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Jae Escoto is a Filipino trans man who has performed spoken word poetry and competed in poetry slam competitions since 2006. Jae holds a bachelor's degree from California State University San Marcos, double-majoring in Literature and Writing and Women's Studies, and minoring in Philosophy. Jae also holds a master's degree in Women's Studies from San Diego State University. The voices in this book are representative of the author and the woman who lives inside of him (narrated in italics) as they journey through their transition from woman to man."The Woman Inside Of Me" is Jae Escoto's daring narrative to take us into the struggles of becoming our fiercest selves. Everything that I have witnessed in Escoto's spoken word work on stage is in this collection, an epic slam poem with an insightful self-probing that moves the reader to haunting depths and breathtaking heights. Here is a literary work that enfolds with layers of poetic passages and dialogue that are sharp as truth, a truly Filipinx work that explodes the foundation of genders and what it means to love and its fragility. A stunning piece of art from beginning to end, intense and full of glorious epiphanies." -Regie Cabico, Poet & Publisher Capturing Fire Press "In this multigenre work, Jae Escoto chronicles the year he comes out as a trans man and prepares himself for hormone treatments. The dual and dueling voices in The Woman Inside of Me speak with uncertainty, fear, anger, pain, determination, compassion, and love. Escoto's language, tonal shifts, and multiple genres evoke an immediacy that positions the reader as witness unable and unwilling to look away from his wonderfully terrible struggle to be 'unapologetically' he/him." --- Catherine Cucinella, Ph.D., Assistant Professor (retired) California State University San Marcos; author, Poetics of the Body: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker (Palgrave). "In his electrifying debut book, Jae Escoto plunges the reader deep into the personal dialogue underlying his journey to live as his fullest self. He makes it impossible for us to see our world as separate from his story, or from the many complicated stories that follow us every day. Escoto's genius is his emotional accuracy. He pens a stunningly authentic voyage all his own. In this, he empowers all of us to breathe more of our own air into our own lives, regardless of what already sits inside of us." -- Matt Storm, transgender artist and curator, leadership team member of the LGBTQ Caucus of the Society for Photographic Education, inaugural fellow of STABLE Arts
Shortlisted for the International Prize of Arabic Fiction Surviving a cold childhood, overshadowed by her parents’ unhappiness and their distant relationship to her, Sahar expects to escape through marriage when she meets the compelling and charming Sami, who is interested in every detail of her life. But what seemed at first to be his loving interest rapidly becomes controlling and ultimately abusive. Sahar yearns for a way out of her intertwined experiences of loss and loneliness. In All the Women Inside Me, Jana Elhassan presents an intricate psychological portrait of a woman, as well as the complexities of interpersonal relationships. The novel’s innovative structure allows it to plumb psychological and philosophical depths beyond the specific characters revealing a profound humanity. Sahar’s father is the lapsed leftist who masks his boredom by busying himself with great causes. Her depressed mother’s nerves are as delicate as the crystal she keeps immaculately polished in her home. A charlatan sheikh trades in religious magic, making a profit off of people’s misery. A boyfriend leaves his great love to marry a “more appropriate” good girl. Sahar navigates her way through so many relationships, ill-prepared by her parents and unhappy childhood home. Her imagination is what allows her to act out all of the desires she has been denied throughout her whole life, from her childhood to her abusive marriage. But she also finds solace in her best friend, Hala, who has faced her own difficult childhood and adolescence and later a series of destructive relationships. At the same time that this novel is able to capture the intensity of emotions and experiences in women’s lives, it is not merely a story about the power of imagination to enrich the lives of oppressed women. Elhassan’s novel is a stark appraisal of how far women are pushed and the length to which women will go to escape a reality that is rotten at the core.
