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Simon can only watch, helpless, as his family is killed and his friends captured by enemy Travelers-men and women who can summon mystical powers from otherworldly Territories. To top it off, another young man from Simon's village discovers that he's a savior prophesied to destroy evil and save the realm.Prophecy has nothing to say about Simon. He has no special powers, no magical weapons, and no guarantee that he'll survive. But he sets off anyway, alone, to gain the power he needs to oppose the Travelers and topple their ruthless Overlord. It may not be his destiny, but Simon's determined to rescue his fellow villagers from certain death.Because who cares about prophecy, really?
Published 1862-1932, and reissued in multiple parts, this calendar of documents remains essential for the study of Tudor history.
This early work by Mary Elizabeth Braddon was originally published in 1883 and we are now republishing it with a brand new biography of the author. 'The Golden Calf' is one of Braddon's novels in the sensation literature genre. Mary Elizabeth Braddon was born in Soho, London, England in 1835. She was educated privately in England and France, and at the age of just nineteen was offered a commission by a local printer to produce a serial novel "combining the humour of Dickens with the plot and construction of G. P. R. Reynolds" What emerged was Three Times dead, or The Secret of the Heath, which was published five years later under the title The Trail of the Serpent (1861). For the rest of her life, Braddon was an extremely prolific writer, producing more than eighty novels, while also finding time to write and act in a number of stage plays.
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
We’re off to the Holy City! Luciel is moving up in the world and people, both good and bad, powerful and weak, have begun to take notice of this peculiar young man. Bent on becoming the best healer he can be in order to aid the many people who can’t afford treatment from the price-gouging clinics, he accepts his new position with trepidation, heading straight for the source of the infamous guild’s corruption. But something is up with the Church — a labyrinth of monsters lurks beneath the floor of the healers’ headquarters, and a number of players are moving in the shadows as Luciel desperately continues to cling to his hope of mundane normalcy. Will he succeed in finding comfort in his new life abroad? Will his talents lead him to some sense of stability? Or will he find himself getting far more than he bargained for? New faces, new trials, and new offensive nicknames await the Masochist Healer as his journey continues!