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“100 pages of text and 184 historical news photographs . . . This is the Mexican Revolution in its drama, its complexity, its incompleteness.” —Bertram D. Wolfe The Mexican Revolution began in 1910 with the overthrow of dictator Porfirio Díaz. The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Díaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregón, to the peaceful social revolution of Cárdenas and Mexico’s entry into World War II. The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans. “Here is the history of the revolution in 184 of the best photographs of the time. The whole disintegration and painful reintegration of a society is marvelously set before the eyes.” —Times Literary Supplement “A classic and sympathetic statement of the first of the great twentieth century revolutions—its words and pictures command our attention and our respect.” —Military History “One could not have seen it more closely and fully had one taken part in it.” —Bertram D. Wolfe
“100 pages of text and 184 historical news photographs . . . This is the Mexican Revolution in its drama, its complexity, its incompleteness.” —Bertram D. Wolfe The Mexican Revolution began in 1910 with the overthrow of dictator Porfirio Díaz. The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Díaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregón, to the peaceful social revolution of Cárdenas and Mexico’s entry into World War II. The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans. “Here is the history of the revolution in 184 of the best photographs of the time. The whole disintegration and painful reintegration of a society is marvelously set before the eyes.” —Times Literary Supplement “A classic and sympathetic statement of the first of the great twentieth century revolutions—its words and pictures command our attention and our respect.” —Military History “One could not have seen it more closely and fully had one taken part in it.” —Bertram D. Wolfe
50 year since founding the University of Texas, they have witnessed major evolutions in the world of publishing.
The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans.
Journalist, historian, anthropologist, art critic, and creative writer, Anita Brenner was one of Mexico's most discerning interpreters. In this book, her daughter, Susannah Glusker, traces Brenner's intellectual growth and achievements from the 1920s through the 1940s. This intellectual biography brings to light a complex, fascinating woman who bridged many worlds--the United States and Mexico, art and politics, professional work and family life.Journalist, historian, anthropologist, art critic, and creative writer, Anita Brenner was one of Mexico's most discerning interpreters. Born to a Jewish immigrant family in Mexico a few years before the Revolution of 1910, she matured into an independent liberal who defended Mexico, workers, and all those who were treated unfairly, whatever their origin or nationality.In this book, her daughter, Susannah Glusker, traces Brenner's intellectual growth and achievements from the 1920s through the 1940s. Drawing on Brenner's unpublished journals and autobiographical novel, as well as on her published writing, Glusker describes the origin and impact of Brenner's three major books, Idols Behind Altars, Your Mexican Holiday, and The Wind That Swept Mexico.Along the way, Glusker traces Brenner's support of many liberal causes, including her championship of Mexico as a haven for Jewish immigrants in the early 1920s. This intellectual biography brings to light a complex, fascinating woman who bridged many worlds--the United States and Mexico, art and politics, professional work and family life.
Walker Evans is widely recognized as one of the greatest American photographers of the twentieth century, and the J. Paul Getty Museum owns one of the most comprehensive collections of his work, including more of his vintage prints than any other museum in the world. This lavishly illustrated volume brings together for the first time all of the Museum’s Walker Evans holdings. Included here are familiar images—such as Evans’s photographs of tenant farmers and their families, made in the 1930s and later published in Let Us Now Praise Famous Men—and images that are much less familiar—such as the photographs Evans made in the 1940s of the winter quarters of the Ringling Brothers circus, or his very late Polaroids, made in the 1970s. In addition, many previously unpublished Evans photographs, and variant croppings of classic images, appear here for the first time. Author Judith Keller has written a lively, informative text that places these photographs in the larger context of Evans’s life and career and the culture—especially the popular culture—of the time. In so doing, she has produced an indispensible volume for anyone interested in the history of photography or American culture in the twentieth century. Also included is the most comprehensive bibliography on Walker Evans published to date.
Includes "Bibliographical section".