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William Dean Howells' biography and impressions of Henry Wadsworth Longfellow, the famous American poet and educator, provides insight into the life and work of this celebrated author. Longfellow's popular works include 'Paul Revere's Ride', 'The Song of Hiawatha', and 'Evangeline'. His musical lyric poetry, often inspired by mythology and legend, won him immense popularity both in America and overseas. This book sheds light on Longfellow's personal life, his tragedies, and his legacy as a writer as seen through the lens of his contemporaries.
William Dean Howells (1837-1920) was an American realist author and literary critic. He wrote his first novel, Their Wedding Journey, in 1871, but his literary reputation really took off with the realist novel A Modern Instance, published in 1882, which describes the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). While known primarily as a novelist, his short story "Editha" (1905) - included in the collection Between the Dark and the Daylight (1907) - appears in many anthologies of American literature. Howells also wrote plays, criticism, and essays about contemporary literary figures such as Ibsen, Zola, Verga, and, especially, Tolstoy, which helped establish their reputations in the United States. He also wrote critically in support of many American writers. It is perhaps in this role that he had his greatest influence.
The White Mr. Longfellow (from Literary Friends and Acquaintance) by William Dean Howells is a rare manuscript, the original residing in some of the great libraries of the world. This book is a reproduction of that original, typed out and formatted to perfection, allowing new generations to enjoy the work. Publishers of the Valley's mission is to bring long out of print manuscripts back to life.
Charles C. Calhoun's Longfellow gives life, at last, to the most popular American poet who ever lived, a nineteenth-century cultural institution of extraordinary influence and the"one poet average, nonbookish Americans still know by heart" (Dana Gioia). Calhoun's Longfellow emerges as one of America's first powerful cultural makers: a poet and teacher who helped define Victorian culture; a major conduit for European culture coming into America; a catalyst for the Colonial Revival movement in architecture and interior design; and a critic of both Puritanism and the American obsession with material success. Longfellow is also a portrait of a man in advance of his time in championing multiculturalism: He popularized Native American folklore; revived the Evangeline story (the foundational myth of modern Acadian and Cajun identity in the U.S. and Canada); wrote powerful poems against slavery; and introduced Americans to the languages and literatures of other lands. Calhoun's portrait of post-Revolutionary Portland, Maine, where Longfellow was born, and of his time at Bowdoin and Harvard Colleges, show a deep and imaginative grasp of New England cultural history. Longfellow's tragic romantic life-his first wife dies tragically early, after a miscarriage, and his second wife, Fannie Appleton, dies after accidentally setting herself on fire-is illuminated, and his intense friendship with abolitionist and U.S. senator Charles Sumner is given as a striking example of mid-nineteenth-century romantic friendship between men. Finally, Calhoun paints in vivid detail Longfellow's family life at Craigie House, including stories of the poet's friends-Hawthorne, Emerson, Dickens, Fanny Kemble, Julia Ward Howe, and Oscar Wilde among them.
Reproduction of the original: Literary Friends and Acquaintances by William Dean Howells