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Bette, Jay, and their friends--other smart, talented, angry, punk musicians, artists, and high-school misfits--tangle with the Wolf House as they join with and sometimes fight against the toughest vampire hunters in town.
"One of the last of the great traditionalists of English fiction." - Colin Wilson "An outstanding British writer in the genre." - August Derleth "Britain's leading purveyor of the macabre." - Peter Haining High above the Hungarian village of Lugos rise the towers of Castle Homolky, whose subterranean dungeons contain the remains of a chamber of horrors once used for the torture of enemies, and whose tragic and violent history has caused it to be known as The House of the Wolf. Into this legend-haunted region comes John Coleridge, an American professor and expert on lycanthropy, who is staying as a guest of Count Homolky while attending a conference on European folklore. After a villager is found dead with his throat torn out and a huge black wolf with seemingly preternatural powers is seen stalking the halls of the Castle, leaving scenes of bloody carnage in its wake, Coleridge and his colleagues must hunt the beast. But is the killer a wolf, or could the unthinkable be true: that one of the Castle's inhabitants is actually a werewolf? After the success of his Victorian gaslight Gothic tale "Necropolis" (1980), published by the legendary Arkham House, Basil Copper (1924-2013) returned with another atmospheric Victorian chiller, "The House of the Wolf" (1983). This first-ever paperback edition of Copper's classic includes an introduction by the author discussing the influences on his novel, including Universal and Hammer werewolf films, an afterword by award-winning editor Stephen Jones, and more than 40 illustrations by Stephen E. Fabian.
PUBLISHERS WEEKLY BESTSELLER • Our intrepid heroes are caught in the middle of an epic showdown between good and evil in the fourth and final novel in the beloved Wingfeather Saga, with more than one million copies sold! NOW AN ANIMATED SERIES • Based on Andrew Peterson’s epic fantasy novels—starring Jody Benson, Henry Ian Cusick, and Kevin McNally. Executive Producer J. Chris Wall with Shining Isle Productions, and distributed by Angel Studios. All winter long, people in the Green Hollows have prepared for a final battle with Gnag the Nameless and the Fangs of Dang. Janner, Kalmar, and Leeli are ready and willing to fight alongside the Hollowsfolk. But when the Fangs make the first move and invade Ban Rona, the children are separated. Janner is alone and lost in the hills; Leeli is fighting the Fangs from the rooftops of the city; and Kalmar, who carries a terrible secret, is on a course for the Deeps of Throg. Monsters and Fangs and villains lie between the children and their only hope of victory in the epic conclusion of The Wingfeather Saga. Full of characters rich in heart, smarts, and courage, The Warden and the Wolf King is a tale children of all ages will cherish, families can read aloud, and readers' groups are sure to enjoy discussing for its many layers of meaning. Extra features include new interior illustrations from Joe Sutphin, funny footnotes, a map of the fantastical world, inventive appendices, and fanciful line art in the tradition of the original Frank L. Baum Wizard of Oz storybooks. Can’t get enough of Aerwiar? Collect the whole set! ON THE EDGE OF THE DARK SEA OF DARKNESS • NORTH! OR BE EATEN • THE MONSTER IN THE HOLLOWS • THE WARDEN AND THE WOLF KING • WINGFEATHER TALES • PEMBRICK’S CREATUREPEDIA • A RANGER’S GUIDE TO GLIPWOOD FOREST
A young girl describes what it’s like when her mom’s new friend comes to stay — a moving story about domestic violence that ends on a hopeful note. The young girl tells us that her mom’s new friend is just like the big bad wolf. At first the wolf is sweet and kind to her mom, though the girl notices the wolf’s cold eyes from the very beginning. When her mom arrives home late one day, the wolf suddenly hurls angry words and terrible names at her. From that day on her mother doesn’t smile anymore. The girl is careful to clean her room and brush her teeth and do everything to keep the peace, but the wolf is unpredictable, throwing plates on the floor, yelling at her mother and holding the girl’s arm so tightly she is left with bruises. Whenever the yelling begins, she hides under the covers in her room. How will she and her mom cope as the wolf becomes increasingly fierce? Valérie Fontaine and Nathalie Dion have created a powerful, moving story about violence in the home that ends on a note of hope. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.9 Compare and contrast two or more versions of the same story (e.g., Cinderella stories) by different authors or from different cultures. CCSS.ELA-LITERACY.RL.3.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text.
