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More than just a biography or discography, this work is a thoroughly detailed guide to every known recording of the legendary British rock band The Who--their entire range, from their early hits of the 1960s through the ambitious concept works to their later successes. Many previously uncovered facts are incorporated into the text, and the author has been able to glean exclusive information from The Who's archives. Unrealized Who projects are discussed and analyzed for the first time in print. Finally, the work contains a discography of CDs and an exhaustive appendix of every known Who song.
Compilation of conversations and essays facilitated by the Red Bull Music Academy, a traveling music workshop and lecture series.
The behind-the-scenes access of Almost Famous meets the searing revelations of metoo in this story of a teen journalist who uncovers the scandal of the decade. Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she's equal parts excited and scared, but also ready. She's got this. Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie's world is expanding so rapidly, she doesn't know whether she's flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she's in over her head. One woman's account leads to another and another. Josie wants to expose the man responsible, but she's reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn't step up, who will? From the author of Full Disclosure, this is a moving testament to the MeToo movement, and all the ways women stand up for each other. "Brave, necessary, and unflinchingly real, Off the Record is an instant classic." --Marieke Nijkamp, #1 New York Times Bestselling author of This Is Where It Ends "A vulnerable and powerful pursuit of radical truth from a brave bold voice of this generation." —Kim Johnson, acclaimed author of This Is My America
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
The Age of Anxiety is a great rock novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.
NEW YORK TIMES BESTSELLER • Impeccably researched, this riveting journalistic investigation separates fact from fiction, and documents the unexplained mysteries of—and government reactions to—actual UFOs. “A treasure trove of insightful and eye-opening information.”—Michio Kaku, PH.D., bestselling author of Physics of the Future Leslie Kean, a veteran investigative reporter who has spent the past ten years studying the still-unexplained UFO phenomenon, reviewed hundreds of government documents, aviation reports, radar data, and case studies with corroborating physical evidence. She interviewed dozens of high-level officials and aviation witnesses from around the world. Among them, five Air Force generals and a host of high-level sources—including Fife Symington III, former governor of Arizona, and Nick Pope, former head of the British Defence Ministry’s UFO Investigative Unit—have written their own breathtaking, firsthand accounts about UFO encounters and investigations exclusively for this book. With the support of former White House chief of staff John Podesta, Kean lifts the veil on decades of U.S. government misinformation about this mysterious phenomenon and presents irrefutable evidence that unknown flying objects—metallic, luminous, and seemingly able to maneuver in ways that defy the laws of physics—actually exist. With a Foreword by John Podesta “The most important book on the phenomenon in a generation.”—Journal of Scientific Exploration “Written with penetrating depth and insight, the revelations in this book constitute a watershed event in lifting the taboo against rational discourse about this controversial subject.”—Harold E. Puthoff, PH.D., Director of the Institute for Advanced Studies at Austin “Kean presents the most accurate, most credible reports on UFOs you will ever find. She may not have the final smoking gun, but I smell the gunpowder.”—Miles O’Brien, science correspondent for PBS’s NewsHour
“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).