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An account of one year in the Yaak Valley wilderness range, by the acclaimed naturalist and memoirist. Beginning with his family settling in for the long northwestern Montana winter, and capturing all the subtle harbingers of change that mark each passing month—the initial cruel teasing of spring, the splendor and fecundity of summer, and the bittersweet memories evoked by fall—this is a beautiful evocation of the “fauna, flora and folks” in this rugged and spectacular landscape (Publishers Weekly, starred review). It is full of rich observation about what it takes to live in the valley—toughness, improvisation and, of course, duct tape. The Wild Marsh is also poignant, especially as the author reflects on what it means for his young daughters to grow up surrounded by the strangeness and wonder of nature. He shares with them the Yaak’s little secrets—where the huckleberries are best in a dry year, where to find a grizzly’s claw marks in an old cedar—and discovers that passing on this intimate local knowledge, the knowledge of home, is a kind of rare and valuable love. Bass emerges not just as a writer but as a father, a neighbor, and a gifted observer, uniquely able to bring us close to the drama and sanctity of small things, ensuring that though the wilderness is increasingly at risk, the voice of the wilderness will not disappear. “A work of wonder, praise, and thanksgiving for all the marvels of nature, where every aspect is connected and every process has its place. Bass, grounding his book in science well, takes the facts and transforms them, as a musician transforms musical notes, into a work of great beauty. This walk through a year is a walk through the author’s soul, filled with passions, dreams, fears, and the exuberance of Walt Whitman.” —School Library Journal, starred review “Whether the topic is a forest fire in his front yard or the excitement of the first tiny cheerful glacier lilies in spring, Rick Bass is a stirring companion on the trail that leads west from the Walden Pond of Henry David Thoreau and the Sand County of Aldo Leopold.” —Ivan Doig, author of The Whistling Season
An exuberant, nuanced celebration of the passing of a year in Rick Bass's beloved Yaak Valley--a new classic from the acclaimed nature writer.
First in a hot new cowboy romance series by author Erin Marsh, featuring cowboys dealing with wild animals on their land Clay Stevens desperately wants to reclaim his grandfather's land, using the latest techniques to bring water to the arid landscape. The last thing he needs is wild wolves on his ranch—even if they are brought there by feisty and determined conservation officer Lacey Montgomery. Lacey is convinced the ranchers and the lobos can co-exist, until Clay's nephew and his friends cause a landslide that injures some rare Mexican wolf pups and Lacey gets hurt too. Clay and Lacey have to work together to heal old wounds and reconcile community factions, if they're going to have any chance at the bright future they both envision.
First published in 1945, this biography won the Pulitzer Prize in 1946. Its author worked for twenty-two years on John Muir, including as secretary of the John Muir Association and as editor of Muir’s unpublished papers. She interviewed many family members and people who knew and worked with John Muir to produce this account of Muir’s life. She recounts Muir’s Scottish origins, his early years in the harsh Wisconsin wilderness, his remarkable mechanical aptitude and interest in botany and geology at the University of Wisconsin in Madison where he spent two and a half years before traveling to the Canadian wilderness, and then to California where he spent most of his life. “[A] well-balanced, informative and rewarding biography.” — Kirkus Reviews “Into this biography of John Muir, Mrs. Wolfe has packed an amazing amount of factual information which she has illuminated with a sober critical judgment that gives us a convincing portrait of the whole man.” — Francis P. Farquhar, Pacific Historical Review “Linnie Marsh Wolfe almost singlehandedly restored John Muir to the respectability and stature he always deserved... [Son of the Wilderness] should be on the reference shelves of anyone seriously interested in American environmental history.” — John Opie, Environmental History Review “[A]n interesting personal biography... [Wolfe] creates Muir as a living personality — mystical but athletic, enthusiastic about nature but socially abrupt — a sort of middle-aged Thoreau.” — Alexander Kern, Journal of American History “By immersing herself in Muir’s life, for example, by soaking in his correspondence and journals, [Wolfe] was able to craft what amounts to a first-person narrative, the autobiography he never wrote for himself.” — Char Miller, John Muir Newsletter
The World of the Salt Marsh is a wide-ranging exploration of the southeastern coast—its natural history, its people and their way of life, and the historic and ongoing threats to its ecological survival. Focusing on areas from Cape Hatteras, North Carolina, to Cape Canaveral, Florida, Charles Seabrook examines the ecological importance of the salt marsh, calling it “a biological factory without equal.” Twice-daily tides carry in a supply of nutrients that nourish vast meadows of spartina (Spartina alterniflora)—a crucial habitat for creatures ranging from tiny marine invertebrates to wading birds. The meadows provide vital nurseries for 80 percent of the seafood species, including oysters, crabs, shrimp, and a variety of finfish, and they are invaluable for storm protection, erosion prevention, and pollution filtration. Seabrook is also concerned with the plight of the people who make their living from the coast’s bounty and who carry on its unique culture. Among them are Charlie Phillips, a fishmonger whose livelihood is threatened by development in McIntosh County, Georgia, and Vera Manigault of Mount Pleasant, South Carolina, a basket maker of Gullah-Geechee descent, who says that the sweetgrass needed to make her culturally significant wares is becoming scarcer. For all of the biodiversity and cultural history of the salt marshes, many still view them as vast wastelands to be drained, diked, or “improved” for development into highways and subdivisions. If people can better understand and appreciate these ecosystems, Seabrook contends, they are more likely to join the growing chorus of scientists, conservationists, fishermen, and coastal visitors and residents calling for protection of these truly amazing places.
How writer Simon Barnes rewilded the marshland next to his garden to attract new species and to bring inspiration to his family