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ABOUT THE BOOK:The Chandogya Upanisad: The culture it reflects is remote and archaic, the texture of its ritualistic and contemplative symbolism thick and dense--virtually a closed book for us moderns. A sustained self-submitting attentiveness, howeve
The Chandogya Upanisad: The culture it reflects is remote and archaic, the texture of its ritualistic and contemplative symbolism thick and dense-virtually a closed book for us moderns. A sustained self-submitting attentiveness, however, discloses its language as resonating disturbingly modern notes, focusing our attention on many of our pathologies as well as our possibilities, pathologies and possibilities that have escaped the notice of us moderns. The spirit of quiet hermeneutics that characterizes this study illumines many an opaque spot in this text, solves many an interpretive puzzle, turns many of its `archaic naivetes` into living and compelling profundities. We are made to realize that what some moderns call Gestell is far more primordial than they would envisage it to be, far more ominous and primitive, tragic and persistent. A radical transformation is required, an ontological transformation. Not mere `a masterly exposition` of an ancient text is, therefore, this study, but `an authentic springboard for fresh philosophical thinking fecundating (the) two shores of the human experience: East and West`. The first three (published) Vols. are on (i) Isa, Kena, Katha and Prasna Upanisads; (ii) Mundaka and Mandukya Upanisad with Gaudapada Karika; (iii) Taittiriya and Aitareya Upanisads.
The Chandogya Upanisad: The culture it reflects is remote and archaic, the texture of its ritualistic and contemplative symbolism thick and dense-virtually a closed book for us moderns. A sustained self-submitting attentiveness, however, discloses its language as resonating disturbingly modern notes, focusing our attention on many of our pathologies as well as our possibilities, pathologies and possibilities that have escaped the notice of us moderns. The spirit of quiet hermeneutics that characterizes this study illumines many an opaque spot in this text, solves many an interpretive puzzle, turns many of its 'archaic naivetes' into living and compelling profundities. We are made to realize that what some moderns call Gestell is far more primordial than they would envisage it to be, far more ominous and primitive, tragic and persistent. A radical transformation is required, an ontological transformation. Not mere 'a masterly exposition' of an ancient text is, therefore, this study, but 'an authentic springboard for fresh philosophical thinking fecundating (the) two shores of the human experience: East and West'. The first three (published) Vols. are on (i) Isa, Kena, Katha and Prasna Upanisads; (ii) Mundaka and Mandukya Upanisad with Gaudapada Karika; (iii) Taittiriya and Aitareya Upanisads.
The Chandogya Upanisad: The culture it reflects is remote and archaic, the texture of its ritualistic and contemplative symbolism thick and dense-virtually a closed book for us moderns. A sustained self-submitting attentiveness, however, discloses its language as resonating disturbingly modern notes, focusing our attention on many of our pathologies as well as our possibilities, pathologies and possibilities that have escaped the notice of us moderns. The spirit of quiet hermeneutics that characterizes this study illumines many an opaque spot in this text, solves many an interpretive puzzle, turns many of its 'archaic naivetes' into living and compelling profundities. We are made to realize that what some moderns call Gestell is far more primordial than they would envisage it to be, far more ominous and primitive, tragic and persistent. A radical transformation is required, an ontological transformation. Not mere 'a masterly exposition' of an ancient text is, therefore, this study, but 'an authentic springboard for fresh philosophical thinking fecundating (the) two shores of the human experience: East and West'. The first three (published) Vols. are on (i) Isa, Kena, Katha and Prasna Upanisads; (ii) Mundaka and Mandukya Upanisad with Gaudapada Karika; (iii) Taittiriya and Aitareya Upanisads.
This book is an attempt at presenting to the readers a critical analysis of the philosophy of Advaita Vedanta by comparing the views of the Bhamati and the Vivarana Schools, the two most important protagonists of Sankara`s philosophy, with a detailed study of the original text. It begins with a survery of the historical development of Advaitic thought, starting right from the Vedas to end up with the modern period. The author has taken up for discussion in this work the basic concepts of Advaita Vedanta as interpreted by Vacaspati Misra and Prakasatman, encompassing the concepts of Maya, Avidya, Adhyasa, Anirvacaniyata, Bimba-Pratibimba-vada, Vivartavada, the locus of Avidya, Brahmavagati, Jivanmukti, Videhamukiti etc.
Catalog of books on display at the 12th New Delhi World Book Fair, held at New Delhi in February 1996.
he popular and often misunderstood Mandukya Upanishad is considered the "king" of the Upanishads because its simple, elegant logic in the hands of an accomplished teacher removes the belief that the Self is a finite entity, revealing its limitless fullness. The famous commentaries of Gaudapada, a great sage of the Vedantic sampradaya, presents a radical Creation teaching, non-origination. Creation teachings are important because the Upanishads unequivocally state that reality is non-dual consciousness/existence. If it is, then how can we explain the presence of duality, which we continually experience?