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Frederick Douglass and the philosophy of slavery -- W.E.B. Du Bois and the redemption of the body -- The mephistophelean skepticism of Stephen Crane -- Charles Chesnutt: nowhere to turn -- Richard Wright: exile as Native son -- Peasant dreams: reading on the road -- Conclusion.
W. E. B. Du Bois’s seminal work, The Souls of Black Folk, not only captures the experience of African Americans in the years following the Civil War but also speaks to contemporary conditions. At a time when American public schools are increasingly re-segregating, are increasingly underfunded, and are perhaps nearly as separate and unequal as they were in earlier decades, this classic can help readers grasp links between a slavery past and a dismal present for too many young people of color. Disagreeing with Booker T. Washington, Du Bois analyzes the restrictiveness of education as a simple tool to prepare for work in pursuit of wealth (a trend still very much alive and well, especially in schools serving economically disadvantaged students). He also, however, demonstrates the challenges racism presents to individuals who embrace education as a tool for liberation. Du Bois’s accounts of how racism affected specific individuals allow readers to see philosophical issues in human terms. It can also help them think deeply about what kind of moral, social, educational and economic changes are necessary to provide all of America’s young people the equal opportunity promised to them inside and outside of schools. Perfect for courses in: Social Foundations of Education, Political and Social Foundations of Education, Foundations of American Education, Foundations of Education, Introduction to Education Theory and Policy, Philosophy and Education, History of American Education, and African American Education.
Du Bois chronicles the legacy of the Freedman's Bureau in his classic essay that is now a part of the Penguin Great Ideas series.
Describes the cycle of myths about the Argonauts and the quest for the Golden Fleece, as well as the tales of the Creation of Heaven and Earth, the labors of Hercules, Theseus and the Minotaur, etc.
Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel
DIVDIVBefore she became Queen of the Amazons, young Hippolyta fought to break a goddess’s curse . . . /divDIV An ancient prophecy states that any Amazon who bears two sons must kill the second, lest he grow up to destroy all the Amazons. But Queen Otrere can’t bear to sacrifice her baby, so she gives him to her daughter, thirteen-year-old Hippolyta, begging her to take the child to his father, Laomedon, King of Troy. In order to save her baby brother’s life, Hippolyta must find a lost city and lift a goddess’s curse. Along the way, she will need help from an unexpected source: a newly discovered brother. But can Hippolyta bring herself to trust a boy in order to save the Amazons?/divDIV /divDIVThis ebook features personal histories by Jane Yolen and Robert J. Harris including rare images from the authors’ personal collections, as well as a timeline of the Heroic Age and a conversation between the two authors about the making of the series./div/div
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father and greatest actor of his generation Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he's still alive. And if, in truth, Melchior is their real father after all... Wise Children is adapted for the stage from Angela Carter's last novel about a theatrical family living in South London. It centres around twin chorus girls, Nora and Dora Chance, whose lives are brimming with mystery, illegitimacy and scandal. Dora narrates the story as her older self, looking back on a tumultuous life, throughout which she and her sister have loved to sing and dance. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope. Expect show girls and Shakespeare, sex and scandal, music, mischief and mistaken identity – and butterflies by the thousand.
Atlanta Underground presents a city history through the lens of its buried and paved-over urban landscape. Atlanta has been built, rebuilt, destroyed and rebuilt so many times that it has created an artificial surface dozens of feet above the original ground plane, leaving room to explore the stories that lie below. Clues and paved-over evidence of the original streetscape are still accessible, but only to those who know where to look. The story begins with the railroads that brought people and business to Atlanta, and the intersections of transportation that Atlanta eventually outgrew. This tour of the city's history include the former sites of Union Station, Underground Atlanta and the Zero Milepost, and the unusual attempts to fill the void they left behind (a wax museum, musical instrument museum, a skating rink). Contemporary photos of this urban spelunking landscape will illustrate this telling of Atlanta’s history: how it came to be where it is, how it acquired its unique name, and how its colliding street grids were established. The rapid growth and change of Atlanta’s many lives has led to some downright interesting hidden locations and architectural curiosities, and AtlantaUnderground will reveal them one by one.
New, carefully focused essays providing a thorough examination of Hemingway's groundbreaking non-fictional work. Published in 1932, Death in the Afternoon reveals its author at the height of his intellectual and stylistic powers. By that time, Hemingway had already won critical and popular acclaim for his short stories and novels of the late twenties. A mature and self-confident artist, he now risked his career by switching from fiction to nonfiction, from American characters to Spanish bullfighters, from exotic and romantic settings to the tough world of theSpanish bullring, a world that might seem frightening and even repellant to those who do not understand it. Hemingway's nonfiction has been denied the attention that his novels and short stories have enjoyed, a state of affairs this Companion seeks to remedy, breaking new ground by applying theoretical and critical approaches to a work of nonfiction. It does so in original essays that offer a thorough, balanced examination of a complex, boundary-breaking, and hitherto neglected text. The volume is broken into sections dealing with: the composition, reception, and sources of Death in the Afternoon; cultural translation, cultural criticism, semiotics, and paratextual matters; and the issues of art, authorship, audience, and the literary legacy of Death in the Afternoon. The contributors to the volume, four men and seven women, lay to rest the stereotype of Hemingway as a macho writer whom women do not read; and their nationalities (British, Spanish, American, and Israeli) indicate that Death in the Afternoon, even as it focuses on a particular national art, discusses matters of universal concern. Contributors: Miriam B. Mandel, Robert W. Trogdon, Lisa Tyler, Linda Wagner-Martin, Peter Messent, Beatriz Penas Ibáñez, Anthony Brand, Nancy Bredendick, Hilary Justice, Amy Vondrak, and Keneth Kinnamon. MiriamB. Mandel teaches in the English Department of Tel Aviv University.