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Barcelona, 1952: General Franco's fascist government is at the height of its oppressive powers, casting a black shadow across the city. When wealthy socialite Mariona Sobrerroca is found dead in her mansion in the exclusive Tibidabo district, the police scramble to seize control of the investigation.Ana Martí Noguer, an eager young journalist, is surprised to be assigned this important story, shadowing Inspector Isidro Castro. But Ana soon realizes that a bundle of strange letters unearthed at the scene point to a sequence of events dramatically different from the official version. She enlists the help of her cousin Beatriz, a scholar, and what begins as an intriguing puzzle opens up a series of revelations that implicate the regime's most influential figures. The two women have placed themselves in mortal danger. As the conspiracy unfolds, Ana's courage and Beatriz's wits will be their only weapons against the city's corrupt and murderous elite.
In Civilization and Its Discontents, Sigmund Freud claimed that Rome must be comprehended as "not a human dwelling place but a mental entity," in which the palaces of the Caesars still stand alongside modern apartment buildings in layers of brick, mortar, and memory. "The observer would need merely to shift the focus of his eyes, perhaps, or change his position, in order to call up a view of either the one or the other." In this one-of-a-kind book, historian Richard Bosworth accepts Freud's challenge, drawing upon his expertise in Italian pasts to explore the many layers of history found within the Eternal City. Often beginning his analysis with sites and monuments that can still be found in contemporary Rome, Bosworth expands his scope to review how political groups of different eras—the Catholic Church, makers of the Italian nation, Fascists, and "ordinary" Romans (be they citizens, immigrants, or tourists)—read meaning into the city around them. Weaving in the city's quintessential figures (Garibaldi, Pius XII, Mussolini, and Berlusconi) and architectural icons (the Vatican, St. Peter's Basilica, the Victor Emmanuel Monument, and EUR) with those forgotten or unknown, Bosworth explores the many histories that whisper their rival and competing messages and seek to impose their truth upon the passing crowds. But as this delightful study will reveal, Rome, that magisterial palimpsest, has never accepted a single reading of its historic meaning.
Containing 24 essays, each on a different film, this work provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada.
Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
A circus-performer-turned-PI takes on “murder and intrigue from New York to Iran” in this “well done, suspenseful” unconventional mystery (Newsday). With a genius IQ, a past career as a circus acrobat, and a black belt in karate, criminology professor Dr. Robert Frederickson—better known as “Mongo the Magnificent”—has a decidedly unusual background for a private investigator. He also just so happens to be a dwarf. When his former big-top boss asks him to find a missing Iranian strongman, Mongo is plunged into a three-ring circus of murder, espionage, and international intrigue. And when Mongo’s own brother—police officer Garth Frederickson—gets involved, the detective must fly to Iran, a country on the brink of a revolution. Now he’s searching for two missing men, from Tehran to the ancient city of Persepolis, playing a game of a cat-and-mouse with forces far beyond his control. And unlike his days as an acrobat, this time, if he slips up, there’s no net . . . With a fearless sense of fun, author George C. Chesbro continues the adventures of “one of the most appealing creations in the detective world” (Publishers Weekly). City of Whispering Stone is the 2nd book in the Mongo Mysteries, but you may enjoy reading the series in any order.
The history of Canadian filmmaking is a fascinating topic and, in this book, the author takes the reader through the early years of the twentieth century when Hollywood monopolized the industry, Edison's Kinctoscope enthralled the public, and motion picture exhibitions swept across Canada.
"Eerie and addictive. . . . Like Wuthering Heights, The Whispering House is a melancholy novel, its characters filled with dark longings." — The New York Times Book Review From the acclaimed author of The Orphan of Salt Winds It was like holding a couple of jigsaw pieces in my palm, knowing there was a whole picture to be made, if I could only find the rest. Freya Lyell is struggling to move on from her sister Stella’s death five years ago. Visiting the bewitching Byrne Hall, only a few miles from the scene of the tragedy, she discovers a portrait of Stella—a portrait she had no idea existed, in a house Stella never set foot in. Or so she thought. Driven to find out more about her sister’s secrets, Freya is drawn into the world of Byrne Hall and its owners: charismatic artist Cory and his sinister, watchful mother. But as Freya lingers in this mysterious, centuries-old house, her relationship with Cory crosses the line into obsession and the darkness behind the locked doors of the estate threatens to spill out. In prose as lush and atmospheric as Byrne Hall itself, Elizabeth Brooks weaves a simmering, propulsive tale of art, sisterhood, and all-consuming love: the ways it can lead us toward tenderness, nostalgia, and longing, as well as shocking acts of violence.
The poems in The Starry Messenger explore the many facets of Galileo Galilei's life and times--his troubled childhood, his appetites and love affairs, his early scientific discoveries, his famed exploration of the heavens, his house arrest, his blindness. Emphasizing Galileo's independent nature and his affection for his mistress and daughter, George Keithley provides one of the most personal portraits of the astronomer ever written. In the process, he depicts the sensuous world of religion, magic, and science that was seventheenth-century Florence, Padua, Venice, Ostia, and Rome.
The dramatic story of neighbors in a small Danish fishing village who, during the Holocaust, shelter a Jewish family waiting to be ferried to safety in Sweden - based on a true story. It is 1943 in Nazi-occupied Denmark. Anett and her parents are hiding a Jewish woman and her son, Carl, in their cellar until a fishing boat can take them across the sound to neutral Sweden. The soldiers patrolling their street are growing suspicious, so Carl and his mama must make their way to the harbor despite a cloudy sky with no moon to guide them. Worried about their safety, Anett devises a clever and unusual plan for their safe passage to the harbor.