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This third volume of the four volumes in the Letters from the Rector series includes Bishop Williamson's letters numbers 63 through 130, which he penned between August 1, 1988, and August 12, 1994, while leading the seminary in Winona. Includes a detailed index.
The final volume of four in the Letters from the Rector series is comprised of letters 183 through 236, which Bishop Williamson authored between February 9, 1999, and August 9, 2003, during the last part of his tenure as head of the Winona seminary. Includes a detailed single-volume index and a comprehensive index to the four-volume set.
This first of the four volumes in the Letters from the Rector series includes the initial 62 of then Fr. Williamson's letters, dating from between May 24, 1983, and June 1, 1988, while he led the seminary in Ridgefield. Includes a detailed index.
With her older sister planning a wedding and her younger sister preparing to launch a career on the stage, Lulu can't help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut. When her mother sends her to look for some old family recipes in the attic, she stumbles across a collection of letters written by her great-great-grandmother Josephine March. Jo writes in detail about every aspect of her life: her older sister Meg's new home and family; her younger sister Amy's many admirers; the family's shared grief over losing Beth; and her own feelings towards a handsome young German. As Lulu delves deeper into the lives of the March sisters, she finds solace and guidance, but can her great-great-grandmother help Lulu find a place in a world so different from the one Jo knew?--From publisher description.
This first of the four volumes in the Letters from the Rector series includes the initial 62 of then Fr. Williamson's letters, dating from between May 24, 1983, and June 1, 1988, while he led the seminary in Ridgefield. Includes a detailed index.
Bellamy's debut novel revives the central female character from Bram Stoker's Dracula and imagines her as an independent woman living in San Francisco during the 1980s. Hypocrisy's not the problem, I think, it's allegory the breeding ground of paranoia. The act of reading into--how does one know when to stop? KK says that Dodie has the advantage because she's physical and I'm "only psychic." ... The truth is: everyone is adopted. My true mother wore a turtleneck and a long braid down her back, drove a Karmann Ghia, drank Chianti in dark corners, fucked Gregroy Corso ... --Dodie Bellamy, The Letters of Mina Harker First published in 1998, Dodie Bellamy's debut novel The Letters of Mina Harker sought to resuscitate the central female character from Bram Stoker's Dracula and reimagine her as an independent woman living in San Francisco during the 1980s--a woman not unlike Dodie Bellamy. Harker confesses the most intimate details of her relationships with four different men in a series of letters. Vampirizing Mina Harker, Bellamy turns the novel into a laboratory: a series of attempted transmutations between the two women in which the real story occurs in the gaps and the slippages. Lampooning the intellectual theory-speak of that era, Bellamy's narrator fights to inhabit her own sexuality despite feelings of vulnerability and destruction. Stylish but ruthlessly unpretentious, The Letters of Mina Harker was Bellamy's first major claim to the literary space she would come to inhabit.
“Some characters become your friends for life. That’s how it was for me with Betsy-Tacy.” —Judy Blume “I am fairly certain that my independent, high-spirited grandmother must have had a childhood similar to Betsy Ray’s….As I read...I felt that I was having an unexpected and welcome peek into Granny’s childhood.” —Ann M. Martin, author of The Baby-sitter's Club Two of Maud Hart Lovelace’s beloved Deep Valley books join the Harper Perennial Modern Classics library, next to other enduring favorites like A Tree Grows in Brooklyn, To Kill a Mockingbird and Lovelace’s Betsy-Tacy books. This beautiful combination edition of Carney's House Party and Winona's Pony Cart features a foreword by author Melissa Wiley and a never-before-published biography of Lovelace illustrator Vera Neville.
An eye-opening exploration of race in America In this deeply inspiring book, Winona Guo and Priya Vulchi recount their experiences talking to people from all walks of life about race and identity on a cross-country tour of America. Spurred by the realization that they had nearly completed high school without hearing any substantive discussion about racism in school, the two young women deferred college admission for a year to collect first-person accounts of how racism plays out in this country every day--and often in unexpected ways. In Tell Me Who You Are, Guo and Vulchi reveal the lines that separate us based on race or other perceived differences and how telling our stories--and listening deeply to the stories of others--are the first and most crucial steps we can take towards negating racial inequity in our culture. Featuring interviews with over 150 Americans accompanied by their photographs, this intimate toolkit also offers a deep examination of the seeds of racism and strategies for effecting change. This groundbreaking book will inspire readers to join Guo and Vulchi in imagining an America in which we can fully understand and appreciate who we are.
COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.