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Handsome full-color collection of Ned Smith's wildlife art selected and with biographical information by acclaimed nature writer Scott Weidensaul First-ever book on this popular and respected wildlife artist Renowned wildlife artist Ned Smith painted hundreds of covers and illustrations for the Pennsylvania Game News and created the magazine's beloved "Gone for the Day" column. Now for the first time, his wildlife paintings, pen-and-ink drawings, and field sketches are collected and presented in a handsome full-color format; many have never before been published. From big-game mammals and predators to songbirds, raptors, and freshwater fish, the animals depicted by Smith are stunningly lifelike and appear in settings and situations created by someone who knows the outdoors. This collection includes Old Orchard Buck, Deep Wooks Drummer, A Little Bit Cautious, Waiting for Dusk, and much more. The art appears here accompanied by journal entries and sketches, as well as background information that describes how Smith worked and what he tried to accomplish with his art.
The long association between Ned Smith and the Pennsylvania Game News, which spanned some 35 years, resulted in a treasure trove of beloved and breathtaking wildlife art. Collected here for the first time are full-size reproductions of every Game News cover Smith ever created--121 in all, including both the twenty-fifth and fiftieth anniversary issues. Prized by collectors, remembered fondly by generations of sportsmen and -women, each cover captures the magic of being outdoors in Pennsylvania, winter, spring, summer, and fall.
A sequel to Ned Smith's beloved classic Gone for the Day, this book draws on the artist's half-century of field journals and dozens of previously unpublished works of art to trace the natural year in Pennsylvania and beyond. It is edited by Pultizer-nominated natural history author Scott Weidensaul.
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.
Scott Weidensaul chronicles scientists' search for extinct species, discussing how some plants and animals have reappeared after being lost for hundreds of years.
In 1953, birding guru Roger Tory Peterson and noted British naturalist James Fisher set out on what became a legendary journey-a one hundred day trek over 30,000 miles around North America. They traveled from Newfoundland to Florida, deep into the heart of Mexico, through the Southwest, the Pacific Northwest, and into Alaska's Pribilof Islands. Two years later, Wild America, their classic account of the trip, was published. On the eve of that book's fiftieth anniversary, naturalist Scott Weidensaul retraces Peterson and Fisher's steps to tell the story of wild America today. How has the continent's natural landscape changed over the past fifty years? How have the wildlife, the rivers, and the rugged, untouched terrain fared? The journey takes Weidensaul to the coastal communities of Newfoundland, where he examines the devastating impact of the Atlantic cod fishery's collapse on the ecosystem; to Florida, where he charts the virtual extinction of the great wading bird colonies that Peterson and Fisher once documented; to the Mexican tropics of Xilitla, which have become a growing center of ecotourism since Fisher and Peterson's exposition. And perhaps most surprising of all, Weidensaul finds that much of what Peterson and Fisher discovered remains untouched by the industrial developments of the last fifty years. Poised to become a classic in its own right, Return to Wild America is a sweeping survey of the natural soul of North America today.
The world's most infamous hacker offers an insider's view of the low-tech threats to high-tech security Kevin Mitnick's exploits as a cyber-desperado and fugitive form one of the most exhaustive FBI manhunts in history and have spawned dozens of articles, books, films, and documentaries. Since his release from federal prison, in 1998, Mitnick has turned his life around and established himself as one of the most sought-after computer security experts worldwide. Now, in The Art of Deception, the world's most notorious hacker gives new meaning to the old adage, "It takes a thief to catch a thief." Focusing on the human factors involved with information security, Mitnick explains why all the firewalls and encryption protocols in the world will never be enough to stop a savvy grifter intent on rifling a corporate database or an irate employee determined to crash a system. With the help of many fascinating true stories of successful attacks on business and government, he illustrates just how susceptible even the most locked-down information systems are to a slick con artist impersonating an IRS agent. Narrating from the points of view of both the attacker and the victims, he explains why each attack was so successful and how it could have been prevented in an engaging and highly readable style reminiscent of a true-crime novel. And, perhaps most importantly, Mitnick offers advice for preventing these types of social engineering hacks through security protocols, training programs, and manuals that address the human element of security.
Beyond Audubon: A quirky, “lively and illuminating” account of bird-watching’s history, including “rivalries, controversies, [and] bad behavior” (The Washington Post Book World). From the moment Europeans arrived in North America, they were awestruck by a continent awash with birds—great flocks of wild pigeons, prairies teeming with grouse, woodlands alive with brilliantly colored songbirds. Of a Feather traces the colorful origins of American birding: the frontier ornithologists who collected eggs between border skirmishes; the society matrons who organized the first effective conservation movement; and the luminaries with checkered pasts, such as Alexander Wilson (a convicted blackmailer) and the endlessly self-mythologizing John James Audubon. Naturalist Scott Weidensaul also recounts the explosive growth of modern birding that began when an awkward schoolteacher named Roger Tory Peterson published A Field Guide to the Birds in 1934. Today, birding counts iPod-wearing teens and obsessive “listers” among its tens of millions of participants, making what was once an eccentric hobby into something so completely mainstream it’s now (almost) cool. This compulsively readable popular history will surely find a roost on every birder’s shelf. “Weidensaul is a charming guide. . . . You don’t have to be a birder to enjoy this look at one of today’s fastest-growing (and increasingly competitive) hobbies.” —The Arizona Republic
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.