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An exact facsimile of the 1933 first edition of W.B. Yeats’s The Winding Stair and Other Poems, a famously beautiful, elegant volume intended as a companion to The Tower—with an Introduction and notes by the eminent Yeats scholar George Bornstein. Published in 1933 when W.B. Yeats was sixty-eight, The Winding Stair and Other Poems is his longest stand-alone volume of verse. Previously unavailable as a single volume, this beautiful edition will appeal to both general readers and textual scholars. Featuring sixty-four poems from the late 1920s and early 1930s, among them such masterpieces as “Blood and the Moon,” “Byzantium,” the Coole Park poems, “Vacillation,” and two separately titled long sequences including the Crazy Jane poems and ending with the exquisite lyric “From the ‘Antigone,’” this edition also includes an Introduction and notes by celebrated Yeats scholar George Bornstein. These poems amply justify T. S. Eliot’s contention that Yeats was one of the few poets “whose history is the history of their own time, who are a part of the consciousness of an age which cannot be understood without them.”
This edition records every draft, from Yeats's first notion to the published version, a majority both in facsimile (in Yeats's fiercely illegible hand) and in faithful transcription on facing pages.
Clark traces the evolution of each poem up through the 1933 volume.
I have spread my dreams under your feet; Tread softly because you tread on my dreams ... Some of the most famous lines in Irish poetry come from the pen of William Butler Yeats, poet, patriot, dramatist and senator. This illustrated collection of forty of his best-loved works, on Love, Politics, Old Age, Myth and Legend includes people, places and events that were important to him.
The manuscripts transcribed and reproduced in this volume of the Cornell Yeats were written from spring 1933 through December 1934. "Parnell's Funeral and Other Poems" is the third section of W. B. Yeats's book A Full Moon in March (1935), following the two plays A Full Moon in March and The King of the Great Clock Tower. David R. Clark's introduction relates biographical events to what the manuscripts show about the chronological order in which the poems were written. The poems, which illuminate such facets of Yeats's life as the poet's flirtations with fascism and Hinduism and his concern, at age sixty-eight, that his poetic powers were waning, are presented in the order in which they appeared in A Full Moon in March. Of the twenty-one poems here, eighteen are called songs. Only "Parnell's Funeral" itself is un-songlike, a somber and powerful declaration made by a Parnellite. Each poem is accompanied by comments on its content and its manuscripts. Ninety-nine illustrations show Yeats's handwritten drafts, typescripts, and revisions. Because of the poems' exotic references, a long section of the introduction provides relevant material from Yeats's letters and commentary and an independent analysis of each poem. Early in his career Yeats, with his fellow poets in the Rymers' Club, had "taken delight in poetry that was, before all else, speech or song, and could hold the attention of a fitting audience like a good play or a good conversation." Throughout "Parnell's Funeral and Other Poems," Yeats's desire for a direct lyrical urge is evident.
First published in 1928, The Tower was Yeats’s first collection published after receiving the Nobel Prize in 1923, and it is perhaps the major work that most cemented his reputation as one of the foremost literary figures of the twentieth century. The titular poem, ‘The Tower’, refers to Thoor Ballylee Castle, a Norman tower that Yeats purchased in 1917, and which formed the basis of the original cover design – evoked in the cover of this edition. The collection also includes some of his most inventive and profound work, and develops deep themes regarding life, love and myth. With explanatory notes, this edition seeks to bring the collection to a greater readership and to offer a more profound understanding of the great poet’s work.
Compilation of all the poems from The Wild Swans at Coole (1919) and Michael Robartes and the Dancer (1921) includes "The Second Coming," "An Irish Airman Foresees His Death," many others.
The Irish Times literary editor Fintan O'Toole selects 100 artworks to narrate a history of Ireland.