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"This book reveals the many wonders of Sanskrit as a living experience and has something for all." -- p.2 of cover.
The foreword states, very little is known about Sri Aurobindo's knowledge of Sanskrit language and literature, the new insights he has given into its origins, and about his original contributions to it. Though these may not be very large, in comparison to his other writings, they are sufficiently extensive and reveal his great mastery of the Sanskrit language. This book is an attempt to provide a first introduction to this significant but not sufficiently explored topic. An overview of Sri Aurobindo's insight into the Vedas, the Upanishads, the epics and classical Sanskrit literature, as well as of his own original Sanskrit writings, is provided. Selections from Sri Aurobindo's translations of Sanskrit texts are also included.
There is a new awakening in India that is challenging the ongoing westernization of the discourse about India. The Battle for Sanskrit seeks to alert traditional scholars of Sanskrit and sanskriti - Indian civilization - concerning an important school of thought that has its base in the US and that has started to dominate the discourse on the cultural, social and political aspects of India. This academic field is called Indology or Sanskrit studies. From their analysis of Sanskrit texts, the scholars of this field are intervening in modern Indian society with the explicitly stated purpose of removing 'poisons' allegedly built into these texts. They hold that many Sanskrit texts are socially oppressive and serve as political weapons in the hands of the ruling elite; that the sacred aspects need to be refuted; and that Sanskrit has long been dead. The traditional Indian experts would outright reject or at least question these positions. The start of Rajiv Malhotra's feisty exploration of where the new thrust in Western Indology goes wrong, and his defence of what he considers the traditional, Indian approach, began with a project related to the Sringeri Sharada Peetham in Karnataka, one of the most sacred institutions for Hindus. There was, as he saw it, a serious risk of distortion of the teachings of the peetham, and of sanatana dharma more broadly. Whichever side of the fence one may be on, The Battle for Sanskrit offers a spirited debate marshalling new insights and research. It is a valuable addition to an important subject, and in a larger context, on two ways of looking. Is each view exclusive of the other, or can there be a bridge between them? Readers can judge for themselves.
This book has the rare distinction of being both an introductorybook and a new ground-breaking study. It is an introductorybook because the reader gets an accurate overview ofthe language, and it is also a ground-breaking study becauseFilliozat s approach harmonizes two different and complementarystands that often have been at war: the Western historicaland comparative approach and the indigenous pa!Çitatradition. Sanskrit is described here from these two points ofview: what the native speakers knew and felt about theirlanguage, and what the foreign scholars discovered in theirhistorical and comparative quest.
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The Sanskrit Alphabet consists of Vowels, Semivowels, Nasals, Row class Consonants, Sibilants, Aspirate, and the Ayogavahas, new unseen sounds that result only during Talking and Chanting. In Speech what comes naturally is called Sandhi. As one speaks fluently, there is a merging of sounds of some of the Adjacent Words. A slight change in spelling is noticed accordingly while Speaking, the same when Written down is called Sandhi. Reading aloud an Avagraha and Visarga properly is what makes the language beautiful and lends power and grace to both the Speaker and the Listener. This book covers all major Sandhis, namely Svarana Dirgha, Guna, Vriddhi, Yan, Ayav, Jashtvam, Chartvam, Visarga, Anusvara, and many specific Sandhis used only during word-formation from the Roots. It explicitly mentions the correct Ashtadhyayi Sutra of Panini and lucidly explains the background process. A chapter on Vedic Sandhis covers the sounds known as Ayogavahas in some detail. A useful and complete book for the novice, the amateur or the Scholar.
Professor Lal has provided an introduction on the history and aesthetic theory of Sanskrit drama, individual prefaces for each play, a phonetic guide to the pronunciation of the Indian names, and a selective bibliography.