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Psychologist Alice Quentin has been looking forward to a break from her hectic London life. She has vowed to stay clear of police work. The previous cases she helped the police with have left her scarred. So, when Alice is given the rare opportunity to study treatment methods at Northwood high-security hospital outside of London, she is eager to get to work. But then a young girl is discovered, dressed all in white, on the steps of the Foundling Museum. Four girls have recently gone missing in North London—this is the third to be found, dead. The fourth may still be alive, and Alice Quentin may be able to help. Britain's most prolific child killer, Louis Kinsella, has been locked up in Northwood for over a decade. Yet, these recent kidnappings and murders are clearly connected to Kinsella's earlier crimes. It seems that someone is continuing where he left off. So, when Detective Don Burns comes asking for Alice's help, how can she refuse? Alice will do anything to help save a child—even if that means forming a relationship with a charismatic, ruthless murderer. But Kinsella is slow to give away his secrets, and time is running out for the latest kidnap victim, who is simply trying to survive. In her quest to save a life, Alice finds she has put her own life on the line. The Winter Foundling is Kate Rhode's exciting thriller featuring Alice Quentin following Crossbones Yard and A Killing of Angels.
Psychologist Alice Quentin has been looking forward to a break from her hectic London life. She has vowed to stay clear of police work. The previous cases she helped the police with have left her scarred. So, when Alice is given the rare opportunity to study treatment methods at Northwood high-security hospital outside of London, she is eager to get to work. But then a young girl is discovered, dressed all in white, on the steps of the Foundling Museum. Four girls have recently gone missing in North London—this is the third to be found, dead. The fourth may still be alive, and Alice Quentin may be able to help. Britain's most prolific child killer, Louis Kinsella, has been locked up in Northwood for over a decade. Yet, these recent kidnappings and murders are clearly connected to Kinsella's earlier crimes. It seems that someone is continuing where he left off. So, when Detective Don Burns comes asking for Alice's help, how can she refuse? Alice will do anything to help save a child—even if that means forming a relationship with a charismatic, ruthless murderer. But Kinsella is slow to give away his secrets, and time is running out for the latest kidnap victim, who is simply trying to survive. In her quest to save a life, Alice finds she has put her own life on the line. The Winter Foundling is Kate Rhode's exciting thriller featuring Alice Quentin following Crossbones Yard and A Killing of Angels.
"The Northern realms. Circa 2000 B.C. It was in the days of Peleg when the world was divided. After the flood of Noah, after the Tower of Babel and the dispersion ... when beasts were more numerous than men. Two orphans, Thiery and Suzie. The Lady Mercy without a protector. Priests of the dragon, Baal, and the Queen of Heaven are seeking sacrifices for their false gods. The Death Hunt! In a land of giants and dragons, and men running from the knowledge of their Creator, wickedness spreads as a plague, but a remnant of faithful souls shine in the darkness"--
This volume seeks to address the questions of poverty, charity, and public welfare, taking the nineteenth-century London Foundling Hospital as its focus. It delineates the social rules that constructed the gendered world of the Victorian age, and uses 'respectability' as a factor for analysis: the women who successfully petitioned the Foundling Hospital for admission of their infants were not East End prostitutes, but rather unmarried women, often domestic servants, determined to maintain social respectability. The administrators of the Foundling Hospital reviewed over two hundred petitions annually; deliberated on about one hundred cases; and accepted not more than 25 per cent of all cases. Using primary material from the Foundling Hospital's extensive archives, this study moves methodically from the broad social and geographical context of London and the Foundling Hospital itself, to the micro-historical case data of individual mothers and infants.
Introducing Alice Quentin, a London psychologist with family baggage, who finds herself at the center of a grisly series of murders Alice Quentin is a psychologist with some painful family secrets, but she has a good job, a good-looking boyfriend, and excellent coping skills, even when that job includes evaluating a convicted killer who's about to be released from prison. One of the highlights of her day is going for a nice, long run around her beloved London—it's impossible to fret or feel guilty about your mother or brother when you're concentrating on your breathing—until she stumbles upon a dead body at a former graveyard for prostitutes, Crossbones Yard. The dead woman's wounds are alarmingly similar to the signature style of Ray and Marie Benson, who tortured and killed thirteen women before they were caught and sent to jail. Five of their victims were never found. That was six years ago, and the last thing Alice wants to do is to enter the sordid world of the Bensons or anyone like them. But when the police ask for her help in building a psychological profile of the new murderer, she finds that the killer—and the danger to her and the people she cares about—may already be closer than she ever imagined. With gripping suspense and a terrific new heroine, Kate Rhodes's Crossbones Yard introduces a powerful new voice in crime fiction.
