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This Collection Of Essays On Politics, Medicine And Historiography Is About Those India Women Who Began To Be Educated And To Pay Some Role In Public Life.
This highly interesting book studies the cultural context of modernisation of middle-class Muslim women in late 19th and 20th century Bengal. Its frames of reference are the Bengal 'Awakening', the Reform Movements - Brahmo/Hindu and Muslim - and the Women's Question as articulated in material and ideological terms throughout the period. Tracing the emergence of the modern Muslim gentlewomen, the bhadramahila, starting in 1876 when Nawab Faizunnesa Chaudhurani published her first book and ending with the foundation in 1939 of The Lady Brabourne College, the book gives an excellent analysis of the rise of a Muslim woman's public sphere and broadens our knowledge of Bengali social history in the colonial period.
The author argues that 'purdah' in early-twentieth-century Bengal meant far more than secluding women behind veils and walls; it entailed an all-encompassing ideology and code of conduct based on female modesty which pervaded women's lives. Accordingly, women's political experience and participation, even if its significance can be established, needs to be deconstructed and contextualized by looking at a wider range of discourses.
In today’s world of unequal globalization, Bangladesh has drawn international attention for the spate of factory disasters that have taken the lives of numerous garment workers, mostly young women. The contemporary garment industry—and the labor organizing pushing back—draws on a long history of gendered labor division and exploitation in East Bengal, the historical antecedent of Bangladesh. Yet despite the centrality of women’s labor to anticolonial protest and postcolonial state-building, historiography has struggled with what appears to be its absence from the archive. Poulomi Saha offers an innovative account of women’s political labor in East Bengal over more than a century, one that suggests new ways to think about textiles and the gendered labors of their making. An Empire of Touch argues that women have articulated—in writing, in political action, in stitching—their own desires in their own terms. They produce narratives beyond women’s empowerment and independence as global and national projects; they refuse critical pronouncements of their own subjugation. Saha follows the historical traces of how women have claimed their own labor, contending that their political commitments are captured in the material objects of their manufacture. Her analysis of the production of historical memory through and by the bodies of women spans British colonialism and American empire, anticolonial nationalism to neoliberal globalization, depicting East Bengal between development economics and postcolonial studies. Through a material account of text and textile, An Empire of Touch crafts a new narrative of gendered political labor under empire.
On the political role of Muslim women in undivided Bengal in 19th and 20th century; a study.
This Study, In The Light Of West Bengal Experience Stresses That Women Are Still Second Class Citizen In Spite Of The Equal Rights Conferred On Them.
Demonstrating The Centrality Of Gender In The Formation Of A National Identity, This Book Opens Up Fresh Ways Of Scrutinising The Links Between Nationalism And Indian Modernity, Examining How Indigenous Cultural Forms Are Constructed For A Modern Political Identity.