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Between 1749 and 1850--the formative years of the so-called Jewish Question in Germany--the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.
Eliot’s Four Quartets is arguably the finest long poem in modern English literature. It is also one that presents considerable problems of interpretation. In Word Unheard, first published in 1969, Blamires aims to unravel some of these problems by guiding the reader line by line through the poem, blending paraphrase with commentary. Blamires pays particular attention to the philosophical and theological dimensions of the poem and to its multifarious personal, historical and literary allusions. This title will be of interests to students of literature.
Employing contemporary theoretical perspectives, Uttering the Word provides the first detailed analysis of the language and thought of Maria Maddalena de' Pazzi (1566-1607), an important but neglected Renaissance mystic. Borrowing from Lacan, de Certeau, and Deleuze, Maggi analyzes de' Pazzi's unique mystical discourse and studies how the Florentine visionary interprets the relationship between orality and writing, authorship and audience, sexual identity and language.
The Golden Window of Silence integrates the use of silence as spiritual discipline and its abusive use by systemic structures. Silence may be used as a lifegiving practice or in a destructive way at all levels of societal systems. One of the contentions of The Golden Window of Silence is that when one uses silence to listen to all levels, one may find the source of all non-violent communication. It is by this means that silence becomes one of the most powerful means of social justice. "Proceeds from book sales go to Sunbear Community Alliance, a Texas Non-Profit Corporation."
Radical political thought of the 20th century was dominated by utopia, but the failure of communism in Eastern Europe and its disavowal in China has brought on the need for a new model of utopian thought. This book thus seeks to redefine the concept of utopia and bring it to bear on today's politics. The original essays, contributed by key thinkers such as Gianni Vattimo and Jean-Luc Nancy, highlight the connection between utopian theory and practice. The book reassesses the legacy of utopia and conceptualizes alternatives to the neo-liberal, technocratic regimes prevalent in today's world. It argues that only utopia in its existential sense, grounded in the lived time and space of politics, can distance itself from mainstream ideology and not be at the service of technocratic regimes, while paying attention to the material conditions of human life. Existential Utopia offers a new and exciting interpretation of utopia in contemporary culture and a much-needed intervention into the philosophical and political discussion of utopian thinking that is both accessible to students and comprehensive.
Quantum Poetics examines the way modernist poets appropriated scientific metaphors as part of a general search for the pre-verbal origins of poetry. Daniel Albright traces Modernism's search for the elementary particles from which poems were constructed. The poetic possibilities offered by developments in scientific discourse intrigued Yeats, Eliot and Pound, writers intent on remapping the general theory of poetry. Using models supplied by physicists, Yeats sought for the basic units of poetic force, both through his sequence A Vision and through his belief in, and defence of, the purity of symbols. Pound's whole critical vocabulary, Albright claims, aims at drawing art and science together in a search for poetic precision, the tiniest textual particles that held poems together. Through a series of patient and original readings, Quantum Poetics demonstrates how modernists created a whole new way of thinking about poetry and science as two different aspects of the same quest.
An American-English poet, playwright and influential literary critic, T. S. Eliot was a leader of the Modernist movement in poetry, producing important works such as ‘The Waste Land’ and ‘Four Quartets’. His work exerted a strong influence on Anglo-American culture from the 1920’s until late on in the century. His experiments in diction, style and versification helped revitalise English poetry, while his critical essays challenged old orthodoxies and forged new approaches. Eliot was awarded the 1948 Nobel Prize in Literature “for his outstanding, pioneer contribution to present-day poetry”. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Eliot’s complete poetical and dramatic works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Eliot’s life and works * Concise introductions to the major works * Images of how the books were first printed, giving your eReader a taste of the original texts * The complete poetry * Excellent formatting of the poems * Rare poems often missed out of collections * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * The complete plays * Includes a wide selection of Eliot’s prose, including all the seminal essays * Ordering of texts into chronological order and literary genres CONTENTS: The Poetry Collections Prufrock and Other Observations (1917) Poems, 1920 The Waste Land (1922) The Hollow Men (1925) Ash Wednesday (1930) Ariel Poems (1927-1954) Coriolan (1931) Old Possum’s Book of Practical Cats (1939) Contributions to ‘The Queen’s Book of the Red Cross’ (1939) Four Quartets (1943) Miscellaneous Verses The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Plays The Rock (1934) Murder in the Cathedral (1935) The Family Reunion (1939) The Cocktail Party (1949) The Confidential Clerk (1953) The Elder Statesman (1959) The Prose Eeldrop and Appleplex (1917) Ezra Pound (1918) The Sacred Wood (1920) Homage to John Dryden (1924) The Clark Lectures at Trinity College, Cambridge (1926) Dante (1929) Thoughts after Lambeth (1931) Selected Essays (1932) The Turnbull Lectures at the Johns Hopkins University (1933) Elizabethan Essays (1934) Essays Ancient and Modern (1936) Notes Towards the Definition of Culture (1948) Introduction to ‘All Hallows’ Eve’ (1948) by Charles Williams Introduction to ‘Pascal’s Pensées’ (1958)
The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.
As a poet, editor and essayist, T. S. Eliot was one of the defining figures of twentieth century poetry. This selection, which was made by Eliot himself, includes many of his most celebrated works, including The Love Song of J. Alfred Prufrock and The Waste Land.Other volumes in this series: Auden, Betjemen, Plath, Hughes and Yeats.
Richard Bradford reasserts the value of Jakobson's work on poetry and poetics. Exploring Jakobson's thesis that poetry is the primary object of language, he demonstates how vital Jacobson's work is to an understanding of language and poetry.