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Explores the profound implications of human creativity in the image of God, along with the process of becoming an artist dedicated to practicing art from the context of a deep relationship with God. The true Christian artist is not necessarily one who treats religious themes, but one who creates through the Holy Spirit to the glory of God.
At ten, painting a perfect Mona Lisa made Annie Kincaid a prodigy. A similar copy at seventeen made her a crook. Lesson learned: genuine art is priceless, and forgery gets you arrested. Now Annie puts her artistic talents to honest use as a faux finisher in San Francisco. But her past may not be painted over as well as she thought… Annie’s got bad news for her ex-boyfriend, curator Ernst Pettigrew: the snooty Brock Museum’s new fifteen-million-dollar Caravaggio painting is as fake as a three-dollar bill. And the same night Annie makes her shattering appraisal, the janitor on duty is killed—and Ernst disappears. To top it all off, a well-known art dealer has absconded with multiple Old Master drawings, leaving yet more forgeries in their places. Finding the originals—and pocketing the reward money—will get Annie’s new landlord off her back. But it could also draw her into the underworld of fakes and forgers she swore she’d left behind, starting with a close encounter with a changeable but charming art thief…
Sixteen famous paintings from collections around the world have been stolen and replaced with clever forgeries. Now these fake paintings, along with sixteen others, are going up for auction. After an anonymous tip, the reader has to come to the rescue! By comparing the paintings to the originals, the reader has all the clues to figure out which paintings are real and which are fakes. Including work by the world's most famous artists, this book is part mystery, part puzzle, part art reference book, and all-over fun!
Former art forger Annie Kincaid has reinvented her life and now operates a legitimate decorative painting business, but memories are long in the art world. Here, with the blessing of the FBI Art Squad, Annie uses her underworld connections to boost her new art investigation business, where she’s partnered with her ex-art thief/love interest Michael X. Johnson. At first it’s strictly business, but she stumbles across a body in an exclusive Nob Hill men’s club. Then an insurance adjuster asks her to find a stolen -- and forged -- erotic painting. Then her Uncle Anton is attacked and Annie’s on the trail of more than just art. Moving easily between high and low circles, she makes the rounds of Nob Hill and Chinatown, a sex club, and the artists’ studios to find justice.
A sensitive and nuanced exploration of a seldom-discussed subject by an acclaimed novelist The fourteenth volume in the Art of series conjures an ethereal subject: the idea of mystery in fiction. Mystery is not often discussed—apart from the genre—because, as Maud Casey says, “It’s not easy to talk about something that is a whispered invitation, a siren song, a flickering light in the distance.” Casey, the author of several critically acclaimed novels, reaches beyond the usual tool kit of fictional elements to ask the question: Where does mystery reside in a work of fiction? She takes us into the Land of Un—a space of uncertainty and unknowing—to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey’s wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. The Art of Mystery is a striking and vibrant addition to the much-loved Art of series.
This collection of short mysteries by the international-bestselling author of Dust and Shadow “belongs on the top shelf with the very best of Doyle’s” (Nicholas Meyer, author of The Seven-Per-Cent Solution). Inspired by Sir Arthur Conan Doyle’s Sherlock Holmes and Dr. John Watson, Edgar Award–finalist Lyndsay Faye has masterfully woven these quintessential characters into her own works of fiction—from her acclaimed debut novel, Dust and Shadow, to a series of short stories for the Strand Magazine, whose predecessor published the first Sherlock Holmes story in 1892. The best of Faye’s Sherlockian tales, including two new works, are brought together in a collection that spans the character’s career, from self-taught upstart to lauded detective, both before and after he faked his own death over a Swiss waterfall in 1894. In “The Lowther Park Mystery,” the unsociable Holmes is forced to attend a garden party at the request of his politician brother and improvises a bit of theater to foil a conspiracy against the government. “The Adventure of the Thames Tunnel” brings Holmes’s attention to the murder of a jewel thief in the middle of an underground railway passage. With Holmes and Watson encountering all manner of ungrateful relatives, phony psychologists, wronged wives, outright villains, and even a peculiar species of deadly red leech, The Whole Art of Detection is a must-read for any fan of historical crime fiction. “If Lyndsay Faye’s byline weren’t on the cover, readers might deduce that the Sherlock Holmes mysteries in The Whole Art of Detection actually came from Sir Arthur Conan Doyle.” —David Martindale, Fort Worth Star-Telegram
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From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.