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"A few weeks before the outbreak of the infamous 'Ripper' murders in 1888 Inspector Samuel Ravenscroft of the Whitechapel Constabulary is sent to the peaceful county town of Worcester to investigate the unexpected disappearance of the cathedral librarian and the priceless medieval manuscript known as the Whisperie. Aided by his former colleague, Constable Tom Crabb, Ravenscroft soon encounters a dark world of murder, lies and deceit within the walls of the ancient cathedral, and gradually uncovers an unsolved mystery dating back nearly forty years." "Meanwhile in London, events are nearing a dramatic climax as the mysterious woman in black attempts to gain her revenge in the darkened alleyways of Whitechapel." "It is not long before the two contrasting worlds of Worcester and Whitechapel become intertwined in unsettling and frightening ways."--BOOK JACKET.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention. Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her. On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie with the injured, orphaned, and starving, Vera and her guileless sister, Pie, are cast adrift. Disregarding societal norms and prejudices, Vera begins to imagine a new kind of life. She collaborates with Tan, her former rival, and forges an unlikely family of survivors, navigating through the disaster together. “A character-driven novel about family, power, and loyalty, (San Francisco Chronicle), Vera brings to life legendary characters—tenor Enrico Caruso, indicted mayor Eugene Schmitz and boss Abe Ruef, tabloid celebrity Alma Spreckels. This “brilliantly conceived and beautifully realized” (Booklist, starred review) tale of improbable outcomes and alliances takes hold from the first page, with remarkable scenes of devastation, renewal, and joy. Vera celebrates the audacious fortitude of its young heroine, who discovers an unexpected strength in unprecedented times.
A Washington Post best nonfiction book pick of 2021 “It is biography as an expression of love.” – The New York Times New York Times–bestselling author Julie Klam’s funny and moving story of the Morris sisters, distant relations with mysterious pasts. Ever since she was young, Julie Klam has been fascinated by the Morris sisters, cousins of her grandmother. According to family lore, early in the twentieth century the sisters’ parents decided to move the family from Eastern Europe to Los Angeles so their father could become a movie director. On the way, their pregnant mother went into labor in St. Louis, where the baby was born and where their mother died. The father left the children in an orphanage and promised to send for them when he settled in California—a promise he never kept. One of the Morris sisters later became a successful Wall Street trader and advised Franklin Roosevelt. The sisters lived together in New York City, none of them married or had children, and one even had an affair with J. P. Morgan. The stories of these independent women intrigued Klam, but as she delved into them to learn more, she realized that the tales were almost completely untrue. The Almost Legendary Morris Sisters is the revealing account of what Klam discovered about her family—and herself—as she dug into the past. The deeper she went into the lives of the Morris sisters, the slipperier their stories became. And the more questions she had about what actually happened to them, the more her opinion of them evolved. Part memoir and part confessional, and told with the wit and honesty that are hallmarks of Klam’s books, The Almost Legendary Morris Sisters is the fascinating and funny true story of one writer’s journey into her family’s past, the truths she brings to light, and what she learns about herself along the way.
1890: in the Worcestershire county market town of Pershore, at the Talbots’ Lodging House, a recently arrived guest dies in mysterious circumstances. Detective Inspector Samuel Ravenscroft and his colleague Constable Tom Crabb are called in to investigate. However, as the two policemen start their enquiries, they are faced with their most difficult case to date. As events unfold, Ravenscroft and Crabb uncover many secrets, and an old case from Ravenscroft's past threatens to cast long shadows over the present in this highly entertaining sixth title in the Victorian Inspector Ravenscroft series.
