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A baby falcon is stolen from its nest in the schoolyard wall by a lonely boy, who returns it when it will not eat and watches it take its first flight.
One glance at the contents of this book will tell any lover of sea stories that an exciting saga of danger and adventure aboard a three-masted sailing ship named the Windhover is about to unfold. She leaves Bermuda in the summer of 1871 to cross the Atlantic and the Mediterranean en route to Naples, Italy. By no means will it be a journey without incident. On the high seas, sour provisions bring crew and captain into conflict. As the squabble becomes incendiary, the second mate, who narrates the story, must find a way to overcome a mutinous crew, regain control of the ship, and bring her to safe haven.
Journey across the wide reaches of space with roving diplomat Gerard Manley and his sentient starship Windhover, into danger and adventure on a half-dozen farflung alien worlds...An image of voices is the first in a spellbinding new series of a man on a pilgrimage in search of himself.
Jesuit priest Gerard Manley Hopkins created verse that combined material sensuousness with asceticism. This anthology features all of his mature work, including the well-known elegy, "The Wreck of the Deutschland."
Renowned Hopkins expert Joseph J. Feeney, SJ, offers a fresh take on Gerard Manley Hopkins which shakes our understanding of his poetry and his life and points towards the next phase in Hopkins studies. While affirming the received view of Hopkins as a major poet of nature, religion, and psychology, Feeney finds a pervasive, rarely noticed playfulness by employing both the theory of play and close reading of his texts. This new Hopkins lived a playful life from childhood till death as a student who loved puns and jokes and wrote parodies, comic verse, and satires; as a Jesuit who played and organized games and had "a gift for mimicry;" and most significantly, as a poet and prose stylist who rewards readers with unexpected displays of whimsy and incongruity, even, strikingly, in "The Wreck of the Deutschland," "The Windhover," and the "Terrible Sonnets." Feeney convincingly argues that Hopkins's distinctive playfulness is inextricably bound to his sense of fun, his creativity, his style, and his competitiveness with other poets. In unexpected images, quirky metaphors, strange perspectives, puns, coinages, twisted syntax, wordmusic, and sprung rhythm, we see his playful streak burst forth to adorn those works critics consider his most brilliant. No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.
Identifying sacramentalism as the key to the poetry and spirituality of Gerard Manley Hopkins, this study suggests that Hopkins most dominantly emphasized the sacramental Mystical Body of the Church and that his poems aspire to see past the out-scape of nature and humanity to revelations of spiritual inscape.