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“A taut and compelling depiction of loneliness and obsession.” --Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train “[It] will keep you firmly in its grip.” --Oyinkan Braithwaite, bestselling author of My Sister, the Serial Killer “The love child of Eugene Ionesco and Patricia Highsmith.” --Kelly Link, bestselling author of Get in Trouble A bestselling, prizewinning novel by one of Japan's most acclaimed young writers, for fans of Convenience Store Woman, Eleanor Oliphant Is Completely Fine, and the movies Parasite and Rear Window I think what I'm trying to say is that I've been wanting to become friends with the Woman in the Purple Skirt for a very long time... Almost every afternoon, the Woman in the Purple Skirt sits on the same park bench, where she eats a cream bun while the local children make a game of trying to get her attention. Unbeknownst to her, she is being watched--by the Woman in the Yellow Cardigan, who is always perched just out of sight, monitoring which buses she takes, what she eats, whom she speaks to. From a distance, the Woman in the Purple Skirt looks like a schoolgirl, but there are age spots on her face, and her hair is dry and stiff. She is single, she lives in a small apartment, and she is short on money--just like the Woman in the Yellow Cardigan, who lures her to a job as a housekeeper at a hotel, where she too is a housekeeper. Soon, the Woman in the Purple Skirt is having an affair with the boss and all eyes are on her. But no one knows or cares about the Woman in the Yellow Cardigan. That's the difference between her and the Woman in the Purple Skirt. Studiously deadpan and chillingly voyeuristic, and with the off-kilter appeal of the novels of Ottessa Moshfegh, The Woman in the Purple Skirt explores envy, loneliness, power dynamics, and the vulnerability of unmarried women in a taut, suspenseful narrative about the sometimes desperate desire to be seen.
A Chinese woman embarks on a dream-like journey through Beijing, Tibet, and mysterious worlds beyond in this novel of “startlingly original imagination” (Guardian, UK). One autumn morning, Jia Jia walks into the bathroom of her lavish Beijing apartment to find her husband dead in their half-full bathtub. Like something out of a dream, Jia Jia discovers a pencil sketch of a strange watery figure next to the tub. The mysterious drawing launches Jia Jia on an odyssey across contemporary Beijing, from its high-rise apartments to its hidden bars, as her path crosses some of the people who call the city home, including a jaded bartender who may be able to offer her the kind of love she had long thought impossible. Unencumbered by a marriage that had constrained her, Jia Jia travels into her past in search of unspoken secrets. Her journey takes her to the high plains of Tibet, and even to a shadowy, watery otherworld. An atmospheric evocation of middle-class urban China, An Yu’s Braised Pork explores the intimate strangeness of grief, the indelible mysteries of unseen worlds, and a young woman’s empowering journey of self-discovery.
Their family has always been a living thing, its members encompassing supporting each other, confident in the indestructible bond of kinship. Murdoch and Janet Saunders, Hugh, Stephanie, Katrina, Malcolm, and Humphrey the dog. Murdoch stands at the head of the family, a highly respected novelist. But Janet is its true centre. She has guarded them all, protected them from wavering doubt and disillusion. She has always been there. Now the last of her brood has left home leaving her without a purpose. Her children plan fresh careers for her without understanding her loss. Murdoch too is undergoing some kind of transformation. Perhaps Janet, so sensitive to his writing gift, realises that this also is slipping away? Abandoned, suddenly adrift in a sea of black despair, she has no shelter, no moorings, no direction. How will she manage? How will her family manage? Unblinkingly honest, Mary Hocking's novel is warm, refreshing and utterly contemporary.
Amelia Bloomer, who does not behave the way 19th-century society says a proper lady should, introduces pantaloons to American women. Full-color illustrations.
This Christmas, a childhood promise comes calling… Clementine Hardy always wanted to be a librarian in her Marietta hometown. But at thirty, she fears she’s become too predictable—so she quits, books a European vacation, and accepts a research job in New York. Then on her birthday, a hunky piece of her past arrives, drops to bended knee, and proposes in front of half the town. Bad boy celebrity chef Jude Barlow is done with the bright lights and late nights. He sells his Manhattan restaurant and volunteers in Africa to clear his head. A year later, he’s a new man with a new goal: find the girl from summer camp—the most practical woman he knows—and collect on the pinky promise they made when they were twelve. Clem won’t marry a guy she hasn’t seen in nearly two decades, no matter how attractive or how talented he is in and out of her kitchen. But why does he have to look more delicious than the chocolate creations he concocts for the Graff Hotel? More delicious than anything in New York?
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
At twenty-four, Lindy Boggs came to Washington, D.C., from Louisiana with her newly elected husband, Democratic Congressman Hale Boggs. FDR was starting his third term, Europe was at war, and Pearl Harbor was around the corner. She has been there ever since, playing an integral role in the key events of the last half century. Now, in Washington Through a Purple Veil, Congresswoman Lindy Boggs shares the triumphs as well as the trials of living a life of public service. In this intimate memoir - rich with anecdotes about "official" and "unofficial" Washington and illustrated with over thirty photographs from her personal collection - Lindy Boggs speaks about her congressional tenure, her family life, the faith that has sustained her through the disappearance of her husband and the death of her daughter, and all that is meaningful to her.
With full colour photographs and simple step-by-step instructions, this book demonstrates the craft of making skirts that express your own unique look and personality.
The inspiration for the new film adaptation of the Tony-winning Broadway musical Alice Walker’s iconic modern classic, and winner of the Pulitzer Prize and the National Book Award A powerful cultural touchstone of modern literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance, and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey toward redemption and love.
The ribbon skirt is not a mere fashion statement, they are a way of life.