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Bunyan's works re-evaluated, and considered in their Restoration and non-conformist context. This book undertakes a major reassessment of the works of John Bunyan [1628-88], the nonconformist author of The Pilgrim's Progress, who was imprisoned for preaching his beliefs. Through a reading of each of his narratives, and many of his pastoral writings, both in textual detail and in relation to the various traditions - such as Reformed spirituality and the nonconformist trial - within which he lived, preached, and wrote, the author offers a systematic re-evaluation of Bunyan's development as an author. She presents new perspectives on his most popular works, Grace Abounding and The Pilgrim's Progress, whilst arguing that the significance of the lesser-known Life and Death of Mr Badman and The Holy War has been severely underestimated; and she shows how overall the works offer a candid document of nonconformist experience in the Restoration period.
Robert McKelvey argues that John Bunyan wrote The Holy War as a warfare allegory symbolizing the salvation history of Scripture from a Calvinistic-covenantal perspective. In this cosmic drama of redemption, the "Histories That Mansoul, and her Wars Anatomize" include the individual-soteric-microcosmic level or ordo salutis unfolding analogous to the redemptive-historical-macrocosmic level or historia salutis. The eternal covenant of redemption provides the foundation for this history of salvation, which progresses from creation to the anticipation of consummation. This scheme finds its roots in the Puritan philosophy of "universal history" which sees all historical events serving God's redemptive purposes. The individual, through union with Christ founded on election, participates in the drama by inclusion within the trans-historical covenant of grace. As a depiction of cosmic war, The Holy War sets forth the enmity between the church and Antichrist, which is representative of the greater battle between Christ and the devil from Genesis to Revelation. As a pastoral guide to persecuted saints, Bunyan retrospectively rehearses the history of redemption to grant comfort. In addition, he prospectively reveals the consummation of redemption to encourage perseverance and instil eschatological hope. This thesis is substantiated contextually through Bunyan's life and writings, historiographically by surveying the history of Holy War interpretation, pre-textually by examining the introduction to the allegory, and textually by analyzing the allegory itself.
In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.