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Jefferji Tamisen has lived a sheltered existence. Raised by a Rajput nobleman, he has devoted himself to the sacred dance of Sri Krsna, and is equally skilled at communicating both the Bridegroom and the divine Consort to his audience. But Jefferji's English heritage has finally caught him up, and he is forced to leave his childhood home. Both escape and duty send him into the wild high places of the great Pamir plateau, where not only danger and bloodshed await, but also a refugee Circassian warlord who pulls Jefferji into another, far stranger dance. Its transcendent power will carry Jefferji closer to a fiercer god than he could have dreamed possible--if he manages to survive its passion.
Hutto is living in a tent at twelve thousand feet, where blizzards occur in July and where human wants become irrelevant and human needs can become a matter of life and death—to study the Rocky Mountain bighorn sheep. The population of these rare alpine sheep is in decline. The lambs are dying in unprecedented numbers. Hutto’s job is to find out why. For months at a time, he follows the bighorn herds, meets mountain lions and bears, weathers injury and storms, and beautifully observes the incredible splendor of the Rocky Mountains. Hutto has a deep connection to Wyoming, having managed a large cattle ranch in his past. He weaves Wyoming’s history of the cowboy, mountain ecology, and the lives of the bighorn sheep into a beautiful flowing narrative. Ultimately, he discovers that the lambs are dying of cystic fibrosis due to selenium deficiency, which is caused by acid rain—a grim ecological disaster caused by human pollution. Here is a new twist on a cautionary tale, and a new voice, eloquently expressing the urgency that we mend our ways.
In this expanded edition of his classic Strangers in High Places, Michael Frome continues to capture the attention and admiration of nature lovers, environmentalists, and professionals as he reviews the last quarter-century in and around the Great Smoky Mountains National Park. Frome's superbly written account tells the story of the Great Smoky Mountains and their inhabitants--Eastern Cherokee, back-country settlers, lumbermen, moonshiners, bears and boars. Frome chronicles the power struggles, legislation, and land transactions surrounding the creation of the national park and discusses the continuing threats to the park's natural beauty. Frome's recent conversations with residents, new and old, along with a complement of historic and contemporary photographs, confirm the views stated in the book's original 1966 edition. The author brings his knowledge, experience, and insights to bear on "one of God's special places." He suggests alternatives to commercial overdevelopment and the destruction of the Great Smokies' flora and fauna, citing recent cases such as the Tellico Dam project and the continuing pollution of the Pigeon River. Always emphasizing our inevitable relationship with our surroundings, Frome relates the story of the Great Smoky Mountains with respect and affection for the region, its people, and their history. Michael Frome ranks among the foremost American authors on travel and conservation. His interests are closely associated with national parks, national forests, and natural beauty in the United States and other countries. He has been a columnist and correspondent for major newspapers and magazines and a university lecturer. He is author of Conscience of a Conservationist: Selected Essays.
Much-Afraid had been in the service of the Chief Shepherd, whose great flocks were pastured down in the Valley of Humiliation. She lived with her friends and fellow workers Mercy and Peace in a tranquil little white cottage in the village of Much-Trembling. She loved her work and desired intensely to please the Chief Shepherd, but happy as she was in most ways, she was conscious of several things which hindered her in her work and caused her much secret distress and shame. Here is the allegorical tale of Much-Afraid, an every-woman searching for guidance from God to lead her to a higher place.
An allegory of the nine spices mentioned in Song of Solomon compared with the nine fruits of the Spirit.
Alleges an extensive cover-up of Japanese war crimes.
From the author of The Old Ways and Underland, an "eloquent (and compulsively readable) reminder that, though we're laying waste the world, nature still holds sway over much of the earth's surface." --Bill McKibben Winner of the Boardman Tasker Prize for Mountain Literature and a finalist for the Orion Book Award Are there any genuinely wild places left in Britain and Ireland? That is the question that Robert Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago's most remarkable landscapes. He climbs, walks, and swims by day and spends his nights sleeping on cliff-tops and in ancient meadows and wildwoods. With elegance and passion he entwines history, memory, and landscape in a bewitching evocation of wildness and its vital importance.
What a terrible thing at a time like this: to own a house, and the trees around it. Janet sat rigid in her seat. The plane lifted from the city and her house fell away, consumed by the other houses. Janet worried about her own particular garden and her emptied refrigerator and her lamps that had been timed to come on at six. So begins "Mycenae," a story in The High Places, Fiona McFarlane's first story collection. Her stories skip across continents, eras, and genres to chart the borderlands of emotional life. In "Mycenae," she describes a middle-aged couple's disastrous vacation with old friends. In "Good News for Modern Man," a scientist lives on a small island with only a colossal squid and the ghost of Charles Darwin for company. And in the title story, an Australian farmer turns to Old Testament methods to relieve a fatal drought. Each story explores what Flannery O'Connor called "mystery and manners." The collection dissects the feelings--longing, contempt, love, fear--that animate our existence and hints at a reality beyond the smallness of our lives. Salon's Laura Miller called McFarlane's The Night Guest "a novel of uncanny emotional penetration . . . How could anyone so young portray so persuasively what it feels like to look back on a lot more life than you can see in front of you?" The High Places is further evidence of McFarlane's preternatural talent, a debut collection that reads like the selected works of a literary great.
This book explores what many consider to be the most important issue in the re-wilding of America today-roads. Not highways, but the 500,000 miles of roads built on federal forest lands to access natural resources and then abandoned when the resources were removed. A Road Runs Through It features a collection of essays by some of today's finest nonfiction writers: Peter Matthiessen, Barry Lopez, Janisse Ray, David Quammen, David Petersen, Stephanie Mills, William Kittredge, and two dozen others. Together, they cover all aspects of roads and their impact on the wilderness. As all royalties from this book are being donated to Wildlands CPR, a nonprofit organization dedicated to protecting and reviving wild places by promoting road removal and re-vegetation, this book not only educates and informs on the issues of roads-it becomes part of the solution. Book jacket.
“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s favorite things in the world are koalas, eating roast chicken, and the summer-time. This summer, though, is off to a terrible start. First, Juan’s parents separate and his dad goes to Paris. Then, as if that wasn’t horrible enough, Juan is sent away to his strange Uncle Tito’s house for the entire break! Uncle Tito is really odd: he has zigzag eyebrows; drinks ten cups of smoky tea a day; and lives inside a huge, mysterious library. One day, while Juan is exploring the library, he notices something inexplicable and rushes to tell Uncle Tito. “The books moved!” His uncle drinks all his tea in one gulp and, sputtering, lets his nephew in on a secret: Juan is a Princeps Reader––which means books respond magically to him––and he’s the only person capable of finding the elusive, never-before-read Wild Book. Juan teams up with his new friend Catalina and his little sister, and together they delve through books that scuttle from one shelf to the next, topple over unexpectedly, or even disappear altogether to find The Wild Book and discover its secret. But will they find it before the wicked, story-stealing Pirate Book does?