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'The Woman Who Toils' is a fascinating investigative journalism account conducted by two sisters, Bessie and Marie Van Vorst. In writing the book, they began an undercover investigation into women and child factory laborers by finding jobs in factories under aliases. Bessie worked in a plant in Perry, New York, a knitting mill near Buffalo, and a Pittsburgh pickle factory, among other places, using the name "Esther Kelly". Marie Van Vorst found employment in a shoe factory in Lynn, Massachusetts, and a cotton mill in Columbia, South Carolina, under the alias "Bell Ballard". In their book the Van Vorsts portrayed the troublesome working and living conditions they had observed, and their consequences for women and girls. Bessie appealed for a more compassionate attitude towards these employees. Van Vorst also noted that factory women enjoyed the independence afforded them by paid labor and therefore delayed marrying. "I never saw a baby nor heard of a baby while I was in town", Van Vorst wrote after nearly three weeks spent in Perry. She also discussed sociability and the discipline of factory work as a dangerous alternative to family unity.
This landmark work of social investigation was written in 1903 by two women of New York's privileged class, who assumed names and toiled as factory girls in a number of eastern U.S.locations.
'The Woman Who Toils' is a fascinating investigative journalism account conducted by two sisters, Bessie and Marie Van Vorst. In writing the book, they began an undercover investigation into women and child factory laborers by finding jobs in factories under aliases. Bessie worked in a plant in Perry, New York, a knitting mill near Buffalo, and a Pittsburgh pickle factory, among other places, using the name "Esther Kelly". Marie Van Vorst found employment in a shoe factory in Lynn, Massachusetts, and a cotton mill in Columbia, South Carolina, under the alias "Bell Ballard". In their book the Van Vorsts portrayed the troublesome working and living conditions they had observed, and their consequences for women and girls. Bessie appealed for a more compassionate attitude towards these employees. Van Vorst also noted that factory women enjoyed the independence afforded them by paid labor and therefore delayed marrying. "I never saw a baby nor heard of a baby while I was in town", Van Vorst wrote after nearly three weeks spent in Perry. She also discussed sociability and the discipline of factory work as a dangerous alternative to family unity.
“This powerful and diverse collection is perfect for fans of female-led fantasy stories. No damsels in distress to be found here.” —Kirkus Reviews (starred review) There’s nothing more powerful than a witch who believes in herself. Women accused of witchcraft. Fearsome girls with arcane knowledge. Toil & Trouble features fifteen stories of girls embracing their power, reclaiming their destinies, and using their magic to create, to curse, to cure, to kill . . . and to live. A young witch uses social media to connect with her astrology clients—and with a NASA-loving girl as cute as she is skeptical. A priestess of death investigates a ritualized murder. A bruja who cures lovesickness might need the remedy herself when she falls for an altar boy. A theater production is turned upside down by a visiting churel. A water witch uses her magic to survive the soldiers who have invaded her desert oasis. And in the near future, a group of girls accused of witchcraft must find their collective power . . . and destroy their captors. NEVER UNDERESTIMATE THE POWER OF A TEEN WITCH! Featuring stories by: Tehlor Kay Mejia Andrea Robertson Tess Sharpe Lindsay Smith Brandy Colbert Shveta Thakrar Robin Talley Nova Ren Suma Zoraida Córdova Brenna Yovanoff Kate Hart Jessica Spotswood Anna-Marie McLemore Emery Lord Elizabeth May “This collection brings together short, witchy stories from fifteen brilliant YA authors . . . It’s a whole lot of magical fun, and a definite must-read for all the witches in your life.” —Bustle “The collective impact is undeniably resounding.” —Booklist (starred review) “[A] provocative, eclectic collection.” —Publishers Weekly (starred review)
In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting—the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public’s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor.
Vol. 1. A-F, Vol. 2. G-O, Vol. 3. P-Z modern period.