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From Cape Town across the Atlantic, along the coast of Brazil and into the Caribbean in a 34-ft. yawl.
Read Along or Enhanced eBook: Based on a fable from Aesop, the Sun and the Wind test their strength by seeing which of them can cause a man to remove his coat, demonstrating the value of using gentle persuasion rather than brute force as a means of achieving a goal.
Sometimes she had walked for days at a time in that dream; she would wake to find food that she could not remember gathering. Somehow, pervasive, the dream voices had taken over; the whispering winds had been full of voices and even hands. She had fallen ill and lain for days sick and delirious, and had heard a voice which hardly seemed to be her own, saying that if she died the wind voices would care for Robin.
In the highly suspenseful Edge of the Wind, the main character, a sensitive but deeply troubled 25 year-old black man, Alexander van der Pool, is off his meds and has begun hearing voices, especially that of his alter ego, Tobi. Having been holed up in his sister's bedroom in southwest Tennessee for two months, Alex has done nothing but read and write poetry. Until one day, he is convinced writing poetry is his life's calling and sets out to visit a local community college to have his work evaluated. But life takes a terrible turn when those at the college reject Alex and his work. When they try to kick him out, he takes matters into his own hands and holds the literature class hostage. Noted author James E Cherry holds nothing back as he tackles mental illness, race, poetry, art and the importance of relationships in this his second novel.
A rhymed tale describing the antics of a capricious wind. The wind blew, and blew, and blew! It blew so hard, it took everything with it: Mr. White’s umbrella, Priscilla’s balloon, the twins’ scarves, even the wig on the judge’s head. But just when the wind was about to carry everything out to sea, it changed its mind! With rhyming verse and colorful illustrations, Pat Hutchins takes us on a merry chase that is well worth the effort.
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. Praise for Inherit the Wind "A tidal wave of a drama."—New York World-Telegram And Sun “Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We’re still arguing this case–all the way to the White House.”—Chicago Tribune “Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater.”—Copley News Service “[This] historical drama . . . deserves respect.”—The Columbus Dispatch
"Part primer, part parable, part elegy for the depth and decency we sacrifice daily to the order of self-possession, The Wind invites us to enjoy it inventively .... A philosopher coming up against the limits of philosophy's forms of communication ("Philosophy, without being in touch, is always abstract"), Bendik-Keymer courts a thoughtfulness in which wonder practically circumvents theory. Energized by "utopian anger," he invokes the clearing, shaking energies of wind against the violent social rigidities we accept as normal. The wind, impersonal, is the figure through which to keep the dynamic inter-personal in view. ... I admire this book's inventiveness, its willingness to break with discipline in pursuing a wider vision of accountability." (Sarah Gridley, author of "Weather Eye Open" and "Loom") A process begun in Pisa, Italy in April of 2016 during a workshop on political theory in the Anthropocene, The Wind An Unruly Living is a philosophical exercise (askêsis, translated, following Ignatius of Loyola, as "spiritual exercise"). In his exercise, Bendik-Keymer throws to the void: the ideology of self-ownership from a society of possession. By using the Stoic kanôn, the rule of living by phûsis, he follows an element. Unhappily for the Stoic and happily for us, the wind is unruly. A swerve of currents through a social fabric, it's full of holes, all holely. Stretch and stitch as you want, it might settle more shapely tattered into light, but it will never become whole. The wind's only holesome.