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Although they share a love of poetry and problems with their parents, a shy high school senior's attraction to a popular classmate is tempered by her fear of his moody, self-destructive side.
Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession. It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t? Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense, The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power. “Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review “Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal “Brings medieval England back to life.” —The Washington Post
Twelve-year-old Molly and her ten-year-old brother, Michael, have never liked their seven-year-old stepsister, Heather. Ever since their parents got married, she's made Molly and Michael's life miserable. Now their parents have moved them all to the country to live in a house that used to be a church, with a cemetery in the backyard. If that's not bad enough, Heather starts talking to a ghost named Helen and warning Molly and Michael that Helen is coming for them. Molly feels certain Heather is in some kind of danger, but every time she tries to help, Heather twists things around to get her into trouble. It seems as if things can't get any worse. But they do—when Helen comes.
What if it is death that teaches us how to truly live? Keeping the end in mind shapes how we live our lives in the here and now. Living life backward means taking the one thing in our future that is certain—death—and letting that inform our journey before we get there. Looking to the book of Ecclesiastes for wisdom, Living Life Backward was written to shake up our expectations and priorities for what it means to live "the good life." Considering the reality of death helps us pay attention to our limitations as human beings and receive life as a wondrous gift from God—freeing us to live wisely, generously, and faithfully for God's glory and the good of his world.
Walking backward in the wind was often a child's game. But in West Texas during the Great Depression, whether you were child or grownup, it was a method of moving ahead by backing through the legendary windstorms which swept the landscape, the same winds that covered beds, furniture and even food with a thick layer of dust. Helen Mangum Field's account opens and closes with the winds - one a nameless windstorm, the other the fabled Black Duster. But Walking Backward in the Wind is about more than the winds - they are only bookends, a blustery literary device. What occurs between the winds - the rhythms of farm families and communities in the 1920s - is the heart of this narrative. Cleaning the stove, daily dusting or shoveling dirt, planting, killing hogs, box suppers, dipping snuff, candling eggs, wringing chickens' necks and drawing names at Christmas are all richly detailed without sentimentality. In spite of gusts which grabbed and tore at the fabric of life, Helen Mangum Fields proves how successful walking backward in the wind was.
In these pages you will come to know Kvothe the notorious magician, the accomplished thief, the masterful musician, the dragon-slayer, the legend-hunter, the lover, the thief and the infamous assassin.
The perfect murder is a work of art In one catastrophic instant, Haley Warren's estranged father was taken from her. She never got the chance to reconnect with him, so now she's doing it the only way she's got left: by proving the explosion that killed him was no accident. When Tyler Brodie, the provocative and handsome P.I. hired by Haley, discovers that her father was investigating a suspected art theft, he knows his death is no coincidence. After all, tens of millions of dollars worth of stolen art could motivate a thief to go to any lengths—including getting rid of anyone poking around where they don't belong. As Haley and Ty get closer to the truth, the truth gets ugly: Did Haley's dad know too much…or was he in on the take? And although Ty's a consummate professional, he's having trouble focusing on the facts of the case, and not the figure of his gorgeous client. The two are determined to get to the bottom of the case, even if it means they die trying.
Now a Netflix film starring and directed by Chiwetel Ejiofor, this is a gripping memoir of survival and perseverance about the heroic young inventor who brought electricity to his Malawian village. When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows how, even in a desperate situation, one boy's brilliant idea can light up the world. Complete with photographs, illustrations, and an epilogue that will bring readers up to date on William's story, this is the perfect edition to read and share with the whole family.
Chill Wind is the 2003 winner of the Coretta Scott King - John Steptoe New Talent Award. A tough and funny project girl manages to make that chill wind blow away in Janet McDonald's sequel to Spellbound. The good life, according to Aisha Ingram, is easy. It's hanging with friends, dancing, listening to music, whatever . . . but it doesn't include worrying about the future. Chilling out is her mantra until she receives a sixty-day termination-of-welfare-benefits notice. Without her monthly food stamps and assistance checks and with no help from the father of her two children, Aisha's life threatens to become a little too "chilly." The clock is ticking and she doesn't have many options, but one thing she knows for sure: workfare is not for her. There's no way she's going to scrub subway cars or sweep city sidewalks. Aisha tries to come up with other ways to get money, but things don't look good. Soon another notice comes: only thirty days left. Then she sees an ad on TV for BIGMODELS, and she figures she might as well check out the agency. After all, she is pretty enough. But just when it looks like Aisha's problems might be solved, things grow crazy again. In Aisha, Janet McDonald has created a larger-than-life heroine who finds and succeeds at what is right for her.