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The story of Henry du Pont and the museum of Americana he envisioned.
Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
An ideal sourcebook for architects, woodworkers, and homeowners, this beautiful reference showcases the stunning architectural details of the Winterthur Museum. This guided tour explores 33 rooms from the Georgian and Federal periods with stunning photography, architectural terms, detailed drawings, and fascinating commentary.
Cherished objects and family heirlooms hold a special place in our lives. Whether they are personal letters, grandmother’s silverware, or the favorite stuffed animal from your childhood, these items all have significance and are part of your cultural heritage. Caring for Your Cherished Objects: The Winterthur Guide provides practical information about what you should and shouldn’t do to prolong the life of your objects, including advice about proper storage and display. The book will help you to assess your possessions, understand which objects are most vulnerable, and avoid the situations that will put them at more risk. Illustrations demonstrate the kinds of problems you may see on your own items or warning signs that indicate that some sort of action—whether preventive, conservative, or restorative—is warranted. Learn the difference between those terms. Sidebars in each chapter address the science behind the whys and hows to caring for the wide range of specific kinds of objects covered—from ephemera, documents, books, works of art on paper, photographs, and organic objects to textiles, ceramics, glass, metal objects, furniture, and frames. Included are the procedures that can be safely done by an owner as well as those that require the services of conservation professionals. So that you aren’t left to wander the Internet, a Resources section provides a list of reliable professional organizations as well as suggested readings, websites, and lists of suppliers to aid you in caring for your cherished objects. The authors of Caring for Your Cherished Objects are highly trained, experienced experts who have cared for thousands of precious objects and have a passion for the topic. In addition to caring for the collection at Winterthur Museum, Garden & Library, they teach, consult, and lecture on the care of cultural heritage to students, professionals, and the public.
This study of 17th-, 18th- and 19th-century American glass is based upon the Henry Francis du Pont collection in the Winterthur Museum. Categories include ornamental vases, lighting devices and bottles. Most objects are shown life-size and each carries a physical description and brief history.
In this broadly conceived study Steven Conn examines the development of American museums across the twentieth century with a historian's attention and a critic's eye. He focuses on an array of museum types and asks illuminating questions about the relationship between museums and American cultural life.
Mary Remington was just twenty-three years old when in 1815 she created a beautiful and intricate white work quilt in anticipation of her impending marriage. This title provides a framework for interpreting the outstanding quilt collection at Winterthur, as well as offering a glimpse into life in nineteenth-century America.
Be it soft-serve, gelato, frozen custard, Indian kulfi or Israeli glida, some form of cold, sweet ice cream treat can found throughout the world in restaurants and home freezers. Though ice cream was once considered a food for the elite, it has evolved into one of the most successful mass-market products ever developed. In Ice Cream, food writer Laura B. Weiss takes the reader on a vibrant trip through the history of ice cream from ancient China to modern-day Tokyo in order to tell the lively story of how this delicious indulgence became a global sensation. Weiss tells of donkeys wooed with ice cream cones, Good Humor-loving World War II-era German diplomats, and sundaes with names such as “Over the Top” and “George Washington.” Her account is populated with Chinese emperors, English kings, former slaves, women inventors, shrewd entrepreneurs, Italian immigrant hokey-pokey ice cream vendors, and gourmand American First Ladies. Today American brands dominate the world ice cream market, but vibrant dessert cultures like Italy’s continue to thrive, and new ones, like Japan’s, flourish through unique variations. Weiss connects this much-loved food with its place in history, making this a book sure to be enjoyed by all who are beckoned by the siren song of the ice cream truck.
“I want to put the mystery back into the heart of garden design, where it needs to be. It’s what lures you in through the gate, keeps you moving through the landscape, and fills you with excitement along the way. The sense of mystery is what turns a mere display of plants, paths, and ornaments into an adventure.” —James van Sweden Guided by world-renowned landscape architect James van Sweden and horticulture expert Tom Christopher, any gardener can learn the secrets of the gardener’s art and absorb the essence of inspired garden design. In their gifted hands, creating your own perfect garden, with its own alluring mysteries, turns out to be not only easy but a delight. Whether it’s a ten-foot-square city terrace or a ten-acre expanse, the same principles apply: the intelligent use of positive and negative space, of form and scale, of light and shadow, of rough and smooth textures. Do you want a garden you can immerse yourself in? A garden you can smell and listen to as well as observe? An exuberant garden or a contemplative garden? In this elegantly written and visually stunning book, van Sweden reveals the secrets of famous gardens around the world and encourages you to find inspiration in the arts—in painting (from America’s classic regional artists to the abstract expressionists), music (from classical to jazz), sculpture, even dance. He introduces you to famous artists who share how their art has influenced the design of their own gardens, and teaches you to think not in terms of borders and beds or even paths and meadows but of a tapestry woven from sky, trees, rocks, vines, flowers, grasses, and space. Richly illustrated throughout with magnificent photographs, The Artful Garden both tells and shows, sharing with beginning and experienced gardeners a wealth of inspiration and practical help. “What’s my message?” van Sweden asks in conclusion. The wise answer: “Don’t squander the potential for surprise and wonder.” This beautiful book guarantees everyone who reads it a priceless store of gardening wisdom.