Download Free The Women At Point Sur And Other Poems Book in PDF and EPUB Free Download. You can read online The Women At Point Sur And Other Poems and write the review.

Among other things, Jeffers has called The women at Point Sur a study in the origin of religions.
The years 1921 to 1927 were the most productive of Robinson Jeffers's career. During this period, he wrote not only many of his most well-known lyric poems but also Tamar, The Tower Beyond Tragedy, Roan Stallion, and The Women at Point Sur—the long poems that first established his reputation as a major American poet. Including an introduction, chronology, and critical afterword, the Point Alma Venus manuscripts presented here gather Jeffers's four unfinished but substantial preliminary attempts at what became The Women at Point Sur, which Jeffers believed was the "most inclusive, and poetically the most intense" of his narrative poems. The Point Alma Venus fragments and versions shed important light on the composition and themes of The Women at Point Sur. Further, they likely predate other key work from this crucial period, making them a necessary context for those who wish to clarify Jeffers's poetic development and to reinterpret his practice of narrative poetry. Ultimately, they call on general and scholarly readers alike to reconsider Jeffers's place in the canon of modern American poetry.
Robinson Jeffers (1887-1962) is not only the greatest poet that California (and indeed the American West) has produced but a major poet of the twentieth century who occupies a prominent place in the tradition of American prophetic poetry. Jeffers consciously set himself apart from the poetry of his generation--by physical isolation at his home in Carmel, by his unusual poetic form, and by his stance as an "anti-modernist." Yet his work represents a profound, and profoundly original, artistic response to problems that shaped modernist poetry and that still perplex poets today; how to reconcile scientific and artistic discourses and modes of vision; how to connect present-day experience to myths perceived as lying at the origins of human culture; how to renew the poetic language and how (or whether) to present art's claim to moral, spiritual, or epistemological seriousness within representations of modern phenomena. For Jeffers, as for no other important modern American poet, there has never been a collected poems, not even a truly representative selected poems--the current Selected Poetry, first published in 1938, contains no work from the last three volumes published during Jeffers' lifetime or from his posthumous volume. Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition. The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems published between 1920 and 1928, and includes some of his greatest and best-known poems--Tamar,Roan Stallion,The Women at Point Sur, and Cawdor--as well as a recently discovered long poem, "Home." There is also an Editorial Note and a General Introduction.
This exceptional collection contains a rich cross-section of Lawrence's work, including the title poem, "A Collier's Wife," "Monologue of a Mother," "Fireflies in the Corn," and several others.
This volume of correspondence, the last in a three-volume edition, spans a pivotal moment in American history: the mid-twentieth century, from the beginning of World War II, through the years of rebuilding and uneasy peace that followed, to the election of President John F. Kennedy. Robinson Jeffers published four important books during this period—Be Angry at the Sun (1941), Medea (1946), The Double Axe (1948), and Hungerfield (1954). He also faced changes to his hometown village of Carmel, experienced the rewards of being a successful dramatist in the United States and abroad, and endured the loss of his wife Una. Jeffers' letters, and those of Una written in the decade prior to her death, offer a vivid chronicle of the life and times of a singular and visionary poet.
“[A] deeply informative biography . . . situates the poet in his time and place, tracing the effect of both contemporary history and wild nature on his work.” —Edwin Cranston, Harvard University The precipitous cliffs, rolling headlands, and rocky inlets of the California coast come alive in the poetry of John Robinson Jeffers, an icon of the environmental movement. In this concise and accessible biography, Jeffers scholar James Karman reveals deep insights into this passionate and complex figure and establishes Jeffers as a leading American poet of prophetic vision. In a move that would define his life’s work, Jeffers’ family relocated to California from Pennsylvania in 1903 when he was sixteen. At the height of his popularity in the 1920s and 1930s, Jeffers became one of the few poets ever featured on the cover of Time magazine, and posthumously put on a U.S. postage stamp. Writing by kerosene lamp in a granite tower that he had built himself, his vivid and descriptive poetry of the coast evoked the difficulty and beauty of the wild and inspired photographers such as Edward Weston and Ansel Adams. He was known for long narrative blank verse that shook up the national literary scene, but in the 1940s his interest in the Greek classics led to several adaptations which were staged on Broadway to great success. Inspiring later artists from Charles Bukowski to Czeslaw Milosz and even the Beach Boys, Robinson Jeffers’ contribution to American letters is skillfully brought back out of the shadows of history in this compelling biography of a complex man of poetic genius who wrote so powerfully of the astonishing beauty of nature.
This final volume of the first comprehensive edition of all of Robinson Jeffers's completed poems, both published and unpublished, consists of commentary: various procedural explanations and textual evidence for the edition's texts, transcriptions of working notes for the poems and of alternate and discarded passages, a chronology of Jeffers's career, appendixes, and indexes.
This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research.