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Four centuries ago, a spurned lover damned Lord Zachary Kensington to eternity as a vampire. Convinced no woman could love the beast within, he concentrates his attention on the quest for redemption. He now stalks evil in the 21st century, working as a police detective. His job puts him up close and personal with Dr. Miranda James when she is carjacked. The sensual doctor captures his heart, but before he can claim her as his, Zacke's past comes back to haunt him. Miranda James falls hard and fast for the seductive Detective Zacke Kensington, but the closer she gets to him the more elusive he becomes. His mysterious air grates on her nerves and when she discovers him kissing a beautiful woman, Miranda is devastated. Tables turn when ex-lover and vampire, Gabriella designates Miranda as her next meal. Miranda swears off of men while Zacke vows to stop Gabriella's vindictive murder spree before she turns Savannah into a city of carnage.
Annie S. Swan's magazine.
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.