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After a death at The White Camellia Orphanage, young Pip Tatnall leaves Lexsy Georgia, to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America. On Marly Youmans’s prior forays into the world of the past, reviewers praised her “spellbinding force” (Bob Sumner, Orlando Sentinel), “prodigious powers of description” (Philip Gambone, The New York Times), “serious artistry,” “unobtrusively beautiful language,” and “considerable power” (Fred Chappell, The Raleigh News & Observer.), “haunting, lyrical language and fierce intelligence” (starred review, Publishers Weekly.) Howard Bahr wrote of The Wolf Pit, “Ms. Youmans is an inspiration to every writer who must compete with himself. I had thought Catherwood unsurpassable, but Ms. Youmans has done it. Her characters are ℜ they live and move in the stream of Time as if they had passed only yesterday. Her lyricism breaks my heart and fills me with envy and delight. No other writer I know of can bring the past to us so musically, so truly.”
Allen W. Trelease’s White Terror, originally published in 1971, was the first scholarly history of the Ku Klux Klan in the South during Reconstruction. With its research rooted in primary sources, it remains among the most comprehensive treatments of the subject. In addition to the Klan, Trelease discusses other night-riding groups, including the Ghouls, the White Brotherhood, and the Knights of the White Camellia. He treats the entire South state by state, details the close link between the Klan and the Democratic party, and recounts Republican efforts to resist the Klan. Winner of the Charles S. Sydnor Award from the Southern Historical Association
Hardy camellias reward the gardener with striking and profuse blooms when the rest of the garden sleeps. This encyclopedia is the definitive guide to these beautiful and varied flowering plants.
From the New York Times bestselling author of Always and Blackberry Winter: “An intoxicating blend of mystery, history and romance, this book is hard to put down.”—Real Simple On the eve of World War II, the last surviving specimen of a camellia plant known as the Middlebury Pink lies secreted away on an English country estate. Flora, an amateur American botanist, is contracted by an international ring of flower thieves to infiltrate the household and acquire the coveted bloom. Her search is at once brightened by new love and threatened by her discovery of a series of ghastly crimes. More than half a century later, garden designer Addison takes up residence at the manor, now owned by the family of her husband, Rex. The couple’s shared passion for mysteries is fueled by the enchanting camellia orchard and an old gardener’s notebook. Yet its pages hint at dark acts ingeniously concealed. If the danger that Flora once faced remains very much alive, will Addison share her fate? Fans of Downton Abbey should rush to pick up this novel.
My Soulful Home, A Year in Flowers offers detailed instruction for those new to floral arrangements and fresh inspiration to the experienced. Join award winning blogger Kelly Wilkniss as she seeks to elevate the every day with fresh cut beauty, illustrated with 105 gorgeous pictures.
A century after Appomattox, the civil rights movement won full citizenship for black Americans in the South. It should not have been necessary: by 1870 those rights were set in the Constitution. This is the story of the terrorist campaign that took them away. Nicholas Lemann opens his extraordinary new book with a riveting account of the horrific events of Easter 1873 in Colfax, Louisiana, where a white militia of Confederate veterans-turned-vigilantes attacked the black community there and massacred hundreds of people in a gruesome killing spree. This was the start of an insurgency that changed the course of American history: for the next few years white Southern Democrats waged a campaign of political terrorism aiming to overturn the Fourteenth and Fifteenth Amendments and challenge President Grant'ssupport for the emergent structures of black political power. The remorseless strategy of well-financed "White Line" organizations was to create chaos and keep blacks from voting out of fear for their lives and livelihoods. Redemption is the first book to describe in uncompromising detail this organized racial violence, which reached its apogee in Mississippi in 1875. Lemann bases his devastating account on a wealth of military records, congressional investigations, memoirs, press reports, and the invaluable papers of Adelbert Ames, the war hero from Maine who was Mississippi's governor at the time. When Ames pleaded with Grant for federal troops who could thwart the white terrorists violently disrupting Republican political activities, Grant wavered, and the result was a bloody, corrupt election in which Mississippi was "redeemed"—that is, returned to white control. Redemption makes clear that this is what led to the death of Reconstruction—and of the rights encoded in the Fourteenth and Fifteenth Amendments. We are still living with the consequences.
This is a comprehensive examination of the use of violence by conservative southerners in the post-Civil War South to subvert Federal Reconstruction policies, overthrow Republican state governments, restore Democratic power, and reestablish white racial hegemony. Historians have often stressed the limited and even conservative nature of Federal policy in the Reconstruction South. However, George C. Rable argues, white southerners saw the intent and the results of that policy as revolutionary. Violence therefore became a counterrevolutionary instrument, placing the South in a pattern familiar to students of world revolution.
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The author has used the characters in his book to reflect his own deep insights into life and living and dying. Many of his well-read friends have commented that they have never read a book like One White Camellia and have asked if some of the more mystical happenings relayed in the story had actually happened. They also admitted that they could not put the book down until they had read it cover to cover. Though the author has lived what would appear to most as a very ordinary life, over the past half century he has lived the background and many of the accidentals that appear in One White Camellia. He began writing the novel in 1960, shortly after he married, but, as the children arrived in rapid succession, he put off finishing the book until, 'The kids were raised.' But One White Camellia never left his mind or heart.