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A daring young woman risks everything to pursue a career as a doctor on the front lines in France during World War I, and learns the true meaning of hope, love, and resilience in the darkest of times. When Eleanor Atherton graduates from medical school near the top of her class in 1917, she dreams of going overseas to help the wounded, but her ambition is thwarted at every turn. Eleanor's parents insist she must give up medicine, marry a respectable man, and assume her proper place. While women might serve as ambulance drivers or nurses at the front, they cannot be physicians—that work is too dangerous and frightening. Nevertheless, Eleanor is determined to make more of a contribution than sitting at home knitting for the troops. When an unexpected twist of fate sends Eleanor to the battlefields of France as the private doctor of a British peer, she seizes the opportunity for what it is—the chance to finally prove herself. But there's a war on, and a casualty clearing station close to the front lines is an unforgiving place. Facing skeptical commanders who question her skills, scores of wounded men needing care, underhanded efforts by her family to bring her back home, and a blossoming romance, Eleanor must decide if she's brave enough to break the rules, face her darkest fears, and take the chance to win the career—and the love—she's always wanted.
In the 1970s the relationship between literature and the environment emerged as a topic of serious and widespread interest among writers and scholars. The ideas, debates, and texts that grew out of this period subsequently converged and consolidated into the field now known as ecocriticism. A Century of Early Ecocriticism looks behind these recent developments to a prior generation's ecocritical inclinations. Written between 1864 and 1964, these thirty-four selections include scholars writing about the “green” aspects of literature as well as nature writers reflecting on the genre. In his introduction, David Mazel argues that these early “ecocritics” played a crucial role in both the development of environmentalism and the academic study of American literature and culture. Filled with provocative, still timely ideas, A Century of Early Ecocriticism demonstrates that our concern with the natural world has long informed our approach to literature.
In this collection of essays woven with poems and folklore, Judith Ortiz Cofer tells the story of how she became a poet and writer and explores her love of words, her discovery of the magic of language, and her struggle to carve out time to practice her art. A native of Puerto Rico, Cofer came to the mainland as a child. Torn between two cultures and two languages, she learned early the power of words and how to wield them. She discovered her love for the subtleties, sounds, and rhythms of the written word when a Roman Catholic nun and teacher bent on changing traditions for the better gave her books of high literature to read, some of which were forbidden by the church. Later, as an adult, demands from her family and her profession made it difficult for Cofer to find time to devote to her art, but her need and determination to express herself led to solutions that can help all artists challenged with the limits of time. Cofer recalls the family cuentos, or stories, that inspire her and shows how they speak to all artists, all women, all people. She encourages her readers to insist on the right to be themselves and to pursue their passions. A book that entertains, instructs, and enthralls, Woman in Front of the Sun will be invaluable to students of poetry and creative nonfiction and will be a staple in every creative writing classroom as well as an inspiration to all those who write.
Candice DeLong has been called a real-life Clarice Starling and a female Donnie Brasco. She has been on the front lines of some of the FBIs most gripping and memorable cases, including being chosen as one of the three agents to carry out the manhunt for the Unabomber in Lincoln, Montana. She has tailed terrorists, gone undercover as a gangsters moll, and posed as the madam for a call-girl ring. Now for the first time she reveals the dangers and rewards of being a woman on the front lines of the worlds most powerful law enforcement agency. She traces the unusual career path that led her to crime fighting, and recounts the incredible obstacles she faced as a woman and as a fledgling agent. She takes readers step by step through the profiling process and shows how she helped solve a number of incredible cases. The story of her role as a lead investigator on the notorious Tylenol Murderer case is particularly compelling. Finally, she gives the true, insiders story behind the investigation that led to the arrest of the Unabomber including information that the media cant or wont reveal. A remarkable portrait of courage and grace under fire, Special Agent offers a missing chapter to the annals of law enforcement and a dramatic and often funny portrait of an extraordinary woman who has dedicated her heart and soul to the crusade against crime.
One of the most influential thinkers of her generation draws us into the lives of three women, all past their first youth, all facing unexpected crises in these three “immensely intelligent stories about the decay of passion” (The Sunday Herald Times). Suffused with de Beauvoir’s remarkable insights into women, The Woman Destroyed gives us a legendary writer at her best. Includes "The Age of Discretion," "The Monologue," and "The Woman Destroyed." "Witty, immensely adroit...These three women are believable individuals presented with a wry mixture of sympathy and exasperation." —The Atlantic
#1 INTERNATIONAL BESTSELLER • “A landmark manifesto" (The New York Times) that's a revelatory, inspiring call to action and a blueprint for individual growth that will empower women around the world to achieve their full potential. In her famed TED talk, Sheryl Sandberg described how women unintentionally hold themselves back in their careers. Her talk, which has been viewed more than eleven million times, encouraged women to “sit at the table,” seek challenges, take risks, and pursue their goals with gusto. Lean In continues that conversation, combining personal anecdotes, hard data, and compelling research to change the conversation from what women can’t do to what they can. Sandberg, COO of Meta (previously called Facebook) from 2008-2022, provides practical advice on negotiation techniques, mentorship, and building a satisfying career. She describes specific steps women can take to combine professional achievement with personal fulfillment, and demonstrates how men can benefit by supporting women both in the workplace and at home.
