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Lord North was in many ways a most successful politician. Prime Minister for an unbroken twelve years, his management of both parliament and of the business of government was adept. He enjoyed the confidence of King George III, not always an easy political ally, avoided factional strife (having no political following of his own), was notably uncorrupt and made virtually no enemies. In many ways he epitomised the political outlook and aristocratic assumptions of the eighteenth century. He is, however, principally remembered for presiding over Britain's loss of her American colonies. Lord North: The Prime Minister Who Lost America is a scholarly but highly readable account of his life. It includes a full study of the American War of Independence, examining it from the perspective of the British government as well as from the colonial standpoint. No senior politician had visited America and few had a proper knowledge or understanding of Americans. Too often the colonists were regarded as unruly and ungrateful children, with whom compromise was either a sign of weakness or the betrayal of the principle of parliamentary sovereignty. Highmindedness contributed to the final humiliation, as did ignorant overconfidence. Military defeat, to a country that had become preeminent in Europe by the end of the Seven Years War, was not entertained as a possibility.
Whiteleys was the Harrods of the 19th century. Its clients included English and overseas royalty and it offered - and delivered - "Everything from a pin to an Elephant". Created by William Whiteley, a draper's assistant from Yorkshire, who come to London with just a few pounds in his pocket, it was a remarkable achievement by a remarkable man.
The author of the popular The Tao of Pooh brings back the forgotten diaries of Opal Whiteley, which were the literary sensation of 1920 but surrounded by scandal soon after. Hoff also tells the tale of Opal herself, a gifted but disturbed little girl who was destroyed when her private fantasies were exposed to public scrutiny. 8 pages of black-and-white photographs.
We sit at the table, opposite each other, a tape recorder and a microphone between us, and I begin by saying that I don’t want to start with Brett. ‘That’s a good idea.’ Wendy looks at me and smiles. ‘I didn’t start with Brett.’ These days Wendy Whiteley is a legendary figure in the art world, the keeper of the Brett Whiteley legacy, best known for creating the Secret Garden on the land below her house on Sydney Harbour. But before she met Brett, Wendy was herself a budding artist; her creative work ever since has been under-recognised. Wendy is a survivor: of drug dependence, bitter divorce, the deaths of Brett and their beloved daughter, Arkie. More than that, she is a remarkable figure whose life has had its own contours and priorities. Now in her early eighties—reflective yet outspoken, with a dry wit—she has much to tell about it. The product of many hours of candid conversations at the kitchen table in Lavender Bay with acclaimed Brett Whiteley biographer Ashleigh Wilson, and supplemented by extensive research and interviews with others, this is the unforgettable story of Wendy’s life. Ashleigh Wilson is the author of Brett Whiteley: Art, Life and the Other Thing (2016) and On Artists (2019). He was a journalist and editor for more than two decades, based in Sydney, Brisbane and Darwin, and won a Walkley Award for a series on unethical behaviour in the Aboriginal art industry. Wilson lives with his partner, a designer, and their son, and works at the Sydney Opera House. ‘This astonishing, glorious book reveals Wendy Whiteley as she really is—an artist in her own right, a unique personality. Wendy tells the truth: she made a garden for Australia. And found the right person to tell her amazing story.’ Miriam Margolyes
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In March 2004, Capt. Jason Whiteley was appointed the governance officer for Al Dora, one of Baghdad's most violent districts. His job was to establish and oversee a council structure for Iraqis that would allow them to begin governing themselves.The nature of persuading Iraqis to support the coalition quickly progressed from simply granting them privileges to ignore curfews to a more complex relationship defined by illicit dealing, preferential treatment, and a vicious cycle of assassination attempts. In these streets of Al Dora,Whiteley was feared and loved as the man they called Abu Floos--or "Father of Money."Father of Money is the story of Captain Whiteley's journey into a moral morass, where bribes and blood money, not principle, governed the dissemination of power and possibility of survival. The Iraqi people did not have the patience to withstand daily violence while they waited for the American ideals to crystallize. Captain Whiteley acted to fill this void by allying himself with the leaders who had the best chance of consolidating power, even if they were former insurgents. Eventually, because of these efforts,Captain Whiteley was himself targeted for assassination, signaling an end to his period of extensive influence.Although Captain Whiteley viewed this as a failure, he knew that he needed to reveal a part of Iraqi society that few Americans would ever witness. By delving into the Iraqi culture,Captain Whiteley had dispensed justice, divined futures, and bestowed fortunes in a way the Iraqi people understood and appreciated.This is the story of how change actually occurs in a society devoid of order.