat May Look At A Queen (Absolutely Kosher), a solo album. He lives in Los Angeles.
The definitive biography of singer-songwriter Nick Lowe, best-known for "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding" Described as "Britain's greatest living songwriter," Nick Lowe has made his mark as a pioneer of pub rock, power-pop, and punk rock and as a producer of Elvis Costello, Graham Parker, the Damned, and the Pretenders. He has been a pop star with his bands Brinsley Schwarz and Rockpile, a stepson-in-law to Johnny Cash and June Carter Cash, and is the writer behind hits including "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding." In the past decades, however, he has distinguished himself as an artist who is equally acclaimed for the second act of his career as a tender yet sharp-tongued acoustic balladeer. Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure. This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind will be the colorful yet serious account of one of the world's most talented and admired musicians.
The emergence of Thatcherism around 1980, which ushered in a period of neo-liberalism in British politics that still resonates today, led musicians, like other artists, to respond to their context of production. This book uses the early work of one of these musicians, Elvis Costello, to explore the relationship between popular music and politics in one historical period. It is not a biography but an exploration of the interaction between a creative musician's works and their context of constraint and opportunity. Pilgrim and Ormrod unpack the political meaning of Thatcherism and deal with matters arising in that political context about Costello's life but which had resonance for many others at the time (and still do). These topics include the politics of race, class, gender and ageing, emphasising the recurring theme of nostalgia in modern and post-modern life. Throughout the book examples are provided of Costello's songs and how they work musically to illustrate or stimulate the contextual discussion. The book will be of significant interest to musicologists, sociologists and social psychologists.