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Edward Zane Carroll Judson aka Ned Buntline (1821–1886) was responsible for creating a highly romantic and often misleading image of the American West, albeit one that the masses found irresistible in the mid-to-late nineteenth century. Some scholars estimate that he wrote at least four hundred dime novels over his lifetime, and perhaps as many as six hundred. While he is best known for discovering William Frederick Cody (Buffalo Bill) and making the irrepressible scout a star, Judson—by that time—had already lived five lifetimes himself: he had fought Seminole Indians in Florida; started and bankrupted three newspapers; published dozens of successful novels; agitated for the Know-Nothing party; and fought in the Union Army during the Civil War. Along the way, the fiery redheaded, gray-eyed writer lectured extensively about temperance between drinking bouts. He married eight women, seduced at least one other, and cavorted with prostitutes, one of whom beat him physically and legally. It wasn’t until 1869 that, en route home from a temperance speaking tour in California, he met Cody in Nebraska, while trying to make contact with another Western star, “Wild Bill” Hickok. Judson’s time with his last three wives overlapped his time with Cody. Their subsequent fight over Judson’s Civil War pension provides not only a unique glimpse into the mind of a narcissistic genius, but also a panoramic view of America’s past forcibly displayed by white, Protestant manhood. The Notorious Life of Ned Buntline captures the likeness of a man whose life was a landscape littered with contradictions--a man whose readers often forgave his Jekyll-and-Hyde behavior because of his inventive portrayal of a country trying to subdue the last of its natural landscapes and make sense of its teeming cities. It will be, at last, an open-eyed look at the man who sparked an American legend but whose own scandalous life somehow escaped history's limelight.
Florida has been the home of many unusual characters throughout the years. Meet Ned Buntline, Laura Riding, Wilson Mizner, Sam Jones, and many others. Storytellers, lawbreakers, movers and shakers, sportsmen, moviemakers, visionaries, and mobsters all left their mark on Florida. Next in series > > See all of the books in this series
Planned nine-volume series devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present.
The formation of new states was an essential feature of US expansion throughout the long nineteenth century, and debates over statehood and states' rights were waged not only in legislative assemblies but also in newspapers, maps, land surveys, and other forms of print and visual culture. Assessing these texts and archives, Kathryn Walkiewicz theorizes the logics of federalism and states' rights in the production of US empire, revealing how they were used to imagine states into existence while clashing with relational forms of territoriality asserted by Indigenous and Black people. Walkiewicz centers her analysis on statehood movements to create the places now called Georgia, Florida, Kansas, Cuba, and Oklahoma. In each case she shows that Indigenous dispossession and anti-Blackness scaffolded the settler-colonial project of establishing states' rights. But dissent and contestation by Indigenous and Black people imagined alternative paths, even as their exclusion and removal reshaped and renamed territory. By recovering this tension, Walkiewicz argues we more fully understand the role of state-centered discourse as an expression of settler colonialism. We also come to see the possibilities for a territorial ethic that insists on thinking beyond the boundaries of the state.