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At the outset of an adventure filled with disaster and delight, Jack Aubrey and Stephen Maturin pursue a prize through the stormy seas and icebergs south of Cape Horn, where the hunters suddenly become the hunted.
A revisionist history of medicine, in which blood plays the starring role Inspired by Homer’s description of the ebb and flow of the “wine dark sea,” the ancient Greeks conceived a back-and-forth movement of blood. That false notion, perpetuated by the influential Roman physician Galen, prevailed for fifteen hundred years until William Harvey proved that blood circulates: the heart pumps blood in one direction through the arteries and it returns through the veins. Harvey’s discovery revolutionized the life sciences by making possible an entirely new quantitative understanding of the cardiovascular system, a way of thinking on which many of our lifesaving medical interventions today depend. In The Wine-Dark Sea Within, cardiologist Dhun Sethna argues that Harvey’s revelation inaugurated modern medicine and paved the way for groundbreaking advances from intravenous therapy, cardiac imaging, and stent insertions to bypass surgery, dialysis, and heart-lung machines. Weaving together three thousand years of global history, following bitter feuds and epic alliances, tragic failures and extraordinary advancements, this is a provocative history by a fresh voice in popular science.
Launching a new series set on the seas of the Hellenistic World comes this adventure set in 310 B.C. Daring sea trader Menedemos and his partner and cousin, Sostratos, plan a voyage that will take them from Rhodes to the coasts of faraway Italy to confrontations with the barbarians of an obscure town called Rome.
'Reading Robert Aickman is like watching a magician work, and very often I'm not even sure what the trick was. All I know is that he did it beautifully.' Neil Gaiman For fans of the BBC's Inside Number 9 and The League of Gentlemen Aickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream. First published in 1988, The Wine-Dark Sea contains eight stories that build towards disturbing yet enigmatic endings, including the classic story 'Your Tiny Hand is Frozen.' 'Of all the authors of uncanny tales, Aickman is the best ever . . . His tales literally haunt me; his plots and his turns of phrase run through my head at the most unlikely moments.' Russell Kirk
Poetry. In a clear-cut voice "as simple as ink," Mathias Svalina's THE WINE-DARK SEA vocalizes the urge to write oneself alive. Through this lyric journal of taut poems, each titled The Wine-Dark Sea, Svalina breathes life into overlooked places: the driveway a car turns into at the end of a workday, how a tree holds the dirt, the edge of a page on which "I'd always assumed / I'd die alone." Every poem is a baffled drop, a pulse trying not to be dead, and beneath the spine of each sentence, Svalina hides, carrying us, seeking an exit. It is impossible not to be stained by THE WINE-DARK SEA.
Imagine a 32-year-old Nancy Drew who's seen a thing or two, has a sophisticated career as a wine magazine writer, is not interested in monogamy, and has the kind of sex appeal only an independent woman can possess. Jean Applequist boards an elegant yacht for the wedding of her friend Diane and wealthy developer Martin Wingo. But things go terribly wrong: the evening ends in tragedy when, after exchanging vows, Wingo disappears into San Francisco Bay.
This book looks at the 942 artifacts of foreign origin - from Anatolia, Cyprus, Egypt, Italy, Mesopotamia, and Syro-Palestine - which have been found in the late Bronze Age Aegean area. These objects represent the only group of material in the LBA Aegean that has not disintegrated or disappeared, and as such are unique in providing information about the complex trade networks of the period. Begining with a discussion of trade and transactions in the LBA, Cline then examines the literary and pictorial evidence for international trade and presents a full catalogue of objects with description, origin, and bibliographic references. Three appendices include information on raw materials, problematic objects, and disputed contexts. This information provides a useful database for those studying Aegean and Mediterranean trade.
District Attorney Varga is shot dead. Then Judge Sanza is killed. Then Judge Azar. Are these random murders, or part of a conspiracy? Inspector Rogas thinks he might know, but as soon as he makes progress he is transferred and encouraged to pin the crimes on the Left. And yet how committed are the cynical, fashionable, comfortable revolutionaries to revolution—or anything? Who is doing what to whom? Equal Danger is set in an imaginary country, one that seems all too real. It is the most extreme—and gripping—depiction of the politics of paranoia by Leonardo Sciascia, master of the metaphysical detective novel.
Insularity – the state or condition of being an island – has played a key role in shaping the identities of populations inhabiting islands of the Mediterranean. As entities surrounded by water and usually possessing different landscapes and ecosystems from those of the mainland, islands allow for the potential to study both the land and the sea. Archaeologically, they have the potential to reveal distinct identities shaped by such forces as invasion, imperialism, colonialism, and connectivity. The theme of insularity and identity in the Roman period has not been the subject of a book length study but has been prevalent in scholarship dealing with the prehistoric periods. The papers in this book explore the concepts of insularity and identity in the Roman period by addressing some of the following questions: what does it mean to be an island? How has insularity shaped ethnic, cultural, and social identity in the Mediterranean during the Roman period? How were islands connected to the mainland and other islands? Did insularity produce isolation or did the populations of Mediterranean islands integrate easily into a common ‘Roman’ culture? How has maritime interaction shaped the economy and culture of specific islands? Can we argue for distinct ‘island identities’ during the Roman period? The twelve papers presented here each deal with specific islands or island groups, thus allowing for an integrated view of Mediterranean insularity and identity.