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NEW YORK TIMES BESTSELLER • A heartfelt story of love, grief, and renewal about two unlikely friends who discover that sometimes you don’t know you’ve lost someone until you’ve found them “A dazzling debut novel.”—O: The Oprah Magazine “Tremendously moving.”—The Wall Street Journal “Touching and ultimately hopeful.”—People 1987. The only person who has ever truly understood fourteen-year-old June Elbus is her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can be herself only in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life. At the funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail containing a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and that this unexpected friend just might be the one she needs the most. WINNER OF THE ALEX AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Wall Street Journal • O: The Oprah Magazine • BookPage • Kirkus Reviews • Booklist • School Library Journal
Wolf is thrilled when he meets a little girl who wants to be his friend, but he has a lot to learn about being nice. Wolf is very big and very bad. But when he meets a delicious-looking girl, she has other ideas. She wants to make Wolf her new friend. But Wolf is going to need more than a makeover to learn to get along with others. Can Wolf learn how to become a good friend—even to tasty humans? This fun and humorous storyline is beautifully reflected in Natalia Moore's charming illustrations.
A captivating, atmospheric mystery set in the crystalline winterland of Russia. Abandoned in a blinding blizzard in the wintry wilds of Russia, Sophie Smith fears for her life. But just like in a fairy tale, a princess comes to her rescue: the beautiful, exotic Anna Volkonskaya. Over a river of ice in a horse-drawn sleigh, she brings Sophie and her friends to a magnificent, if weathered, winter palace. At first, Sophie is enchanted by Princess Anna's stories of long-ago royalty, of white wolves and gray diamonds. But when the princess takes a particular interest in her, Sophie grows concerned. What is her place in the sinister mystery that surrounds her? Even as the wind and wolves howl outside, is she more in danger now, a prisoner of the palace, than she ever was lost in the snow?
AN INSTANT NEW YORK TIMES BESTSELLER! The first daughter is for the Throne. The second daughter is for the Wolf. An instant NYT bestseller and word-of-mouth sensation, this dark, romantic debut fantasy weaves the unforgettable tale of a young woman who must be sacrificed to the legendary Wolf of the Wood to save her kingdom. But not all legends are true, and the Wolf isn't the only danger lurking in the Wilderwood. As the only Second Daughter born in centuries, Red has one purpose—to be sacrificed to the Wolf in the Wood in the hope he'll return the world's captured gods. Red is almost relieved to go. Plagued by a dangerous power she can't control, at least she knows that in the Wilderwood, she can't hurt those she loves. Again. But the legends lie. The Wolf is a man, not a monster. Her magic is a calling, not a curse. And if she doesn't learn how to use it, the monsters the gods have become will swallow the Wilderwood—and her world—whole. "If you ever wished Beauty and the Beast had more eldritch forest monsters and political machinations, this is the romance for you."―Alix E. Harrow, author of The Ten Thousand Doors of January "A brilliant dark fantasy debut!" —Jodi Picoult, NYT bestselling author
A trenchant analysis of how public education is being destroyed in overt and deceptive ways—and how to fight back In the “vigorous, well-informed” (Kirkus Reviews) A Wolf at the Schoolhouse Door, the co-hosts of the popular education podcast Have You Heard expose the potent network of conservative elected officials, advocacy groups, funders, and think tanks that are pushing a radical vision to do away with public education. “Cut[ing] through the rhetorical fog surrounding a host of free-market reforms and innovations” (Mike Rose), Jack Schneider and Jennifer Berkshire lay bare the dogma of privatization and reveal how it fits into the current context of right-wing political movements. A Wolf at the Schoolhouse Door “goes above and beyond the typical explanations” (SchoolPolicy.org), giving readers an up-close look at the policies—school vouchers, the war on teachers’ unions, tax credit scholarships, virtual schools, and more—driving the movement’s agenda. Called “well-researched, carefully argued, and alarming” by Library Journal, this smart, essential book has already incited a public reckoning on behalf of the millions of families served by the American educational system—and many more who stand to suffer from its unmaking. “Just as with good sci-fi,” according to Jacobin, “the authors make a compelling case that, based on our current trajectory, a nightmare future is closer than we think.”