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Many East Germans illegally escaped through Berlin before the wall was built. Freedom was possible if one could convince the guards there was a good reason to enter the Western side. Anita Plutte was one of those who found a way...... "It was December 1955, and I had just said a long, tearful, fearful good bye to my sister Renate. I found myself walking across the Berlin bridge with Frau Fischer. I hoped I was doing the right thing. When we got about halfway across, a young guard stopped us by holding up his hand and blocking our path. 'Where are you going? How long will you be there? What is the purpose of your visit?' The blonde guard on the bridge on the East Berlin side was probably only 20 years old - just a little younger than I was at the time. My mouth was dry from the nervousness I was feeling. My throat was closed. I could not answer. My heart was pounding so hard, I could feel it pushing against my chest. My clothes were sticking to my back from the nervous sweat. I just looked down. I could not meet his eye. What I was about to do was so against my nature, yet from somewhere within I was determined to try." ABOUT THE AUTHOR: Anita Plutte resides in Southeastern Pennsylvania at a cozy retirement community. Writing has become one of her passionate hobbies. She grew up in Germany during WWII and escaped from East Germany as a young adult searching for peace and happiness. The rosy life she imagined she would have in the United States never became a reality. As a result of trials and disappointments, she realized that true happiness could only be found in knowing God and Jesus Christ.
In English with an Accent Rosina Lippi-Green examines American attitudes towards language, exposing the way in which language is used to maintain and perpetuate social structures.
Angels are falling all over the world and earthquakes and tidal waves are demolishing the major cities. Vampires are proliferating in the chaos, and a deadly, demonic plague is spreading like wildfire. Liana thought her battle to keep from turning into a vampire and stay human was personal, but prophecy says she's the only person alive who can free humanity from demonkind. Others have been called before, but none have succeeded, and she is the last. If she can't win this war, nobody can. The pressure is on her and her faithful friends: Corban, the ex-angel and possible boyfriend; Amy, the anthropology-student-turned-loremaster; and Gina, the jeweler-turned-supernatural-weaponsmith. The four of them plus an army of soldiers drawn from across all the human realms must journey into the demon realm and close the portal once and for all. But when the fallen discover their plans, the battles begin, and Liana finds herself alone in a strange realm of immortal demons who live in perpetual night under a sky studded with stars. While her friends fight to reach her, she must decipher the prophecy and figure out how to free both Earth and herself from dark forces that could rend the very fabric of the universe, and destroy all creation.
Politicising World Literature: Egypt, Between Pedagogy and the Public engages with postcolonial and world literature approaches to examine the worldly imaginary of the novel genre and assert the political imperative to teaching world literature. How does canonising world literature relate to societal, political or academic reform? Alternating between close reading of texts and literary history, this monograph studies a corpus of novels and travelogues in English, Arabic, French, Czech and Italian to historicise Egypt’s literary relations with different parts of the world in both the modern period and the pre-modern period. In this rigorous study, May Hawas argues that protagonists, particularly in times of political crises, locate themselves as individuals with communal or political affiliations that supersede, if not actually resist, national affiliations.
When a native German woman offers her residence to a Syrian refugee, she needs the help of her friend a Turkish-German man for translation purposes. As they await the arrival of the Syrian refugee they forge an unlikely bond that propels their friendship into unfamiliar territory where they forced to confront their demons.
While on vacation in Costa Rica with his wife and friends, Travis Lee, also tries to fulfill a promise to his uncle. He is instructed to find a property that was given to his uncle, and to sell it. Not even knowing for sure if the property exists, he not only finds it, but also digs up a lot more than he expected to find.
ESPN's beloved Sports Guy replays the years leading up to the Boston Red Sox historic championship season and says goodbye to a lifetime of suffering. At least for now."The Red Sox won the World Series." To Citizen No. 1 of Red Sox Nation, those seven words meant "No more 1918 chants. No more smug glances from Yankee fans. No more worrying about living an entire life -- that's 80 years, followed by death without seeing the Red Sox win a Series." But once he was able to type those life-changing words, Bill Simmons decided to look back at his Sports Guy columns for the last five years to find out how the miracle came to pass. And that's where the trouble began. Why didnt he see it coming? Why didn't it happen sooner? What was the key deal, the lucky move, the funny bounce, the sign from above that he failed to spot? Pretty soon, The Sports Guy was second-guessing himself, rewriting history, sniping at his own past predictions, pounding the table -- that's what sports guys do, right And doing so, he let himself get sidetracked by the suffering of the Boston Bruins, frustrated by the false promise of the Celtics -- and driven into a state of ecstasy by the dynastic New England Patriots. The result is Now I Can Die in Peace, a hilarious and fresh new look at some of the best sportswriting in America, with sharp critical commentary (and fresh insights) from the guy who wrote it in the first place.
Named a Most Anticipated Book of 2020 by: The Washington Post, Vogue, Marie Claire, Entertainment Weekly, The Millions, New York Magazine, Paste Magazine, LitHub, E! News Online, and many more From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.
Omer Bartov, a leading scholar of the Wehrmacht and the Holocaust, provides a critical analysis of various recent ways to understand the genocidal policies of the Nazi regime and the reconstruction of German and Jewish identities in the wake of World War II. Germany's War and the Holocaust both deepens our understanding of a crucial period in history and serves as an invaluable introduction to the vast body of literature in the field of Holocaust studies. Drawing on his background as a military historian to probe the nature of German warfare, Bartov considers the postwar myth of army resistance to Hitler and investigates the image of Blitzkrieg as a means to glorify war, debilitate the enemy, and hide the realities of mass destruction. The author also addresses several new analyses of the roots and nature of Nazi extermination policies, including revisionist views of the concentration camps. Finally, Bartov examines some paradigmatic interpretations of the Nazi period and its aftermath: the changing American, European, and Israeli discourses on the Holocaust; Victor Klemperer's view of Nazi Germany from within; and Germany's perception of its own victimhood.