“A marital saga so pitch-black it makes Gone Girl look like the romance of the decade... [The Woman Inside] resembles past smashes like Big Little Lies and The Woman in the Window.”—Entertainment Weekly An impossible-to-put-down domestic thriller about secrets and revenge, told from the perspectives of a husband and wife who are the most perfect, and the most dangerous, match for each other. Paul and Rebecca are drowning as the passion that first ignited their love has morphed into duplicitous secrecy, threatening to end their marriage, freedom, and sanity. Rebecca, in the throes of opioid addiction, uncovers not only her husband’s affair but also his plan to build a new life with the other woman. Spiraling desperately, she concocts a devious plot of her own—one that could destroy absolutely everything. The Woman Inside is a shockingly twisty story of deceit, an unforgettable portrait of a marriage imploding from within, and a cautionary tale about how love can morph into something far more sinister. It’s a novel about how people grow apart and how those closest to us can be harboring the most shocking of secrets.
For 48 years Ron had no sense of self-worth. Since age five Ron knew he was a female trapped in a male body. As years went by, his inner conflict and sense of helplessness became too painful to bear.
The "USA Today" bestselling author of "People of the Moon" spins a prehistorical tale of erotic passion in which a Native American High Chieftess struggles with the spirit of her greatest lover.
" 'The Girl Inside Me' is a heartfelt book and very moving. It can be extremely complex to put oneself out there to the public, but people are looking for real people, with real situations that can heal others and restore hope. Javelin Hardy's collection of poems does exactly that. Even the book's title immediately speaks to the reader, opening curiosity about the direction the book will take.The little girl inside of Javelin Hardy has matured into a beautiful, powerful woman capable of healing others using her personal experience and training in her therapeutic profession. And what more of a blessing it will be as this collection of poems goes further out into the world and touches the lives of so many more.--Kimberly Robinson Green,
After multiple abortions and deep depression, Shellie Warren found healing and recovery in God. She draws young women who are dealing with sexual misuse to a place where they can be real and find wholeness and healing.
Hasn't he lived long enough? Why not? I could take him like a thief in the night. This is how the Thief thinks. He serves death, the vacuum, the unknown. He's always waiting. Always there. Seventeen-year-old Nina Barrows knows all about the Thief. She's intimately familiar with his hunting methods: how he stalks and kills at random, how he disposes of his victims' bodies in an abandoned mine in the deepest, most desolate part of a desert. Now, for the first time, Nina has the chance to do something about the serial killer that no one else knows exists. With the help of her former best friend, Warren, she tracks the Thief two thousand miles, to his home turf-the deserts of New Mexico. But the man she meets there seems nothing like the brutal sociopath with whom she's had a disturbing connection her whole life. To anyone else, Dylan Shadwell is exactly what he appears to be: a young veteran committed to his girlfriend and her young daughter. As Nina spends more time with him, she begins to doubt the truth she once held as certain: Dylan Shadwell is the Thief. She even starts to wonder . . . what if there is no Thief? From debut author Margot Harrison comes a brilliantly twisted psychological thriller that asks which is more terrifying: the possibility that your nightmares are real . . . or the possibility that they begin and end with you?
Willem de Kooning's six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in abstraction. Consequently, they questioned de Kooning's attitude toward women and commitment to the Abstract Expressionist project. Countering such objections to de Kooning's psychological state and artistic goals, Marlene Clark's The Woman in Me: Willem de Kooning, Woman I-VI argues that these canvases could be read as self-portraits, negating claims of misogyny and explaining the presence of figuration amidst abstraction. On a number of occasions, de Kooning admitted that the images on these canvases were "me--but with big shoulders." The Woman in Me focuses on de Kooning's propensity to "play" with the sexed body in his paintings. Clark argues that earlier criticism may have missed a more philosophical dimension of de Kooning's paintings, one that explores the malleability of representations of biological sex and the male/female binary.
This book contains a two-fold purpose: it shares the experiences of an African woman who developed from powerlessness to great empowering heights, and it also attempts to communicate to the world the experiences and stories of the many voiceless African women and their children. The book is an introduction to a five year on-going research on the African Women and Psychology of Oppression. The contents are mostly stories, beliefs and philosophies of African women. They are true experiences. Some of them are breathtaking; some are heartbreaking.