Bursting with bittersweet nostalgia, a funny, poignant, perfectly voiced debut that captures what it's like to be a teenage girl—“full of brilliantly-rendered awkwardness and the hilarious minor horrors of a privileged adolescence, The Brittanys shimmers with the everyday incandescence of youth” (Kimberly King Parsons, author of Black Light). They're not the most popular freshmen at their Florida prep school, but at least everyone knows their name(s). The Brittanys. Brittany Rosenberg: drives her golf cart around her subdivision to meet boys. Brittany Gottlieb: insists you can't lose your virginity if you haven't gotten your period. (She heard it somewhere!) Brittany Tomassi: is from New York. Brittany Jensen: once threw her tampon into a stranger's swimming pool. A brash, bold, unapologetic tomboy. And the greatest person in the whole wide world. At least as far as the fifth Brittany--our narrator--is concerned. Even within their friend group, she and Jensen are a duo: with their matching JanSport backpacks, Tiffany chokers, and Victoria's Secret push-up bras, they are unstoppable. And now that they're finally growing up, they're going to do everything: dye their hair, attend no-parent parties, try pot . . . maybe even lose their virginities. 2004 is totally going to be their year! Except Jensen's interests may be diverging from her friends'. And within our narrator's own family--in the lives of her exhausted mother and beloved, genius older brother--life-changing events may be taking shape. Events that only years later, looking back, she has the perspective to see. A VINTAGE ORIGINAL
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything thereafter. In this film, Heart of Glass, Herzog exercised control over his actors by hypnotizing them before shooting their scenes. The result was one of the most haunting movies ever made. Not since Lillian Ross's classic 1950 book Picture has an American writer given such a close, first-hand, book-length account of how a director makes a movie. But this is not a conventional, journalistic account. Instead it presents a unique vision with the feel of a novel--intimate, penetrating, and filled with mystery. Alan Greenberg is a writer, film director, film producer, and photographer. He is also the author of Love in Vain: A Vision of Robert Johnson. Werner Herzog is considered one of the world's greatest filmmakers. His books include Conquest of the Useless and Of Walking in Ice.
A Publishers Weekly Best Book of 2016 “Nine Island is a crackling incantation, brittle and brilliant and hot and sad and full of sideways humor that devastates and illuminates all at once.” —Lauren Groff, author of Fates and Furies Nine Island is an intimate autobiographical novel, told by J, a woman who lives in a glass tower on one of Miami Beach’s lush Venetian Islands. After decades of disaster with men, she is trying to decide whether to withdraw forever from romantic love. Having just returned to Miami from a monthlong reunion with an old flame, “Sir Gold,” and a visit to her fragile mother, J begins translating Ovid’s magical stories about the transformations caused by Eros. “A woman who wants, a man who wants nothing. These two have stalked the world for thousands of years,” she thinks. When not ruminating over her sexual past and current fantasies, in the company of only her aging cat, J observes the comic, sometimes steamy goings–on among her faded–glamour condo neighbors. One of them, a caring nurse, befriends her, eventually offering the opinion that “if you retire from love . . . then you retire from life.”
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.
“Fans of Kate DiCamillo, Jennifer Holm, and Polly Horvath will find this an enjoyable and engrossing read.” —School Library Journal Bee is an orphan who lives with a carnival and sleeps in the back of a truck. Every day she endures taunts for the birthmark on her face, though she prefers to think of it as a precious diamond. Then one day a scruffy dog shows up, as unwanted as she, and Bee realizes she must find a home for them both. She discovers a cozy house with gingerbread trim that reminds her of frosting, where two mysterious women, Mrs. Swift and Mrs. Potter, take her in. Whoever these women are, they matter. They matter to Bee. And they are helping Bee realize that she, too, matters to the world—if only she will let herself be a part of it.
The only ones who can fix a broken world are those who have been broken by that world. A shadowy threat has emerged in a realm populated by serious wizards, pious elves, passionate humans, and hedonistic morphs. Several outcasts have been brought together-by fate or by design?-for what they believe to be an epic struggle against that shadowy threat. Yet if they are expecting a straightforward quest to slay some Dark Lord and bring peace to the world, the outcasts are disabused of that notion when a wise voice warns them, "It's not that kind of story." But what kind of story is it? Are these broken beings on an epic quest, or is someone guiding their mission under the aegis of a tired and traditional story? And is this "someone" benevolent or sinister? As the outcasts seek to mend their broken pasts, navigate the perils of love, and perhaps save the known world, we are left to wonder how much of the story is a lie and how much truth has been baked in to make the meal palatable. While "The Outcasts" pays homage to traditional fantasy archetypes, it also seeks to undermine most of them. In a story laced with ancient and medieval scenery, you will find yourself dizzy with the plot twists of this exciting debut fantasy novel. Book I, "The Lies of Autumn" introduces the half-Wizard Marcus and his dear friend Quintus, who find themselves unexpectedly in the company of enslaved Elf siblings Griffin and Gwendolyn, the disgraced Human soldier Octavia, and a Morph named Alexia who possesses abilities which have not been seen in 1,000 years or more. These disparate creatures must navigate love and jealousy, friendship and selfishness, as well as the unspeakable tragedies which haunt each one of their pasts in a quest to save an indifferent world. As Octavia notes, "It sounds like one of those epic tales of old, but it sure doesn't feel like one." Expect fantasy with a twist, as well as equal helpings of romance and action.