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The ShipCraft series explores the iconic pleasure vessels Titanic, Olympic, and Britannic in fully illustrated detail for building your own model ship. In the first of the ShipCraft series to cover non-naval vessels, this meticulously researched and illustrated volume looks at the legendary cruise ship RMS Titanic and her sisters, Olympic and Britannic. Written for the serious model ship builder, this book not only covers the many model kits available, but a concise history of the ship’s class, including every detail that contributed to the ship’s creation. Accompanied by hundreds of photographs of models in various scales, the text covers paint colors, line drawings, and scale plans, as well as the differences in the ships’ appearance over time. An invaluable resource on available models, their pros and cons, and ways to modify and customize each one, this ShipCraft title concludes with a reference section essential to any modeler.
Explore the history of ocean liners through the objects that bring them to life. Liners represented the ambitions of their nations in peace and war; their design, interiors and fittings incorporated the finest contemporary technological and artistic features. In peacetime they carried celebrities, vacationers and emigrants; while in war they carried thousands of troops – and then war brides seeking new lives. A History of Ocean Liners in 50 Objects takes in evolving technology, supreme luxury and fine cuisine, as well as hardship and the burning hope for a better life. There is peril, disaster and death, international pride and competition, glory and war. The objects tell a fascinating story, showing how the functional sea voyage has evolved from the late nineteenth and early twentieth century to the huge cruise industry we have today.
Promoted as virtually unsinkable, the ultimate luxury liner, the largest ship in the world, the RMS Titanic sank on its maiden voyage in April 1912, taking some 1,500 people to their death. Aboard the ship were the wealthy and famous as well as hundreds of immigrants seeking a new life in America. The most dramatic marine disaster of modern times, the Titanic tragedy captured the interest and imagination of the entire world. The intensity of interest in the catastrophe has increased, particularly after discovery of the wreck off the coast of Newfoundland in the mid-1980s. The resulting literature is vast, including both scholarly and popular sources. Covering more than the published literature, the book also surveys memorabilia, artifacts, cultural icons, music, film, and exhibitions. Divided into three sections, the work opens with a historiographical survey of the literature, then includes descriptive lists of more peripheral material, and concludes with a bibliography of 674 entries. All items covered in the historiographical survey are included in the bibliography. This useful guide will appeal to researchers - both laymen and scholars - interested in the Titanic.
They formed three trios of wonder ships. From the Cunard Line came the Lusitania, Mauretania, and Aquitania. From the White Star Line came the Olympic, the infamous Titanic, and the Britannic. From the Hamburg-Amerika Line came the Imperator, Vaterland and Bismarck, which would later find service as Cunard's Berengaria, the U.S. Line's Leviathan, and White Star's Majestic. They were, in turn, the fastest, most powerful, largest and most luxurious ocean liners that had ever sailed that ocean. Some would find great success; others would suffer disaster. Their careers would be affected by natural elements, by mismanagement, and by the brutalities of war. Their fates were also inextricably intertwined. The all-new 2009 Version of "Atlantic Liners" boasts over 730 photos, as well as nearly a dozen general arrangement plans of the ships. An Introduction has been penned by Mark Chirnside.
This work seeks to understand why a disproportionately large number of third class passengers, particularly women and children, died during the sinking of the Titanic in relation to the first and second classes. It examines the gender, class, social, and cultural factors that influenced this disparity. It aims to uncover both why and how five hundred and thirty one third class passengers died on the night of April 14th 1912. A key area of focus is the difficult relationship between the ship’s authorities and the men of the third class, and the extent to which this determined the fate of passengers during the rescue efforts. The introduction asks ‘Who were the third class passengers?’ and uses ethnic and economic backgrounds to suggest the third class belonged to the ‘Old Immigration’ wave of migrants, rather than the contemporary ‘New Immigration’ of the first and second. The first chapter concerns the exclusion of third class narratives in the ‘popular story’ of the Titanic. Chapters two through seven determine the whereabouts of the third class during every stage of evacuation, and flags the discrepancies in testimonies from both the British and American inquiries. Chapter eight provides a conclusion, which claims the ‘popular story’ includes a great many falsehoods with regard to the third class - including their treatment by crew, their behaviours, and their survival rates. The first appendix tables nationalities into regions; the second outlines the twenty routes to the lifeboats, as testified by one of the Titanic design architects; and the third provides deck plans for every level of the ship.
Titanic scholars contend that the demise of "the unsinkable ship" left more behind than a memory of April 15, 1912, as an important point in history. Through books, films, stories, and songs, the archetypal shipwreck has endured as a metaphor for the perils of mankind's hubris and the fallibility of technology. In 1985, the discovery of the long-missing wreckage two miles below the surface of the Atlantic revitalized interest in the Titanic and spawned a new generation of books, films, and, for the first time, websites, and computer games. James Cameron's blockbuster Titanic became the biggest movie of all time and engendered still greater popular interest in the tragic event. This bibliography is a survey of the immense volume of literary, dramatic, and commercial endeavors that came out of history's most compelling shipwreck. Organized by genre in accessible categories and short entries, the book includes Titanic-inspired documentaries, narrative films, children's books, histories, short stories, novels, plays, articles, essays, software, websites, poems, and songs. Each entry includes a brief review, bibliographic information, and the technical details of the specific source. The reviews include subjective analysis designed to reflect the usefulness of the source and to be of benefit to researchers and scholars. Five appendices include lists of the actors appearing in more than one Titanic film, brief film and television appearances of the Titanic, films never or not yet released, books that survived the wreck, and books written by passengers.