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There weren’t many women in the late 1800s who had the opportunity to accompany their husbands on adventures that were so exciting they seemed fictitious. Such was the case for the women married to the officers in General George Armstrong Custer’s Seventh Cavalry. There were seven officers’ wives. They were all good friends who traveled from post to post with one another along with their spouses. Of the seven widows, Elizabeth Custer was the most well-known. As the wife of the commanding officer, Libbie felt it was her duty to be present when the officer’s wives at Fort Lincoln were told their husbands had been killed at the Battle of the Little Bighorn. The women were overwhelmed with letters of condolence. Most people were sincere in their expressions of sorrow over the widows’ loss. Others were ghoulish souvenir hunters requesting articles of their husbands’ clothing and personal weapons as keepsakes. The press was preoccupied with how the wives of the deceased officers were handling their grief. During the first year after the tragic event, reporters sought them out to learn how they were coping, what plans they had for the future, and what, if anything, they knew about the battle itself. The widows were able to soldier through the scrutiny because they had one another. They confided in each other, cried without apologizing, and discussed their desperate financial situations. The friendship the bereaved widows had with one another proved to be a critical source of support. The transition from being officers’ wives living at various forts on the wild frontier to being single women with homes of their own was a difficult adjustment. Without one another to depend upon, the time might have been more of a struggle. The Widowed Ones: Beyond the Battle of the Little Bighorn tells the stories of these women and the unique bond they shared through never-before-seen materials from the Elizabeth Custer Library and Museum at Garryowen, Montana, including letters to and from politicians and military leaders to the widows, fellow soldiers and critics of George Custer to the widows, and letters between the widows themselves about when the women first met, the men they married, and their attempts to persevere after the tragedy.
“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
"Widow" is one title women do not want to have. Yet, according to the Surgeon General’s office, 800,000 people become widows or widowers every year in the United States alone. Every aspect of a widow’s existence changes—like it or not, ready or not. These changes add to the emotional roller coaster that most women experience after losing their husband. Miriam Neff understands the ride. As she struggled to understand and accept her new role after her husband’s death, she recognized the need for women to hear from others about their experiences and what helped them transition to this new stage of life. From One Widow to Another offers practical advice for those facing the loss of a spouse. Drawing from her own loss, Neff walks with the reader through practical issues to a sense of encouragement.
How do older women come to terms with widowhood? Are they vulnerable or courageous, predictable or creative in dealing with this life challenge? Most books about widows usually focus on younger women; this book interweaves the voices of older widows their experiences and insights to show how they have come to terms with widowhood and have recreated their lives in new, unsuspected ways. The widows speak about how they relate to their children, their friends, to men. With powerful emotions they describe their husbands’ final illnesses and deaths, and the challenging early days of widowhood. Disputing stereotypes about older women and widows, The Widowed Self allows the reader to visualize the impact of losing one’s life partner and offers a new way of thinking about widowhood. This new book by Deborah Kestin van den Hoonaard fills a void in previous work on widowhood. Rather than seeing these women as unfortunate, passive victims of life, the reader will come to appreciate the strength and creativity with which these women face one of life’s greatest challenges, a challenge that affects more than half of all women over the age of sixty-five. Widows and their families, scholars, social workers and other professionals who work with older adults will all be interested in reading The Widowed Self: The Older Woman’s Journey through Widowhood.
Most everyone knows that losing a mate to death is a painful experience. Those who have not had such a loss of someone very close, seldom realize the depth and breadth of that pain. As a result, in an effort to make the bereaved (or themselves) feel better, and to distance themselves from the event they say and do some outrageous and unthinking things. Others, possessing very tender hearts, say and do some of the kindest things imagineable. Most all of us who participated in writing this book found ourselves surprised by other people's reactions to our loss. The Widow or Widower Next Door is a collection of stories that reveal the unexpected reactions that occur. We prepare for school by attending Pre-K. We prepare to get our Driver's License by taking driving lessons. We got to pre-marital counseling before we wed. Nothing, but nothing prepares us for the loss of a spouse. We hope this book will get people thinking and preparing, and we hope that it will help them learn how to better help a friend or a neighbor with such a loss. Readers have asked why is there a logo of a hand with a heart in it as the cover of the book? The answer lies in The Valentine's Story, excerpted from the book: "The doctors told me that Pat was not going to be with me much longer. I took a red marker and a ballpoint pen with me to the hospital on Valentine's Day. I took his hand and drew a heart on his palm. I wrote "my heart" inside it and said 'I love you; you hold my heart in your hand'. The mortician left it in place. Pat still holds my heart in his hand and my heart is warm because of it.
My husband died, my life collapsed.
“A frank, poignant memoir about an unlikely marriage, a tragic death in Iraq, and the soul-testing work of picking up the pieces” (People) in the tradition of such powerful bestsellers as Joan Didion’s The Year of Magical Thinking and Carole Radziwill’s What Remains. Artis Henderson was a free-spirited young woman with dreams of traveling the world and one day becoming a writer. Marrying a conservative Texan soldier and becoming an Army wife was never part of her plan, but when she met Miles, Artis threw caution to the wind and moved with him to a series of Army bases in dusty Southern towns, far from the exotic future of her dreams. If this was true love, she was ready to embrace it. But when Miles was training and Artis was left alone, she experienced feelings of isolation and anxiety. It did not take long for a wife’s worst fears to come true. On November 6, 2006, the Apache helicopter carrying Miles crashed in Iraq, leaving twenty-six-year-old Artis—in official military terms—an “unremarried widow.” In this memoir Artis recounts not only the unlikely love story she shared with Miles and her unfathomable recovery in the wake of his death—from the dark hours following the military notification to the first fumbling attempts at new love—but also reveals how Miles’s death mirrored her own father’s, in a plane crash that Artis survived when she was five years old and that left her own mother a young widow. Unremarried Widow is “a powerful look at mourning as a military wife….You can finish it in a day and find yourself haunted weeks later” (The New York Times Book Review).
Based on a true story, this debut Civil War novel follows a Southern plantation woman's journey of transforming her home into a hospital for the war. This debut novel is based on the true story of Carrie McGavock. During the Civil War's Battle of Franklin, a five-hour bloodbath with 9,200 casualties, McGavock's home was turned into a field hospital where four generals died. For 40 years she tended the private cemetery on her property where more than 1,000 were laid to rest.
Single at 32, married at 33, and widowed at 34. Virginia Lloyd finally meets the man she wants to spend the rest of her life with, only to discover he is dying from cancer. After John dies, Virginia must battle the chronic rising damp in the house they had shared. And so in her first year as a young widow, Virginia, like the house, must dry from the inside out. "The Young Widow's Book of Home Improvement" is a wry and touching love story that plays with the parallels between our homes and ourselves.
THE NEW YORK TIMES BESTSELLER “A twisted psychological thriller you’ll have trouble putting down.”—People “If you liked Gone Girl and The Girl on the Train, you might want to pick up The Widow by Fiona Barton. Engrossing. Suspenseful.”—Stephen King Following the twists and turns of an unimaginable crime, The Widow is an electrifying debut thriller that will take you into the dark spaces that exist between a husband and a wife. There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now her husband is dead, and there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything... An NPR Best Book of the Year One of The Wall Street Journal’s 5 “Killer Books” of the Year A Publishers Weekly Best Book of the Year Includes a Readers Guide and an excerpt of Fiona Barton’s The Child.