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“100 pages of text and 184 historical news photographs . . . This is the Mexican Revolution in its drama, its complexity, its incompleteness.” —Bertram D. Wolfe The Mexican Revolution began in 1910 with the overthrow of dictator Porfirio Díaz. The Wind That Swept Mexico, originally published in 1943, was the first book to present a broad account of that revolution in its several different phases. In concise but moving words and in memorable photographs, this classic sweeps the reader along from the false peace and plenty of the Díaz era through the doomed administration of Madero, the chaotic years of Villa and Zapata, Carranza and Obregón, to the peaceful social revolution of Cárdenas and Mexico’s entry into World War II. The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans. “Here is the history of the revolution in 184 of the best photographs of the time. The whole disintegration and painful reintegration of a society is marvelously set before the eyes.” —Times Literary Supplement “A classic and sympathetic statement of the first of the great twentieth century revolutions—its words and pictures command our attention and our respect.” —Military History “One could not have seen it more closely and fully had one taken part in it.” —Bertram D. Wolfe
The photographs were assembled from many sources by George R. Leighton with the assistance of Anita Brenner and others. Many of the prints were cleaned and rephotographed by the distinguished photographer Walker Evans.
Edward Weston (1886–1958) was one of the most celebrated photographers of the twentieth century. Jean Charlot (1898–1979), a classically trained French artist best known for his murals, woodcuts, and paintings celebrating Mexican culture, played a key role as a participant and chronicler of the Mexican Renaissance. This book, based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958, documents a friendship that says as much about art—about photography and fresco, practice, criticism, and history—as it does about the intersection of a number of fascinating characters, the ups and downs of the correspondents’ daily lives, the pursuit of their dreams and aspirations, and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston, Charlot, and their era, shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists, this work also supplies an important chapter in the history of twentieth-century art and photography, seen close up and from the inside.
This judicious history of modern Mexico's revolutionary era will help all readers, and in particular students, understand the first great social uprising of the twentieth century. In 1911, land-hungry peasants united with discontented political elites to overthrow General Porfirio Díaz, who had ruled Mexico for three decades. Gonzales offers a path breaking overview of the revolution from its origins in the Díaz dictatorship through the presidency of radical General Lázaro Cárdenas (1934-1940) drawn from archival sources and a vast secondary literature. His interpretation balances accounts of agrarian insurgencies, shifting revolutionary alliances, counter-revolutions, and foreign interventions to delineate the triumphs and failures of revolutionary leaders such as Francisco I. Madero, Pancho Villa, Emiliano Zapata, Alvaro Obregón, and Venestiano Carranza. What emerges is a clear understanding of the tangled events of the period and a fuller appreciation of the efforts of revolutionary presidents after 1916 to reinvent Mexico amid the limitations imposed by a war-torn countryside, a hostile international environment, and the resistance of the Catholic Church and large land-owners.