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Describes the efforts of five women to break through the traditional male dominance of the clergy in churches and synagogues.
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Will German Women Stop the War? This novel will give you an idea about the strength of a German Women during the War. Countess Gisela Neibuhr feels profound dissatisfaction with her country, as a woman -- and so thoroughly disgusted with it as a German that her personal grievances seem far from necessary to fortify her for the momentous role she is soon to play.No one knows what tomorrow may have in store, our actions may change everything and turn events in its rightful place.
Countess Gisela Niebuhr sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal grievances were far from necessary to fortify her for the momentous rôle she was to play with the dawn; but in this rare hour of leisure it amused her naturally introspective mind to rehearse certain episodes whose sum had made her what she was. When she was fourteen and her sisters Lili and Elsa sixteen and eighteen they had met in the attic of their home in Berlin one afternoon when their father was automatically at his club and their mother taking her prescribed hour of rest, and solemnly pledged one another never to marry. The causes of this vital conclave were both cumulative and immediate. Their father, the Herr Graf, a fine looking junker of sixty odd, with a roving eye and a martial air despite a corpulence which annoyed him excessively, had transferred his lost authority over his regiment to his household. The boys were in their own regiments and rid of parental discipline, but the countess and the girls received the full benefit of his military, and Prussian, relish for despotism. In his essence a kind man and fond of his women, he balked their every individual wish and allowed them practically no liberty. They never left the house unattended, like the American girls and those fortunate beings of the student class. Lili had a charming voice and was consumed with ambition to be an operatic star. She had summoned her courage upon one memorable occasion and broached the subject to her father. All the terrified family had expected his instant dissolution from apoplexy, and in spite of his petty tyrannies they loved him. The best instructor in Berlin continued to give her lessons, as nothing gave the Graf more pleasure of an evening than her warblings. The household, quite apart from the Frau Gräfin's admirable management, ran with military precision, and no one dared to be the fraction of a minute late for meals or social engagements. They attended the theater, the opera, court functions, dinners, balls, on stated nights, and unless the Kaiser took a whim and altered a date, there was no deviation from this routine year in and out. They walked at the same hour, drove in the Tiergarten with the rest of fashionable Berlin, started for their castle in the Saxon Alps not only upon the same day but on the same train every summer, and the electric lights went out at precisely the same moment every night; the count's faithful steward manipulated a central stop. They were encouraged to read and study, but not—oh, by no means—to have individual opinions. The men of Germany were there to do the thinking and they did it.
German Countess Gisela Neibuhr is feeling decidedly disappointed with the course her country appears to be going in. A talented writer, Gisela decides to rebel the only way she knows how – through her writing. First published in 1918, the novel was inspired by world events of the time and is a powerful exploration of the social standing of women during wartime, their dissatisfaction with the world around them, and their lack of agency within it. With a strong and inspirational female lead, ‘The White Morning’ is a powerful novel by the feminist author Gertrude Atherton. Gertrude Atherton (1857-1948) was an American novelist, short story writer and early feminist. Born in California, Gertrude attended schools in California and Kentucky and became widely read. She married George H.B. Atherton in 1876, and lived with him and his mother in San Francisco, where they had two children. Atherton struggled with married life, her husband did not support her writing ambitions and Gertrude found life as a wife and mother stifling. When her husband died at sea in 1887, Atherton felt free to pursue her burgeoning career as an author and went on to publish over 50 novels. She is best known for her California series of novels which explored the social history of California and included popular works such as ‘The Californians’ and the controversial ‘Black Oxen’ which was adapted into a silent movie in 1923. Feminist themes and strong female characters are common in her novels. She died in San Francisco in 1948.
Countess Gisela Neibuhr feels profound dissatisfaction with her country, as a woman -- and so thoroughly disgusted with it as a German that her personal grievances seem far from necessary to fortify her for the momentous role she is soon to play. Gisela has risen in German society on the strength of her literary talents -- but talents put to what use . . . for she hopes for nothing less than a revolt from within the deepest heart of German society. No one knows what the future holds, or what unexpected event will suddenly end the war, wrote Gertrude Atherton of her 1918 novel, but I should not have written The White Morning if I had not been firmly convinced that a Gisela might arise at any moment -- and deliver the world.
Excerpt from The White Morning a Novel of the Power of the German Women in Wartime Countess Gisela Niebuhr sat in the long dusk of Munich staring over at the beautiful park that in happier days had been famous in the world as the Englischer Garten, and deliberately recalled on what might be the last night of her life the successive causes that had led to her profound dissatisfaction with her country as a woman. She was so thoroughly disgusted with it as a German that personal grievances were far from necessary to fortify her for the momentous role she was to play with the dawn; but in this rare hour of leisure it amused her naturally introspective mind to rehearse certain episodes whose sum had made her what she was. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Born on October 30, 1857, in San Francisco, Gertrude Franklin Horn Atherton was fortunate enough to be raised by her grandfather after her parents divorced when she was two. Her grandfather was Stephen Franklin, a relative of Benjamin Franklin, was deeply committed to her education. After completing school, she ended up eloping with her mother's suitor, George H. B. Atherton, and moved to live with him and his family in Fair Oaks, California. Life was difficult, because of the constricting role of womanhood, Atherton found herself in. Sadly, her husband and son died as a result of two different tragedies. Left alone to care for their daughter, Muriel, Atherton turned to writing. She quickly gained notoriety after her first book, The Randolphs of Redwood: A Romance was published. Her family was very disappointed because of the nature of the publication, so she traveled to New York and Paris, where her writing began to be embraced. She wrote under psuedonyms, including male ones such as Frank Lin, especially early in her career. She was an extraordinarily prolific writer, writing dozens of books in addition to writing for newspapers and magazines, along with plays and films. She was a feminist, and in this work, The White Morning, Atherton imagines the world as led by women.
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