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An “extremely atmospheric and poignant” novel of wounds that never heal and lives forever scarred by World War I (Books Monthly). They’re called Whistlers—residents of a German hospital who have all been wounded in the throat, and whose every breath is punctuated with a high-pitched whistle. One young soldier, Pointner, has no hope for recovery. His only solace comes from the British sniper’s cap he keeps as a trophy. Fellow casualty Kollin clings to the belief that he will be whole again. When an unlikely comrade joins them in the ward—the Englishman Harry, similarly injured but separated by allegiance—they find themselves bound, beyond the countries and crowns that have forgotten them, not only by their wounds but also by their common humanity.
En gennemgang af Smithsonian Institutions Peacock Room, indrettet af J.A.M. Whistler (1834-1903)
Catalog of the exhibition of the same name held at: Dulwich Picture Gallery, London, from October 16, 2013, through January 12, 2014; Addison Gallery of American Art, Philips Academy, Andover, Massachusetts, from February 1, 2013, through April 13, 2014; and Freer Gallery of Art, Smithsonian Institution, Washington, D. C., May 2-17, 2014.
Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.
‘A captivating tale ...This novel is a delight’ THE TIMES ‘A terrific novel ... It springs off the page’ DEBORAH MOGGACH 'Vividly engaging’ SUNDAY TIMES
Picking up roughly where the memoir "Down from Troy" leaves off, as Selzer's writing life flourishes and his surgical career ends, "Diary" brings together stories and observations dashed off on park benches and in library carrels over the past decade.
DEAD AGAIN: Forced to come to terms with his wife's death, Daniel discovers he has an affinity with other-worldly creatures. With the help of a mysterious clairvoyant, Daniel attempts to use his new-found abilities to find his wife's killer. However, all is not as it seems, and instead of finding answers, every twist and turn will lead Daniel to yet more questions. Frustrated, Daniel asks his new friend for help. Can he hold onto his sanity long enough to find the killer? BONE YARD: Daniel finds himself in the middle of a police investigation. People are dying, being ripped to shreds, and all the clues lead to something supernatural. When Daniel meets some colourful character from the spiritual underworld, he begins to wonder just how deep the investigation runs. Can he find the culprit before they decide he is a threat? SLEEP DEMON: A bizarre murder leads Daniel to a century's old secret. The descendants of a Viking horde are hiding from an ancient curse. Can Daniel save his mentor and unravel the mystery before his friends are destroyed? Deep under the streets of London, a hidden race of bird-like creatures have been patiently waiting for the return of their master. Old enemies have allied with the creatures, and together they are bringing about a chain of events which could destroy the city.
“Remarkable . . . With this book [Wolitzer] has surpassed herself.”—The New York Times Book Review "A victory . . . The Interestings secures Wolitzer's place among the best novelists of her generation. . . . She's every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."—Entertainment Weekly (A) The New York Times–bestselling novel by Meg Wolitzer that has been called "genius" (The Chicago Tribune), “wonderful” (Vanity Fair), "ambitious" (San Francisco Chronicle), and a “page-turner” (Cosmopolitan), which The New York Times Book Review says is "among the ranks of books like Jonathan Franzen’s Freedom and Jeffrey Eugenides The Marriage Plot." The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.