Having grown up in a home for foundlings and pssessin a girl's name, Rossamünd sets out to report to his new job as a lamplighter and has several adventures along the way as he meets people and monsters who are more complicated that he previously thought. Includes glossaries and maps.
The first death looked like a suicide. But someone had tucked a picture of an angel and a handful of white feathers into the banker's pocket before pushing him in front of a train. A killer is stalking The Square Mile—the financial district in London—an avenging angel intent on punishment. But why these victims? What were their sins? Psychologist Alice Quentin swore she'd never get involved with police work again. Her duty is to the living, not the dead. But she owes Detective Don Burns a favor. He was the one who would sit for hours when the last case they worked on together had landed her in the hospital. That case had clearly taken its toll on him, and his career, too. So when he comes begging for help, how can she refuse? In order to find the murderer, Alice and Detective Burns must dig deep into the toxic heart of one of the major financial centers in the world. A place where money means more than life, and no one can be counted innocent. A Killing of Angels is the second book in Kate Rhodes' Alice Quentin Series.
In this compelling interdisciplinary study of what has been called the "century of illegitimacy," Lisa Zunshine seeks to uncover the multiplicity of cultural meanings of illegitimacy in the English Enlightenment. Bastards and Foundlings pits the official legal views on illegitimacy against the actual everyday practices that frequently circumvented the law; it reconstructs the history of social institutions called upon to regulate illegitimacy, such as the London Foundling Hospital; and it examines a wide array of novels and plays written in response to the same concerns that informed the emergence and functioning of such institutions. By recreating the context of the national preoccupation with bastardy, with a special emphasis on the gender of the fictional bastard/foundling, Zunshine offers new readings of "canonical" texts, such as Steele's The Conscious Lovers, Defoe's Moll Flanders, Fielding's Tom Jones, Moore's The Foundling, Colman's The English Merchant, Richardson's Clarissa and Sir Charles Grandison, Burney's Evelina, Smith's Emmeline, Edgewort's Belinda, and Austen's Emma, as well as of less well-known works, such as Haywood's The Fortunate Foundlings, Shebbeare's The Marriage Act, Bennett's The Beggar Girl and Her Benefactors, and Robinson's The Natural Daughter.
New York Times bestselling author Wendy Corsi Staub is the master of psychological suspense. In her latest thriller, an investigative genealogist digs for her own biological roots, well aware that some secrets are better left buried. Investigative genealogist Amelia Crenshaw solves clients’ genetic puzzles, while hers remains shrouded in mystery. Now she suspects that the key to her birth parents’ identities lies in an unexpected connection to a stranger who’s hired her to find his long-lost daughter. Bracing herself for a shocking truth, Amelia is blindsided by a deadly one. NYPD Detective Stockton Barnes had walked away from his only child for her own good. He’ll lay down his life to protect her if he and Amelia can find out where—and who—she is. But someone has beat them to it, and she has a lethal score to settle. Amelia and Stockton’s entangled roots have unearthed a femme fatale whose family tree holds one of history’s most notorious killers. And the apple never falls far…
In New York Times bestselling author Wendy Corsi Staub's riveting thriller, uncovering secrets in the past draws one woman into a killer's web. . . No Such Thing as Coincidence . . . Staring into his frightened blue eyes, investigative genealogist Amelia Crenshaw Haines vows to help this silent little boy who is unable—or unwilling—to communicate his past. Though her own roots remain shrouded in mystery, she relies on tangible DNA evidence to help fellow foundlings uncover theirs . . . until a remarkable twist of fate presents a stranger bearing an eerily familiar childhood souvenir. NYPD Missing Persons Detective Stockton Barnes has spent his career searching for other people’s lost loved ones and outrunning a youthful misstep. Now a chance encounter with a key player from that fateful night leads him on a desperate quest to locate the one woman he’s ever regretted leaving—unless a savage killer finds her first. As Amelia and Barnes uncover intertwining truths—and lies—the real horror emerges not in crimes already committed, but in evil yet to come . . .