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A Postmodern re-imagining of the Great Detective as a traumatized polymath and an Indian doctor. Charlotte Holmes & Dr Watan investigate a new courtesan who may be a Maharaja's illegitimate daughter and Branwell stumbles upon a plot to assassinate the new King. Loyalties are tested and friendships are shattered in the conclusion of the Calcutta Quartet of the Charlotte Holmes Mysteries.
The ancient whore, the handmaiden of dimly remembered Hindu kings, the courtesan of Mughal emperors’, the ‘Paris of the East’, Lahore is more than the grandeur of Mughal forts and gardens, mosques and mausoleums; the jewel colours of everlasting spring. It is also the city of poets, the city of love, longing, sin and splendour. This anthology brings together verse and prose: essays, stories, chronicles and profiles by people who have shared a relationship with Lahore. From the mystical poems of Madho Lal Hussain and Bulleh Shah to Iqbal’s ode and Faiz’s lament, from Maclagan and Aijazuddin’s historical treatises and Kipling’s ‘chronicles’ to Samina Quraeshi’s intricate portraits of the Old City and Irfan Husain’s delightful account of Lahori cuisine, City of Sin and Splendour is a marriage of the sacred and profane. While Pran Nevile paints a vivid sketch of Lahore’s Hira Mandi, Shahnaz Kureshy brings alive the legend of Anarkali and Khalid Hasan pays a tribute to the late ‘melody queen’ Nur Jehan. Mohsin Hamid’s essay on exile, Bina Shah’s account of the Karachi vs Lahore debate and Emma Duncan’s piece on elections are essential to the understanding of modern-day Lahore. But the city is also about Lahore remembered. Ved Mehta and Krishen Khanna write about ‘going back’ as Khushwant Singh writes about his pre-Partition years in Lahore. Sara Suleri’s memories of her hometown, the landscapes of Bapsi Sidhwa’s fiction, Khaled Ahmed’s homage to Intezar Hussain and Urvashi Butalia’s Ranamama are tributes to memory as much as they are tributes to remarkable lives and unforgettable places. Including fiction old and new—from Manto and Chughtai to Ashfaq Ahmed and Zulfikar Ghose; Saad Ashraf and Sorayya Khan to Mohsin Hamid and Rukhsana Ahmad, City of Sin and Splendour is a sumptuous collection that reflects the city it celebrates.
The Kensington Quartet; Four Charlotte Holmes mysteries set in Europe during the Great War. LONDON, 1912. Charlotte Holmes, a brilliant polymath, and her former companion Dr Watan, an Indian doctor, have been estranged for nearly a decade, but a chance encounter leads to a ill-tempered meeting. Annabelle Holmes, elder sister of Charlotte, is getting married but the bridegroom is missing and our heroes must solve the mystery to ensure the wedding goes ahead. Meanwhile Watan is hired by Baron Zorkin, the Russian agent, to retrieve some valuable items but the investigation repeatedly collides with the priorities of the Holmes siblings. Charlotte and Branwell must confront dark secrets, their mother's affair with their servant leads to unexpected revelations and the family must re-assess their perceptions of the past. Durga is feeling restless and is demanding that Branwell, her secret lover, must provide her with a baby. However, his wife Rebecca, is profoundly against the notion, thus Branwell attempts to satisfy all parties by suggesting Watan oblige Durga. Dark family secrets are revealed and brutal truths confronted in the opening book of the new arc; The Kensington Quartet .
An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal culture. The modern day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are, unclean, and Maha’s daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of one Lahori courtesan. Beautifully understated, it turns a novelist’s eye on a true story that beggars the imagination. Maha, at fourteen a classically trained dancer of exquisite grace, had her virginity sold to the Sultan of Dubai; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the Sultan come calling once more.
In the past decade Pakistan has become a country of immense importance to its region, the United States, and the world. With almost 200 million people, a 500,000-man army, nuclear weapons, and a large diaspora in Britain and North America, Pakistan is central to the hopes of jihadis and the fears of their enemies. Yet the greatest short-term threat to Pakistan is not Islamist insurgency as such, but the actions of the United States, and the greatest long-term threat is ecological change. Anatol Lieven's book is a magisterial investigation of this highly complex and often poorly understood country: its regions, ethnicities, competing religious traditions, varied social landscapes, deep political tensions, and historical patterns of violence; but also its surprising underlying stability, rooted in kinship, patronage, and the power of entrenched local elites. Engagingly written, combining history and profound analysis with reportage from Lieven's extensive travels as a journalist and academic, Pakistan: A Hard Country is both utterly compelling and deeply revealing.
A continent of permanent revolution, of marauding rebels and despotic governments, yet one of love and laughter, and compassion: this is the Africa of today. 9-year-old Kimo is starved out of his home village by drought. Desperate for help, he sets out for the big city of Bader in the company of his resourceful friends, the visionary Matt, pragmatic Hena and dreaming Golam. Their journey takes them through a country paralysed by the horrors of civil war. Buoyed by laughter, weighed by tragedy and violence this is an impossibly touching, extraordinary accomplishment from an outstanding writer.
In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.
If Nina Khan were to rate herself on the unofficial Pakistani prestige point system – the one she's sure all the aunties and uncles use to determine the most attractive marriage prospects for their children – her scoring might go something like this: +2 points for getting excellent grades –3 points for failing to live up to expectations set by genius older sister +4 points for dutifully obeying parents and never, ever going to parties, no matter how antisocial that makes her seem to everyone at Deer Hook High –1 point for harboring secret jealousy of her best friends, who are allowed to date like normal teenagers +2 points for never drinking an alcoholic beverage –10 points for obsessing about Asher Richelli, who talks to Nina like she's not a freak at all, even though he knows that she has a disturbing line of hair running down her back In this wryly funny debut novel, the smart, sassy, and utterly lovable Nina Khan tackles friends, family, and love, and learns that it's possible to embrace two very different cultures – even if things can get a little bit, well, hairy.
This book moves away from originary myths of region and identity that have dominated academic and mediatized representations of Punjab, a land-locked region divided between India and Pakistan after the Partition of 1947, and instead focuses on the role of the imagination in producing Punjab. It deconstructs Punjab as an ethno-spatial, ethno-linguistic and ethno-cultural construct produced by the communities who dwell there, those who have left it and those formed by new narratives of the region.By isolating imaginings of Punjab that are not centred on exclusivist regional, linguistic, sectarian or caste perspectives, contributions to this book propose the concept of free-flowing cartographies in relation to Punjab, which facilitate its imaginings as a geographical region, a social construct and a state of consciousness. The region is simultaneously imagined as a small place, a neighbourhood, a city, and a village, but also as a performative practice and a certain ways of doing things. Through focusing on a number of Punjabi spaces and communities and engaging with Punjab as a geographical region, social construct and state of consciousness, the papers in the book hope to contribute to broader debates on transnationalism, postnationalism, micronationalism, and new identity narratives emerging in the twenty first century. This book was originally published as a special issue of South Asian Diaspora.