“Not only a historical rockument of the revolutionary 90s counterculture Riot Grrrl movement. . . but also a rousing inspiration for a new generation of empowered rebel girls to strap on guitars and stick it to The Man.” — Vanity Fair Girls to the Front is the epic, definitive history of the Riot Grrrl movement—the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America’s gender landscape forever. Author Sara Marcus, a music and politics writer for Time Out New York, Slate.com, Pos, and Heeb magazine, interweaves research, interviews, and her own memories as a Riot Grrrl front-liner. Her passionate, sophisticated narrative brilliantly conveys the story of punk bands like Bikini Kill, Bratmobile, Heavens to Betsy—as well as successors like Sleater-Kinney, Partyline, and Kathleen Hanna’s Le Tigre—and their effect on today’s culture.
Experiences of a correspondent in Belgium during the European War of 1914.
"Any readers who enjoyed the mix of romance, intrigue, and medical accuracy of Call the Midwife will love The War Nurse."—New York Journal of Books "[An] impeccably researched, well-drawn, based-on-a-true-story tale, written by a former RN...The War Nurse shines an important light on a woman whose story was, until now, lost to time."—Kristin Harmel, New York Times bestselling author of The Book of Lost Names Based on a true story, The War Nurse is a sweeping historical novel by USA Today bestselling author Tracey Enerson Wood that takes readers on an unforgettable journey through WWI France. She asked dozens of young women to lay their lives on the line during the Great War. Can she protect them? Superintendent of Nurses Julia Stimson must recruit sixty-four nurses to relieve the battle-worn British, months before American troops are ready to be deployed. She knows that the young nurses serving near the front lines will face a challenging situation, but nothing could have prepared her for the chaos that awaits when they arrive at British Base Hospital 12 in Rouen, France. The primitive conditions, a convoluted, ineffective system, and horrific battle wounds are enough to discourage the most hardened nurses, and Julia can do nothing but lead by example—even as the military doctors undermine her authority and make her question her very place in the hospital tent. When trainloads of soldiers stricken by a mysterious respiratory illness arrive one after the other, overwhelming the hospital's limited resources, and threatening the health of her staff, Julia faces an unthinkable choice—to step outside the bounds of her profession and risk the career she has fought so hard for, or to watch the people she cares for most die in her arms. Fans of Martha Hall Kelly's Lost Roses and Marie Benedict's Lady Clementine will devour this mesmerizing celebration of some of the most overlooked heroes in history: the fierce, determined, and brave nurses who treated soldiers in World War I. Praise for The War Nurse: "Through careful research, this book shows the incredible bravery and compassion of women who find themselves in extraordinary situations." —Julia Kelly, international bestselling author of The Last Garden in England and The Light Over London "A rich, gripping history of one woman's lifelong battle against systemic prejudice." —Stewart O'Nan, award-winning author of The Good Wife "Once again, Tracey Enerson Wood, with her impeccable research and evocative prose, kept me glued to the page. Wood has a talent for bringing strong, yet lesser-known women from history, to life." —Linda Rosen, author of The Disharmony of Silence "A riveting and surprisingly timely story of courage, sacrifice, and friendship forged at the front lines." —Kelly Mustian, author of The Girls in the Stilt House "If you, like me, are a voyeur of historical drama that unfolds as if the kitchen window flew open and the characters were caught in action, then The War Nurse is for you." —Diane Dewey, author of Fixing the Fates "Fans of Patricia Harman will love Wood's treatment of medical expertise in a historical setting." —Booklist
Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda…these are only a few of the hundreds of “women’s films” that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream—of romance, sexuality, luxury, suffering, or even wickedness—and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman’s most important job was…to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women’s films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman’s genre—among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as “noble” as it appears. Basinger looks at the stars who played these women and helps us understand the qualities—the right off-screen personae, the right on-screen attitudes, the right faces—that made them personify the woman’s film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses—whether melodrama, screwball comedy, musical, film noir, western, or biopic—a woman occupies the center of her particular universe. Her story—in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance—inevitably sends a highly potent mixed message: Yes, you women belong in your “proper place” (that is, content with the Big Three of the women’s film world—men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman’s View deepens our understanding of the times and circumstances and attitudes out of which these movies were created.